Friday, February 12, 2010

Needs To Stop: The Who


Yes, The Who, more like The Two nowadays are one of the many sad examples of classic rock bands that just don't know when to quit. In this case, it's even more evidant when the two original memers left can't do what made them famous anymore. Let's face the facts, Roger Daltrey's voice is shot. It died years ago, however now it seems like his voice has gotten to the point where he can't finish a song without Pete Townshend's equally wrecked voice having to cover for him. Then there's Pete Townshend. He may be the more able of the two, but no matter how many times he can windmill his arm won't cover up the fact that he can't solo for shit anymore.
People thought that The Who were over when Kieth Moon died, but they kept going, and years later when their bassist The Ox passed away The Who were back playing shows in no time. When two icons as big and as talanted as Moon and Entwistle pass on, it's hard to continue as an integriable band. But no, Townshend is convinced that he is the heart and soul of the band. In his mind, he was the one who started the group, so he gets to decide exactly who makes up The Who.

They have done some good, don't get me wrong. Zak Starkey, son of Ringo Starr and former drummer for Oasis is a splendid fill in on the skins. He attacks the drums with a decent amount of intensity and is slightly reminiscent of Kieth Moon. On the bass however they are extremely lacking. Pino Pallidino is a sad excuse for a bassist. He adds absolutely nothing to the band. Having seen The Who live recently, and seeing videos of them perform, it is hard to even notice that Pallidino is playing. The Ox was a legend, and is arguably one of the best bassists of all time. So in filling the shoes of a legend, a soulless session player does not satisfy my appetite.

Then we get to The Super Bowl. The Super Bowl half-time shows have gotten immensly better over the years. Luckily the days of Brittney Spears performing with Aerosmith are gone thanks to Janet Jackson's nip slip which cost MTV the rights to produce the half-time shows. In recent years, The Super Bowl has stuck to one legendary rock band performing a 15 minute medley of hits. This has rendered some absolutely unforgettable performances (Prince, Bruce Springsteen) and some mediocre ones (Tom Petty, The Rolling Stones). However, no half-time show has been unbearable as The Who. 

After forming my own opinion, talking to friends and reading reviews, I can conclude that the one thing about this performance was it was technically amazing. Whoever the lighting and set designer for this performance were really did a stellar job at distracting millions of people from realizing how bad The Who sounded that night. Daltrey was off-key, and off-tempo. Townshend's playing was all pomp and had no substance to it whatsoever. Their song choice was typical, playing mainly classic tracks that serve as theme songs to CBS shows the performance seemed like a huge advertisement for CSI. To top it all off, there was blatant lip-synching being done by Daltrey. The "Won't Get Fooled Again" scream wasn't even shown on camera and was obviously digitally enhanced. Why do this? Why does one of the greatest rock bands of all time have to lip-synch their own songs? Is it because CBS wanted to ensure audio quality for their broadcast? Possibly, that could be one underlying reason. But the main reason is this is a band who pretends to still be on top of their game, even though it is quite evident that they aren't. 

I respect The Who and they certainly were one of the pioneers of hard rock, but there has to come a point in these classic artist's careers where they need to pass the spotlight to the next generation of great artists. There are many younger bands at the peak of their careers (full list to come later) who may not have been blessed with the commercial success of The Who but certainly could put on a much more rewarding performance than what we saw last Sunday.
I still respect The Who, and the legacy that they have had. But like so many other classic artists they have reached a point where they have become so past their expiration date that it's not even enjoyable anymore. So please, Roger, Pete, stop making music. 


Thursday, February 11, 2010

The Beach Boys - Landlocked


As famous as The Beach Boys are they really are an underrated group. In the 1970's The Beach Boys had a renaissance, releasing albums that expanded and experimented their sound, showcasing highly intricate and beautiful arrangements of music. Brian Wilson really was the Mozart of rock. The swirling harmonies with the layered instrumentation of Pet Sounds is what made that album one of the greatest albums of all time, and in my book rivals Sgt. Pepper. However, while these later Beach Boys albums such as Holland and Surf's Up broadened The Beach Boy's abilities, they were not as commercially accessible. Maybe it's their name that gets this band's music associated with 5 and Diners and all things sunny. Whatever it is I wish people would push past the Greatest Hits and start to delve deeper into this bands discography. They really produced some intriguing music in the '70s. Landlocked were bootleg sessions that the band recorded when the band was between labels. Their new label didn't want to release the songs and Capital wouldn't put it out either. While most of these tracks made in on to later Beach Boys albums, some really ingenious and creative tracks were lost in the ether. "H.E.L.P. Is On The Way" for instance is practically a PSA about eating organic healthy food. Strange? Yes, but brilliant at the same time. Luckily Landlocked has remained alive thanks to the Internet.    

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Wednesday, February 10, 2010

Mumford & Sons


Saw these guys perform today and they really impressed me. Of course their debut album was released in 2009 and completely went past my radar so I am playing catchup. This is what the new Avett Brothers album should have sounded like. The singer's voice is completely impassioned and they strum and pick with a purpose. It's no wonder that their current tour is selling out all over the place. Alternative folk and bluegrass at its best.  

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Tuesday, February 9, 2010

The Soft Pack


Meet San Diego's The Soft Pack (formerly The Muslims), they have released a new album in 2010 that will perfectly accompany you while you cruise on the freeway at midday. Enjoy. 

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Monday, February 8, 2010

Sick.


Yup. It's going to be slow here the next few days, but trust me it will be worth it. I'm working on an all new "Needs to Stop" segment. I won't say who exactly, but let's just say The Colts weren't the only painful thing to watch during the Superbowl.

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Saturday, February 6, 2010

The Superbowl Shuffle


The Superbowl has become more important than most national holidays in many households and is undoubtedly the single most popular sporting event in America. Music has also integrated itself into the importance of The Superbowl, the half-time show has become reserved for true legends in the music industry. The Who are scheduled to take the field this year. Having seen what's left of The Who live, I am not expecting much. Oh well, go Colts. 

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Wednesday, February 3, 2010

Gillian Welch



One of the most prolific country folk songwriters alive today, and she's still relatively unknown which is amazing. You may recognize her voice from her contribution to the O Brother, Where Art Thou? soundtrack. This thursday at The Troubadour in Los Angeles she will be accompanying her longtime songwriter and harmonizer Dave Rawlings and his first ever headlining slot as a front man as The Dave Rawlings Machine. Rawlings alone is a tremendous songwriter who has helped boost notable acts such as Old Crow Medicine Show and Ryan Adams to fame, but when he and Gillian perform together, magic happens. Just watch the video. 




Tuesday, February 2, 2010

Ryan Adams


I have never been as big of a fan of Ryan Adams as I should be. I know he has done some tremendous work for the Alt-Country scene, and Whiskeytown is a highly influential group, still I haven't listened to him enough. That being said, he has crafted some profound work. This track "The Bar is a Beautiful Place" was a B-side to Gold. It's a fairly simple slow song that creates a very palatable atmosphere of a bar. Upon listening, I truly felt that Adams was sitting at a barroom piano singing about the saloon he was in. 

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