tag:blogger.com,1999:blog-33215496552844119082024-03-12T19:02:40.612-07:00Shiny Tops & Soda Popsc.kopphttp://www.blogger.com/profile/04963359987019802668noreply@blogger.comBlogger382125tag:blogger.com,1999:blog-3321549655284411908.post-52469393083659162072014-12-21T12:50:00.000-08:002014-12-21T12:54:47.020-08:00ST&SP: 2014 Year In Review<div class="separator" style="clear: both; text-align: center;">
<a href="http://2.bp.blogspot.com/-WatzWNdGcGs/VJcoIDvBbdI/AAAAAAAABP0/r7nOwaZFP0M/s1600/c3fpm2n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://2.bp.blogspot.com/-WatzWNdGcGs/VJcoIDvBbdI/AAAAAAAABP0/r7nOwaZFP0M/s1600/c3fpm2n.jpg" height="400" width="400" /></a></div>
Not going to lie. 2014 was not an impressive year for music. Other than my #1 which I think I connect to on a more personal level, I don't think there were really any "game changers" that were released this year. Which, is totally fine I think there might be five truly iconic albums released per decade anyways. I didn't listen to that much music this year, normally I do twenty-five, but this year I'm doing ten mostly because I don't have the free time like I did when I was compiling these lists in college and high school, but also because I don't want to write about an album I only listened to once or twice just to stretch this list out. There are a bunch of artists I left out, and I will be adding a ton of them to my monthly <a href="http://open.spotify.com/user/ckopp11/playlist/26Y5raq9cSGBjvnAlqGBB5" target="_blank">PLAYLIST THAT YOU ALL SHOULD SUBSCRIBE TO.</a> So let's get into it shall we?<br />
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<a href="http://3.bp.blogspot.com/-XkP5pZF1-ng/VJcoFxMj8sI/AAAAAAAABQk/SsLT8Qbt0lc/s1600/Benjisunkilmoon.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://3.bp.blogspot.com/-XkP5pZF1-ng/VJcoFxMj8sI/AAAAAAAABQk/SsLT8Qbt0lc/s1600/Benjisunkilmoon.jpg" height="355" width="400" /></a></div>
<span style="font-size: x-large;"><b>1. Sun Kil Moon - <i>Benji</i></b></span><span style="font-family: inherit;"><span style="font-size: small;"><b><span style="font-weight: normal;"> </span></b></span></span><br />
<span style="font-family: inherit;"><span style="font-size: small;"><b><span style="font-weight: normal;">A lot of people think Mark Kozelek is an asshole. While I
don’t normally pay attention to heresy tabloid stuff, I think his feud with War
on Drugs was a joke that was originally done in good jest that the
Twittersphere turned into something ugly. Luckily for us Kozelek just does not
give a fuck, which is something many bloggers these days have forgotten the
meaning of. Regardless of controversy, Sun Kil Moon’s new record Benji holds
two accolades in my book; it’s the best album of the year and the most
depressing album of the year by a longshot. I have friends who had a hard time
listening to Benji because it bummed
them out too much. I would argue that if an album made a person feel something
even if it be pain and sadness that is the mark of a great album. I assure you,
Benji is not all that scary. What we
have here is a collection of some of the most lyrically vivid songs I have ever
heard. Mark Kozelek paints songs that are so personal and familial to him, yet
somehow the listener is able to find the common relatable truths behind them
all. Take “Dogs” for example, which is a tale of a man recounting his sexual
history through different girls he knew at various stages of his life. What the
listener hears however is a man lamenting his inability to know what true love
feels like after having thrown it away on casual flings so many times in the
past. Then there’s what I consider to be the most poignant and controversial
song I’ve heard in years, “Pray for Newtown.” A song that tells Kozelek’s
history of what he was doing during many different shootings that led up to the
tragedy in Newtown. Basically the song is a rallying cry that if people think
these shootings need to stop, then they
need to actually give a shit and try to change things rather than caring for a
few days then going about their lives. It’s a tough pill to swallow because it
is so god damn true. The blunt truths found within these vibrant songs are what
make Benji most appealing. Yes
they’re sad, some are funny and others are cautionary tales. Sun Kil Moon has
given us a stunningly beautiful album that shows all</span></b></span></span><br />
<div class="MsoNormal" style="text-align: left;">
<span style="font-family: inherit;"><span style="font-size: small;"><b><span style="font-weight: normal;">the different shades and
multifaceted layers that make up death.</span></b></span></span><br />
<div style="text-align: center;">
<span style="font-size: x-large;"><b><span style="font-size: small;"><span style="font-weight: normal;"><iframe allowtransparency="true" frameborder="0" height="380" src="https://embed.spotify.com/?uri=spotify:track:4rlXdDDbVMeImqH3EfjgJ9" width="300"></iframe></span></span></b></span></div>
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<a href="http://2.bp.blogspot.com/-y4cItnsPJg0/VJcqcE7HbzI/AAAAAAAABQw/Gshfm0tIIcc/s1600/Flying-Lotus-Youre-Dead.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://2.bp.blogspot.com/-y4cItnsPJg0/VJcqcE7HbzI/AAAAAAAABQw/Gshfm0tIIcc/s1600/Flying-Lotus-Youre-Dead.jpg" height="400" width="400" /></a></div>
<span style="font-size: x-large;"><b><span style="font-size: small;"><span style="font-weight: normal;"> </span></span><b><span style="font-weight: normal;"><b>2. Flying Lotus - </b><i><b>You're Dead! </b></i></span></b></b></span><br />
<br />
<span style="font-family: inherit;"><span style="font-size: 11pt; line-height: 115%;">Flying Lotus is not afraid to challenge his listeners
and that is 100% great with me. For being a respected DJ and Producer Flying
Lotus has presented us with <i style="mso-bidi-font-style: normal;">You’re Dead! </i>Which
is essentially a fusion-jazz album that is centered around two tracks featuring
Kendrick Lamar and Snoop Dogg. It’s an erratic album full of varying knots of
sounds, that aren’t afraid to go in a different direction at a moment’s notice.
It’s a beautiful and terrifying and anxious and sometimes peaceful event, much
like death.</span></span><br />
<div style="text-align: center;">
<span style="font-family: inherit;"><span style="font-size: 11pt; line-height: 115%;"><iframe allowtransparency="true" frameborder="0" height="380" src="https://embed.spotify.com/?uri=spotify:track:6CTG85NJI1Wm60pxTSRNwL" width="300"></iframe></span></span></div>
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<a href="http://4.bp.blogspot.com/-HpaHktkxngQ/VJcq-8NHHmI/AAAAAAAABQ4/1V4QiTznIjg/s1600/RunTheJewelsRTJ2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://4.bp.blogspot.com/-HpaHktkxngQ/VJcq-8NHHmI/AAAAAAAABQ4/1V4QiTznIjg/s1600/RunTheJewelsRTJ2.jpg" height="400" width="400" /></a></div>
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<div style="text-align: left;">
<span style="font-family: inherit;"><span style="font-size: x-large;"><b>
3. Run The Jewels - <i>Run The Jewels II</i></b></span></span></div>
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<![endif]--><span style="font-family: inherit;"><span style="font-size: 11pt; line-height: 115%;">There has been a gaping void of musical artists
willing to tackle important political and social issues as of late. Rage
Against The Machine are gone, Public Enemy doesn’t make new music any more.
Luckily for us El-P and Killer Mike have stepped up to the plate and have
provided us an incredibly prolific and razor sharp album that highlights much
of the pain and atrocities many Americans have been subjected to recently. Also
it’s got the fortune of having El-P as a producer to provide the most massive
beats possible. Leaps and bounds the best Hip-Hop album of the year.<span style="mso-spacerun: yes;"> </span></span></span></div>
<div style="text-align: center;">
<span style="font-family: inherit;"><span style="font-size: 11pt; line-height: 115%;"><span style="mso-spacerun: yes;"><iframe allowtransparency="true" frameborder="0" height="380" src="https://embed.spotify.com/?uri=spotify:track:76QLGx0NleOYqkDtL7HKIA" width="300"></iframe></span></span></span></div>
<div style="text-align: left;">
<span style="font-family: inherit;"><span style="font-size: 11pt; line-height: 115%;"><span style="mso-spacerun: yes;"><br /></span></span></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="http://2.bp.blogspot.com/-z6ziFg2dv60/VJcrkaGwhhI/AAAAAAAABRA/qKFA-HvxtuI/s1600/41f440f9.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://2.bp.blogspot.com/-z6ziFg2dv60/VJcrkaGwhhI/AAAAAAAABRA/qKFA-HvxtuI/s1600/41f440f9.jpg" height="400" width="400" /></a></div>
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<div style="text-align: left;">
<span style="font-family: inherit;"><span style="font-size: 11pt; line-height: 115%;"><span style="mso-spacerun: yes;"><span style="font-size: x-large;"><b>4. The War On Drugs - <i>Lost In The Dream</i></b></span></span></span></span></div>
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The War on Drugs return with their masterpiece <i style="mso-bidi-font-style: normal;">Lost In The Dream. </i>This is an album that
combines Wilco’s alt-country experimentalism with Arcade Fire’s dirgey
landscapes. <i style="mso-bidi-font-style: normal;">Lost In The Dream </i>is a
record I imagine Tom Petty would raise his glass to. This is a sonically
perfect album that chugs along with impressive guitar work throughout. The way
“Red Eyes” and “An Ocean In Between The Waves” build makes them seem like
instant classics, and who knows down the line they will probably played on the
classic rock radio station as it is. </div>
<div style="text-align: center;">
<iframe allowtransparency="true" frameborder="0" height="380" src="https://embed.spotify.com/?uri=spotify:track:71jGGLe5VtEHjIk5dU2W3S" width="300"></iframe></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="http://3.bp.blogspot.com/-b_aULh-Hi4s/VJcsJAbdfiI/AAAAAAAABRI/jG_wZ-3Tfao/s1600/8a851f3a-1406733757.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://3.bp.blogspot.com/-b_aULh-Hi4s/VJcsJAbdfiI/AAAAAAAABRI/jG_wZ-3Tfao/s1600/8a851f3a-1406733757.jpg" height="400" width="400" /></a></div>
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<span style="font-family: inherit;"><span style="font-size: 11pt; line-height: 115%;"><span style="mso-spacerun: yes;"><span style="font-size: x-large;"><b>5. Spoon - <i>They Want My Soul</i></b></span></span></span></span><br />
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<span style="font-family: inherit;"><span style="font-size: 11pt; line-height: 115%;"><span style="mso-spacerun: yes;"><span style="font-size: x-large;"><span style="font-family: inherit;"><span style="font-size: 11pt; line-height: 115%;">Spoon have managed to bounce back with one of their
most daring and eclectic releases to date, while still remaining true to the
sound that got them to where they are. It sounds like every other Spoon album,
but different, ya know? It sounds like a god-damn confident rock album. </span> </span></span></span></span></span><br />
<div style="text-align: center;">
<span style="font-family: inherit;"><span style="font-size: 11pt; line-height: 115%;"><span style="mso-spacerun: yes;"><span style="font-size: x-large;"><span style="font-family: inherit;"></span><b><i></i></b><span style="font-family: inherit;"><span style="font-family: inherit;"><span style="font-size: small;"><iframe allowtransparency="true" frameborder="0" height="380" src="https://embed.spotify.com/?uri=spotify:track:0KoqGhlIE6z7Wyil2MN0xh" width="300"></iframe></span></span></span></span></span></span></span></div>
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<div class="separator" style="clear: both; text-align: center;">
<a href="http://1.bp.blogspot.com/-kWidC2ZOy20/VJcsrgOAYfI/AAAAAAAABRQ/1Q7feydimaI/s1600/sbr113-amen-dunes-love_df3a4200-d444-49ac-be5d-0e4df18f7a89_1024x1024.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://1.bp.blogspot.com/-kWidC2ZOy20/VJcsrgOAYfI/AAAAAAAABRQ/1Q7feydimaI/s1600/sbr113-amen-dunes-love_df3a4200-d444-49ac-be5d-0e4df18f7a89_1024x1024.jpeg" height="400" width="400" /></a></div>
<span style="font-size: x-large;"><b></b></span><span style="font-family: inherit;"><span style="font-size: 11pt; line-height: 115%;"><span style="mso-spacerun: yes;"><span style="font-size: x-large;"><span style="font-family: inherit;"><span style="font-family: inherit;"><span style="font-size: small;"> </span></span></span><b><i>
</i></b></span></span></span></span><br />
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<![endif]-->If you had asked me three months ago if I had heard of Amen
Dunes I would have given you a strange look and gone “Who?” or I would have flat-out
lied and said “Yes” then immediately Googled it. This is a very strong bedroom
freak folk album that fans of Devendra Banhart’s earlier pre-<i style="mso-bidi-font-style: normal;">Cripple Crow</i> work will eat up. <i style="mso-bidi-font-style: normal;">Love </i>is an intimate record that is
deeply personal and introspective for singer-songwriter Damon McMahon. He
employs members of Godspeed! You Black Emperor on a few tracks, but never
floods these songs with too much background instrumentation. He lets the music
seep out emotion in a confident and very pleasant way. </div>
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<a href="http://3.bp.blogspot.com/-oURyAKov0nY/VJctcItGnAI/AAAAAAAABRY/99NzCRu4TKw/s1600/Swans_To_Be_Kind.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://3.bp.blogspot.com/-oURyAKov0nY/VJctcItGnAI/AAAAAAAABRY/99NzCRu4TKw/s1600/Swans_To_Be_Kind.jpg" height="400" width="400" /></a></div>
<br />
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<div style="text-align: left;">
<b><span style="font-size: x-large;">7. Swans - <i>To Be Kind</i></span></b></div>
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<![endif]--><span style="font-family: inherit;"><span style="font-size: small;"><span style="line-height: 115%;">If Nick Cave is Charon the ferryman of the underworld
then Swans are hell itself. Swans are a band that takes pride with daring their
audiences to listen to their records. <i>To
Be Kind </i>is a sprawling two hours long with two scream filled eardrum
clacking tracks clocking at over a half hour each. In this “app” based world
we’re living in albums like this have gone the way of the dinosaur
unfortunately. If you allow yourself to experience <i>To Be Kind </i>you’ll find moments of sheer terror and experience
catharsis. There is no other band on Earth like Swans, mostly cause no other
artist has as big of balls as they do. </span></span></span></div>
<div style="text-align: center;">
<span style="font-family: inherit;"><span style="font-size: small;"><span style="line-height: 115%;"><iframe allowtransparency="true" frameborder="0" height="380" src="https://embed.spotify.com/?uri=spotify:track:6NDNlCu7pAyBO1gCtAyFIW" width="300"></iframe></span></span></span></div>
<div style="text-align: left;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="http://1.bp.blogspot.com/-gyKcbU-JtGw/VJct7oHandI/AAAAAAAABRg/tb_Shmfnnt4/s1600/hundred-waters-moon-rang-like-a-bell.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://1.bp.blogspot.com/-gyKcbU-JtGw/VJct7oHandI/AAAAAAAABRg/tb_Shmfnnt4/s1600/hundred-waters-moon-rang-like-a-bell.jpg" height="400" width="400" /></a></div>
<span style="font-size: large;"><b>8. Hundred Waters - <i>The Moon Rang Like a Bell</i></b></span><br />
<br />
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<![endif]-->I came across Hundred Waters recently, and immediately <i style="mso-bidi-font-style: normal;">The Moon Rang Like a Bell </i>felt like
something special. This album is a melting-pot of so many different musical
ideas. Take the single “Murmurs” for example, it will effortlessly shift
between acoustic sounds and electronica without making you blink twice. Their
music is too melodic and atmospheric to dance to, but feature many of the
sounds you’d find in dance music today. Hundred Waters are like Imogen Heap and
The xx meet Flume. It’s an odd pairing, but they pull it off and have created
something entirely new as a result. Bravo.<br />
<div style="text-align: center;">
<iframe allowtransparency="true" frameborder="0" height="380" src="https://embed.spotify.com/?uri=spotify:track:3YvBwNrIZnV6CbP2rsrLOh" width="300"></iframe></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="http://4.bp.blogspot.com/-86cAPlLFMNw/VJcujap9yMI/AAAAAAAABRw/2XOmWro5zyU/s1600/Manipulator-cover-608x608.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://4.bp.blogspot.com/-86cAPlLFMNw/VJcujap9yMI/AAAAAAAABRw/2XOmWro5zyU/s1600/Manipulator-cover-608x608.jpg" height="400" width="400" /></a></div>
<b><span style="font-size: x-large;">9. Ty Segall - <i>Manipulator</i></span></b><br />
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<![endif]--><span style="font-family: inherit;"><span style="font-size: small;"><span style="line-height: 115%;">For his entire career, Ty Segall was churning out
material like they were hotcakes. Last year he put out a blistering FOUR
ALBUMS! All of which were good. This year, he decided to settle down and put
his energy into one record. <i>Manipulator </i>is Segall’s most focused and most varied
record to date. Gone is the erratic spontaneous fuzz of his early singles, this
is the new Ty Segall. He’s going to hit you heavy with longer and more powerful
psychedelic rock jams. “Feel” is one
of the hardest hitting tracks he’s ever produced. Long live Ty Segall, the punk
rock savior.</span></span></span><br />
<div style="text-align: center;">
<span style="font-family: inherit;"><span style="font-size: small;"><span style="line-height: 115%;"><iframe allowfullscreen="" frameborder="0" height="315" src="//www.youtube.com/embed/O99Id3Iq2fw" width="560"></iframe></span></span></span></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="http://1.bp.blogspot.com/-Tpmb7KXflrs/VJcueSj4VtI/AAAAAAAABRo/l0xoqX7iKx0/s1600/the-new-pornographers-brill-bruisers.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://1.bp.blogspot.com/-Tpmb7KXflrs/VJcueSj4VtI/AAAAAAAABRo/l0xoqX7iKx0/s1600/the-new-pornographers-brill-bruisers.jpg" height="400" width="400" /></a></div>
<b><span style="font-size: x-large;">10. The New Pornographers - <i>Brill Bruisers</i></span></b><br />
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<![endif]--><span style="font-family: inherit;"><span style="font-size: small;"><span style="line-height: 115%;">Pitchfork recently turned in probably<a href="http://pitchfork.com/reviews/albums/19722-the-new-pornographers-brill-bruisers/?utm_campaign=search&utm_medium=site&utm_source=search-ac" target="_blank"> the douchiest read of all time</a> concerning this record. I’ve heard people say that they’re
starting to phone it in, and that the lyrics are just atrocious. To be fair, I
don’t think anyone in history has become a New Pornographers fan because of
them being skilled lyricists. They make blissful, bright and bouncy Jeff
Lynne-esque pop music, and with their new album they knock that aspect out of
the park. <i>Brill Bruisers </i>is a solid
effort throughout and is worth multiple listens. </span></span></span><b><span style="font-size: x-large;"><i><br /></i></span></b><br />
<div style="text-align: center;">
<span style="font-size: small;"><span style="font-family: inherit;"><span style="line-height: 115%;"> </span></span></span><span style="font-size: x-large;"><span style="font-size: small;"><iframe allowtransparency="true" frameborder="0" height="380" src="https://embed.spotify.com/?uri=spotify:track:7u0tAdK3iCBnDd68XLGzK3" width="300"></iframe></span></span><b><span style="font-size: x-large;"><i><br /></i></span></b></div>
<div class="separator" style="clear: both; text-align: center;">
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c.kopphttp://www.blogger.com/profile/04963359987019802668noreply@blogger.com0tag:blogger.com,1999:blog-3321549655284411908.post-52486337976290623502014-06-18T23:45:00.001-07:002014-06-19T06:37:49.603-07:00Halfway There<div class="separator" style="clear: both; text-align: center;">
<a href="http://4.bp.blogspot.com/-mpru0TderI0/U6KCOg1RK7I/AAAAAAAABKY/D7a2HAYQ5Ww/s1600/1piVkVx.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://4.bp.blogspot.com/-mpru0TderI0/U6KCOg1RK7I/AAAAAAAABKY/D7a2HAYQ5Ww/s1600/1piVkVx.jpg" height="280" width="400" /></a></div>
Well here we are, just about halfway done with 2014 already. It seems like time goes by progressively faster and faster each year. I am not going to lie, there is A LOT I haven't listened to this year. 2014 will forever be the year in my life where I discovered podcasts. And let me tell you guys, if you haven't made sitting down and listening to <a href="http://www.thisamericanlife.org/" target="_blank">This American Life</a> as a part of your weekly routine you are missing out. Regardless I did listen to some really good music so far. However only really my #1 album has truly blown me away. While the other four are still solid they continue to grow on me with each listen. Let's get into it!<br />
<br />
<div style="text-align: center;">
<span style="font-size: x-large;"><b>1. Sun Kil Moon - <i>Benji</i></b></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="http://3.bp.blogspot.com/-1FG2-ax0uBU/U6KEPWAnQ6I/AAAAAAAABKs/o0_Bs5W2OaM/s1600/Benjisunkilmoon.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://3.bp.blogspot.com/-1FG2-ax0uBU/U6KEPWAnQ6I/AAAAAAAABKs/o0_Bs5W2OaM/s1600/Benjisunkilmoon.jpg" height="355" width="400" /></a></div>
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<![endif]-->Sun Kil Moon’s new record <i>Benji </i>holds two accolades in my book;
it’s the best album of the year and the most depressing album of the year by a
longshot. I have friends who had a hard time listening to <i style="mso-bidi-font-style: normal;">Benji </i>because it bummed them out too much. I would argue that if an
album made a person feel something even if it be pain and sadness that is the
mark of a great album. I assure you, <i style="mso-bidi-font-style: normal;">Benji
</i>is not all that scary. What we have here is a collection of some of the
most lyrically vivid songs I have ever heard. Mark Kozelek paints songs that
are so personal and familial to him, yet somehow the listener is able to find
the common relatable truths behind them all. Take “Dogs” for example, which is
a tale of a man recounting his sexual history through different girls he knew
at various stages of his life. What the listener hears however is a man lamenting
his inability to know what true love feels like after having thrown it away on
casual flings so many times in the past. Then there’s what I consider to be the
most poignant and controversial song I’ve heard in years, “Pray for Newtown.” A
song that tells Kozelek’s history of what he was doing during many different
shootings that led up to the tragedy in Newtown. Basically the song is a
rallying cry that if people think these shootings need to stop,<span style="mso-spacerun: yes;"> </span>then they need to actually give a shit and
try to change things rather than caring for a few days then going about their
lives. It’s a tough pill to swallow because it is so god damn true. The blunt
truths found within these vibrant songs are what make <i style="mso-bidi-font-style: normal;">Benji </i>most appealing. Yes they’re sad, some are funny and others
are cautionary tales. Sun Kil Moon has given us a stunningly beautiful album
that shows all the different shades and multifaceted layers that make up death.<br />
<br />
<b>Listen: <a href="https://www.youtube.com/watch?v=INnstYCNIQc" target="_blank">Truck Driver </a></b><br />
<br />
<div style="text-align: center;">
<span style="font-size: x-large;"><b>2. The War on Drugs - <i>Lost In The Dream</i></b></span> </div>
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The War on Drugs return with their masterpiece <i style="mso-bidi-font-style: normal;">Lost In The Dream. </i>This is an album that
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“Red Eyes” and “An Ocean In Between The Waves” build makes them seem like
instant classics, and who knows down the line they will probably played on the
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<b>Listen: <a href="https://www.youtube.com/watch?v=bsoqmFL1vlU" target="_blank">Red Eyes </a></b></div>
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<![endif]-->If you had asked me three months ago if I had heard of Amen
Dunes I would have given you a strange look and gone “Who?” or I would have flat-out
lied and said “Yes” then immediately Googled it. This is a very strong bedroom
freak folk album that fans of Devendra Banhart’s earlier pre-<i style="mso-bidi-font-style: normal;">Cripple Crow</i> work will eat up. <i style="mso-bidi-font-style: normal;">Love </i>is an intimate record that is
deeply personal and introspective for singer-songwriter Damon McMahon. He
employs members of Godspeed! You Black Emperor on a few tracks, but never
floods these songs with too much background instrumentation. He lets the music
seep out emotion in a confident and very pleasant way.<br />
<br />
<b>Listen: <a href="https://www.youtube.com/watch?v=vTf8SsoD7hc" target="_blank">White Child </a></b></div>
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<span style="font-size: x-large;"><b>4. Hundred Waters - <i>The Moon Rang Like a Bell</i></b></span></div>
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<![endif]-->I came across Hundred Waters recently, and immediately <i style="mso-bidi-font-style: normal;">The Moon Rang Like a Bell </i>felt like
something special. This album is a melting-pot of so many different musical
ideas. Take the single “Murmurs” for example, it will effortlessly shift
between acoustic sounds and electronica without making you blink twice. Their
music is too melodic and atmospheric to dance to, but feature many of the
sounds you’d find in dance music today. Hundred Waters are like Imogen Heap and
The xx meet Flume. It’s an odd pairing, but they pull it off and have created
something entirely new as a result. Bravo.<br />
<br />
<b>Listen: <a href="https://www.youtube.com/watch?v=vo-8Oa2t4Ro" target="_blank">Murmurs </a></b></div>
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<b><span style="font-size: x-large;">5. Future Islands - Singles</span></b></div>
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“Seasons (Waiting On You)” is my favorite song of the first
half of the year. It’s an anthem that is great to sing-along to that has
captured an energy of the music scene of today, even<a href="http://youtu.be/1Ee4bfu_t3c?t=3m13s" target="_blank"> David Letterman</a> thinks
these guys are “it.” Future Islands will always and forever be remembered for
their unforgettable live shows, but as an album <i>Singles </i>is the best release Future Islands has put out to date.
It’s dance music that harkens back to the synth pop of the 1980s. While I think
this album trails off in its 2<sup>nd</sup> half, the first five songs are
impeccable.<br />
<br />
<b>Listen: <a href="https://www.youtube.com/watch?v=KRjNfZzFMOM" target="_blank">Seasons (Waiting On You) </a></b></div>
<span style="font-size: small;">
</span><span style="font-size: small;"> </span> <br />
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c.kopphttp://www.blogger.com/profile/04963359987019802668noreply@blogger.com0tag:blogger.com,1999:blog-3321549655284411908.post-81682093969495072272013-12-22T13:00:00.001-08:002013-12-22T13:00:44.613-08:00ST&SP Best of 2013 Playlist <iframe allowtransparency="true" frameborder="0" height="380" src="https://embed.spotify.com/?uri=spotify:user:ckopp11:playlist:3X5Qx8K80vxbxLkVaQW3YW" width="300"></iframe><br />
If you feel daunted by having to listen to 25+ albums I've got you covered. Above is a Spotify playlist that accompanies my end of the year review. Listen, save it, put it on your iPhone. Whatever, this playlist isn't going anywhere. c.kopphttp://www.blogger.com/profile/04963359987019802668noreply@blogger.com0tag:blogger.com,1999:blog-3321549655284411908.post-59759242747786315522013-12-18T18:53:00.002-08:002013-12-18T19:25:53.920-08:00ST&SP: Best of 2013<div class="separator" style="clear: both; text-align: center;">
<a href="http://4.bp.blogspot.com/-ehC-8czDmQo/UrG-AmzAk1I/AAAAAAAABAU/26zHCE8Cay8/s1600/AUQNP.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="350" src="http://4.bp.blogspot.com/-ehC-8czDmQo/UrG-AmzAk1I/AAAAAAAABAU/26zHCE8Cay8/s400/AUQNP.jpg" width="400" /></a></div>
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<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman";">Well hello there. It’s been a long time hasn’t it? I knew I
wasn’t going to post on here that often but six months!? That’s unfair to
either of us. I will try to post more often in 2014 but hopefully this mega end
of the year post will make up for it. 2013 was an incredibly unique year for
music. So many different bands release exceptional records this year! What I
found most interesting is usually the year is dominated by a few new buzzworthy
bands but this year was the year the heavyweights showed us why they won the
title in the first place. 2013 was the year the big name acts stepped up to the
plate and delivered quality albums. So let’s get into it! Oh, and I apologize
any formatting errors, Blogger is a piece of shit.</span></div>
<br />
<div style="text-align: center;">
<br />
<span style="font-size: x-large;"><b>1. Darkside - <i>Psychic</i></b></span></div>
<span style="font-size: x-large;"></span><br />
<div class="separator" style="clear: both; text-align: center;">
<span style="font-size: x-large;"><a href="http://4.bp.blogspot.com/-aNsFiuX0Dho/UrI8rMhgxbI/AAAAAAAABBY/pMOYAOrq3xI/s1600/Darkside-Psychic-500x500.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="http://4.bp.blogspot.com/-aNsFiuX0Dho/UrI8rMhgxbI/AAAAAAAABBY/pMOYAOrq3xI/s400/Darkside-Psychic-500x500.jpg" width="400" /></a></span></div>
<br />
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Nicholas Jaar has been on the
scene for a while as a respected DJ, however we’ve had inklings that he was
cooking up something special with rumors of this Darkside project with
guitarist Dave Harrington. An EP dropped a few years back that seemed to remain
under most peoples’ radar. Then early in the year they released <i style="mso-bidi-font-style: normal;">Daftside</i>, a reworking of Daft Punk’s <i style="mso-bidi-font-style: normal;">Random Access Memories </i>into a moody
atmospheric take of the incredibly popular album. That mixtape was the talk of
the internet for a good amount of summer. Then in early October they dropped <i style="mso-bidi-font-style: normal;">Psychic. </i>Where <i style="mso-bidi-font-style: normal;">Random Access Memories </i>is a statement to fellow EDM artists that
they need to bring more style and integrity to their music, <i style="mso-bidi-font-style: normal;">Psychic</i> is Jaar and Harrington’s answer.
Harrington and Jaar play off each other and meld Pink Floyd psychedelia with
late night trance music in such a way that sounds completely original. <i style="mso-bidi-font-style: normal;">Psychic </i>is at times an atmospheric study
album, and a floor-shaking dance record, Harrington and Jaar fluctuate between
those two moods so organically and seamlessly that for a brand new duo, they
sound like they’ve been doing this for years. </div>
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<b>WHEN TO LISTEN:</b> On a late night
drive through an unknown place. </div>
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<iframe allowtransparency="true" frameborder="0" height="380" src="https://embed.spotify.com/?uri=spotify:album:7jqNrm1l4wSxNYSjgK7tmF" width="300"></iframe> </div>
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<br /></div>
<div class="MsoNormal" style="margin-left: .25in;">
<span style="font-size: x-large;"><b>2. Daft Punk - <i>Random Access Memories</i></b></span><i> </i></div>
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<![endif]--><span style="font-family: inherit;"><span style="font-size: small;"><span style="line-height: 115%;">It has been eight years since the enigmatic Daft Punk
have graced us with their presence and in that time dance music has changed a
lot. Dubstep is everywhere, the EDM scene has exploded with major festivals
everywhere and Vegas contracts for some DJs. The scene has come a long way
since Daft Punk started in France playing small warehouse shows in the early
90s and they seem to be the only ones to see the writing on the wall. Daft Punk
are regarded as the most important techno act around, they are trendsetters.
Pretty much whatever they do within five years everyone else does. So what do
they do this time around? Instead of looking forward they decide to take a trip
back to the disco era and pay tribute to artists like Chic that inspired them. <i>Random
Access Memories</i> is easily the most hyped album of the year with a unique
marketing strategy and impressive list of collaborators. It's a huge risk for
Daft Punk to take as this album has made some of their most loyal fans upset
since it lacks any major techno elements. However this is exactly what the duo
needed to do to stay vital in a scene that is quickly growing stale. <i>Random
Access Memories</i> is a perfectly engineered triumph of an album that explores
so many different styles of music. While there are plenty of songs that will
get booties shaking ("Get Lucky,""Lose Yourself to Dance"
"Giorgio by Morodor") The one song that really stands out to me is
the centerpiece of the album "Touch." Written and sung by Paul
Williams, “Touch” is an odyssey of a track reminiscent of The Beatles "A
Day In The Life" in the massive scope of the track and the vast amount of
landscapes it ventures into. This song is a perfect example of why Daft Punk
are too good for the button pushing scene they helped create. They are true
artists and they never want to do the expected, Daft Punk took a huge risk with
<i>RAM </i>and it paid off in dividends.</span></span></span></div>
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<span style="font-family: inherit;"><span style="font-size: small;"><span style="line-height: 115%;"><b>WHEN TO LISTEN: </b>Cruising down Hollywood Blvd. with the top down in your 1986 Ferrari Testarossa </span></span></span></div>
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<span style="font-family: inherit;"><span style="font-size: small;"><span style="line-height: 115%;"><iframe allowtransparency="true" frameborder="0" height="380" src="https://embed.spotify.com/?uri=spotify:album:4m2880jivSbbyEGAKfITCa" width="300"></iframe> </span></span></span></div>
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<span style="font-family: inherit;"><span style="font-size: 11pt; line-height: 115%;"><span style="font-size: x-large;"><b>3. Chance The Rapper - Acid Rap</b></span></span></span></div>
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<span style="font-size: x-large;"><span style="font-size: small;">From the streets of Chicago to the
universe of the blogosphere Chance The Rapper took the internet by storm when
he released his free mixtape <i>Acid Rap</i>
online. I highly doubt even he thought it would become one of the most
celebrated hip-hop records of the year. Whereas other rappers like Danny Brown
and Drake assaulted you with production and layering to make their sound as
huge as possible, Chance decided to go another route by paying tribute to the
soul sound that inspired him to get into the game. <i>Acid Rap </i>is filled with soulful organs and trumpets and
“na-na-naaas” and some of the wittiest lyrics I have heard in a long time. <i>Acid Rap </i>is such a joy of a listen, one
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<span style="font-size: x-large;"><span style="font-size: small;"> <b> WHEN TO LISTEN: </b>On a clear spring day in Chicago</span></span></div>
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<span style="font-family: inherit;"><span style="font-size: 11pt; line-height: 115%;"><span style="font-size: x-large;"><b>4. Arcade Fire - <i>Reflektor </i></b></span></span></span></div>
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<span style="font-size: x-large;"><span style="font-family: inherit;"><span style="font-size: small;">When I first saw Arcade Fire’s
interactive video for “Reflektor” I thought “Oh shit they’re going to go 4-4!”
And that they did. The thing I love most about Arcade Fire is they’ve managed
to carve an incredibly successful career while still managing to tinker their sound
quite a bit. This is not the same vest-wearing Arcade Fire that made Funeral this is the new Arcade Fire with
Hatian voo-doo influences, and late night discotheque jams, and body paint.
Arcade Fire doesn’t settle and they have challenged themselves into to making a
sprawling album with some of their most ambitious and longest work to date. My
only complaint with this album is there is no reason why this needs to be a
double-album. If they trimmed the last few minutes of “Supersymmetry” they
could have fit Reflektor on one disc
which would have been more enjoyable, because six songs per disc is just too
short. </span></span></span></div>
<span style="font-size: x-large;"><span style="font-family: inherit;"><span style="font-size: small;">
</span></span><span style="font-family: inherit;"><span style="font-size: small;"><b>WHEN TO LISTEN: </b>On your way to see Arcade Fire play a huge venue.</span></span></span></div>
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<span style="font-size: x-large;"><span style="font-family: inherit;"><span style="font-size: small;"><iframe allowtransparency="true" frameborder="0" height="380" src="https://embed.spotify.com/?uri=spotify:album:4E0m7AIVc2d2QZMrMNXdMZ" width="300"></iframe> </span></span></span><br />
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<span style="font-family: inherit;"><span style="font-size: 11pt; line-height: 115%;"><span style="font-size: x-large;"><span style="font-family: inherit;"><span style="font-size: small;"><b><span style="font-size: x-large;">5. Kanye West - <i>Yeezus</i></span></b></span></span></span></span></span></div>
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Kanye West follows up his
masterpiece<i> My Beautiful Twisted Dark Fantasy</i> with a stripped down
explosive and jarring <i>Yeezus</i>. Many people are calling this a game
changer, the album is a blend of jarring noise and Dubstep influence and a dash
of old-school Kanye soul samples. People say this is one of the darkest and
noisy rap albums, that's not true at all. Just pick up any Death Grips album
and Yeezus will feel like a Simon & Garfunkel record. However Kanye is
going to reach a lot more people than Death Grips, so <i>Yeezus </i>will
ultimately receive a lot more credit. This album features some of West's
harshest and politically charged lyrics to date. The first four tracks are the
albums most intense, and the production is credited to Daft Punk. It's crazy to
think that while they were making their crisp <i>Random Access Memories</i>
they were also helping create the hellish beats for Kanye. Yeezy seems
especially mad and charged up on this record, paired with the excellent
production <i>Yeezus </i>is an immediately engaging record. While many critics
are praising this album for its distorted sound, I commend executive producer
Rick Rubin for keeping this album as simple as possible and only leaving in
what is necessary.</div>
<div class="MsoNormal" style="margin-left: .5in;">
<b>WHEN TO LISTEN: </b>When you're not man enough to listen to Death Grips, and you want to complain about high fashion.<span style="font-size: x-large;"><b> </b></span></div>
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<span style="font-size: x-large;"><b>6. Sigur Ros - <i>Kveikur</i></b></span></div>
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<a href="http://2.bp.blogspot.com/--yn4roCqhTg/UrJCculicFI/AAAAAAAABEo/JrnoqfS1ZbE/s1600/kveikur.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="387" src="http://2.bp.blogspot.com/--yn4roCqhTg/UrJCculicFI/AAAAAAAABEo/JrnoqfS1ZbE/s400/kveikur.jpg" width="400" /></a></div>
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<span style="font-size: x-large;"><b><i> </i></b></span>Iceland's Sigur Ros have been
through a transitional year. Their past few albums have felt like they lacked
direction, and with the loss of one of their founding members the now trio
decided to go back to the drawing board and regroup. Quite simply <i>Kveikur </i>is
their best work since <i>Takk</i>, and maybe even<i> ( )</i>. As a trio the
band focused on two instruments that have never really played an important role
until now, drums and bass. The drums are thunderous and the bass is huge on
this record. <i>Kveikur </i>is their most aggressive album to date, and singer
Jonsi has found a way to re-tap into that soul excavating emotionalism that
captured so many fans with their early work. For anyone who thought that Sigur
Ros' artistic relevance has come and gone is in for a wake-up call. The band is
alive and roaring on <i>Kveikur</i>. </div>
<div class="MsoNormal" style="margin-left: .5in;">
<b>WHEN TO LISTEN: </b>When you're caught in a blizzard at night in Iceland</div>
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<iframe allowtransparency="true" frameborder="0" height="380" src="https://embed.spotify.com/?uri=spotify:album:0jk1nICWMJk5zMdwqwvHdk" width="300"></iframe> </div>
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<br /></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span style="font-size: x-large;"><b>7. Rhye - <i>Woman</i></b></span></div>
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<a href="http://1.bp.blogspot.com/-R12T8Pom6gs/UrI8j89u_gI/AAAAAAAABA8/4JXxmw-9Uek/s1600/61crFejHwdL._SY300_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="http://1.bp.blogspot.com/-R12T8Pom6gs/UrI8j89u_gI/AAAAAAAABA8/4JXxmw-9Uek/s400/61crFejHwdL._SY300_.jpg" width="400" /></a></div>
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<span style="font-size: x-large;"><span style="font-size: small;">It wasn’t until I saw his
television debut on Jimmy Kimmel when I finally understood Rhye. Rhye is a less
rapey more sincere version of The Weeknd. This is R&B music made for candlelight
romance. This album has an effortless confidence to it as Rhye work their way
through soulful slow jams and electro R&B. They take a much simpler approach
to music than other contemporaries, using an average of three instruments per
song. I know this might not be in the top ten of most people’s lists but I
really connected with it. This isn’t fucking music. This is love making music.
There is a difference. </span></span></div>
<span style="font-size: x-large;"><b><span style="font-size: small;">WHEN TO LISTEN: </span></b><span style="font-size: small;">In a candlelit bedroom as you caress the finest oils of the orient into the naked body of your one true love.</span></span></div>
<div style="text-align: center;">
<span style="font-size: x-large;"><span style="font-size: small;"><iframe allowtransparency="true" frameborder="0" height="380" src="https://embed.spotify.com/?uri=spotify:album:6b1HPtDuYioXwmw5xLLFQ9" width="300"></iframe> </span></span><br />
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<span style="font-size: x-large;"><span style="font-size: small;"><span style="font-size: x-large;"><b>8. Tim Hecker - <i>Virgins</i></b></span></span></span></div>
<div class="separator" style="clear: both; text-align: center;">
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</i></b></span></span></span><span style="font-family: inherit;"><span style="font-size: small;">Tim Hecker has been steadily
pushing ambient music into new and ambitious directions for the past decade.
With his newest LP Virgins Hecker
makes his most natural sounding album to date. However despite for the most
part using conventional instruments, the twelve tracks here are filled with
more tension and drama than he has ever released. Several tracks including
“Prism” and “Stab Variation” swell and cut at the listener’s ears sounding like
a crashed plane engine that just won’t die. “Virginal I” is a cacophony of
single piano notes being played over and over in no particular pattern at all. Virgins can be a dizzying and immersive
experience, but it is one that I find to be extremely</span></span></div>
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<span style="font-family: inherit;"><span style="font-size: small;">satisfying. </span></span><span style="font-size: x-large;"><span style="font-size: small;"><span style="font-size: x-large;"><b><i>
</i></b></span></span></span></div>
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<span style="font-size: x-large;"><span style="font-size: small;"><span style="font-size: x-large;"><b><span style="font-size: small;">WHEN TO LISTEN: </span></b><span style="font-size: small;">As pre-show music for your avant-garde performance art show that your parent's just don't understand.</span></span></span></span></div>
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<span style="font-size: x-large;"><span style="font-size: small;"><span style="font-size: x-large;"><span style="font-size: small;"><iframe allowtransparency="true" frameborder="0" height="380" src="https://embed.spotify.com/?uri=spotify:album:3GzIvKYXNOBViT8TveArjx" width="300"></iframe></span></span></span></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span style="font-size: x-large;"><span style="font-size: small;"><span style="font-size: x-large;"><b><i>9. </i>Disclosure - <i>Settle</i></b></span></span></span></div>
<div class="separator" style="clear: both; text-align: center;">
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<![endif]--></i></b></span></span></span><span style="font-size: small;">Normally these days a new electro
group or DJ will release their material for free on the internet in hopes to
attract more fans. Sadly, EDM has gotten away from releasing traditional LPs.
Which is why when Disclosure decided to announce themselves to the world
through a sprawling LP it was a huge risk and bold move. Luckily it has paid
off in dividends. Settle is one of
the most celebrated dance releases of the year. What impresses me the most
about Disclosure is they aren’t sampling material that has already been done.
All of the vocalists were brought in and recorded live for this particular
album such as “Latch” and “White Noise” Disclosure made a huge impression on
people this year, I have no doubt these guys will be a heavyweight in a few
years if they don’t completely sell</span></div>
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<span style="font-size: small;">out. </span><span style="font-size: x-large;"><span style="font-size: small;"><span style="font-size: x-large;"><b><i>
</i></b></span></span></span></div>
<div class="MsoNormal" style="margin-left: .5in;">
<span style="font-size: x-large;"><span style="font-size: small;"><span style="font-size: x-large;"><b><span style="font-size: small;">WHEN TO LISTEN: </span></b><span style="font-size: small;">If you live in LA just turn on the radio station KCRW after 10pm. This is all they seem to play. Grrrr.</span></span></span></span></div>
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<span style="font-size: x-large;"><span style="font-size: small;"><span style="font-size: x-large;"><span style="font-size: small;"><iframe allowtransparency="true" frameborder="0" height="380" src="https://embed.spotify.com/?uri=spotify:album:1ZFGRj11NnZHos8DUbbpF1" width="300"></iframe> </span></span></span></span></div>
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<span style="font-size: x-large;"><span style="font-size: small;"><span style="font-size: x-large;"><span style="font-size: small;"> </span><b><i> </i>10. <span style="font-size: large;">Justin Timberlake - <i>The 20/20 Experience pt. 1</i></span></b></span></span></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="http://1.bp.blogspot.com/-ZWLrt-LLFS0/UrI8sAnMgoI/AAAAAAAABB4/flYEoak7_Jc/s1600/JT_The_20_20_Experience_Album_Small.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="http://1.bp.blogspot.com/-ZWLrt-LLFS0/UrI8sAnMgoI/AAAAAAAABB4/flYEoak7_Jc/s400/JT_The_20_20_Experience_Album_Small.jpg" width="400" /></a></div>
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<![endif]-->It's strange to think that even
though Justin Timberlake is arguably the most recognized male pop-star alive he
only has three albums. It has been a long time since his now iconic <i>FutureSex/LoveSounds</i>
and many people started to speculate whether Timberlake had another great album
in him. The <i>20/20 Experience</i> is easily his most ambitious work to date.
It is a statement that pop songs don't have to all be three minutes long with
the same hooks over and over again. For instance the second single
"Mirrors" is over nine minutes long. Even though the majority of this
album’s tracks are over eight minutes long it never feels tired. Each song is
compartmentalized, leading from one movement to the next seamlessly. This is
something that is probably not even close to being in any other pop star’s
vocabulary. This album is all killer and no filler, ten solid songs that will
stick in your mind for a long time. The only unfortunate thing about this is in
September he decided to release a Part 2 to this album. Part 2 is full of thoughtless
b-sides that in a way take away some of the magic of Pt. 1. Justin had an
impressive streak of quality music for a long time, but unfortunately part two
shows that even the great entertainer can have a misstep from time to time.</div>
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<b>WHEN TO LISTEN: </b>In your club clothes, pre-gaming with some fine ladies.</div>
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<iframe allowtransparency="true" frameborder="0" height="380" src="https://embed.spotify.com/?uri=spotify:album:41br7lBSZOr9RjJAjk0om6" width="300"></iframe> </div>
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<br /></div>
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<span style="font-size: x-large;"><b>11. The National - <i>Trouble Will Find Me</i></b></span></div>
<div class="separator" style="clear: both; text-align: center;">
<img border="0" height="320" src="http://1.bp.blogspot.com/-mT-jN6QP8YE/UrI8qSVpQkI/AAAAAAAABBU/hyICIgUj1xA/s320/982e53bc.jpg" width="320" /></div>
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<span style="font-size: small;">If you enjoyed The National's previous three albums then
you're going to love Trouble Will Find Me. The National know who they
are and what is in their wheelhouse and that's why they have become one of the
more secure bands in indie music along with Beach House and Yo La Tengo. Trouble
Will Find Me is certainly a more playful than the morose Boxer and
less anthemic than High Violet. However, this album explores an array of
different sounds from the quiet acoustic picking of “I Need My Girl” to the
crescendos of “Sea of Love” all while still maintaining that National-sound we
have all grown accustom to. Matt Beringer’s voice has never sounded better and
his lyrics are razor sharp making you cry one moment and laugh the next. “Pink
Rabbits” contains some of the best songwriting the band has done to date. Trouble
Will Find Me is an album for all occasions that will stick with the
listener making them ponder life, love, death and everything in-between.</span><span style="font-size: x-large;"><b><i> </i></b></span></div>
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<span style="font-size: x-large;"><b><span style="font-size: small;">WHEN TO LISTEN: </span></b><span style="font-size: small;">When you need some music to reminisce over a lost love one last time before you move on with your life. </span></span></div>
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<span style="font-size: x-large;"><span style="font-size: small;"> </span><b><i> </i>12. Flume - <i>Flume</i></b></span></div>
<div class="separator" style="clear: both; text-align: center;">
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</i></b></span><span style="font-size: small;">Straight from the Gold Coast twenty-one year old DJ Flume
made a splash on the indie scene with his self-titled debut. Flume is on his
way to becoming the king of pitch-shifting vocals. Some album highlights
include “Insane” “Sleepless” and “Stay Close” all feature vocal tweaks that
seem to be the ‘thing’ in 2013. The first seven tracks of Flume are flawless, then the album kind of falls apart from there
on out. I understand many of the later tracks are used as filler and
transitions for his live show, but if he had put as much effort into the last
few tracks as he did the first half of the album there is no doubt this would
be on everyone’s end of the year list. </span><span style="font-size: x-large;"><b><i> </i></b></span></div>
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<span style="font-size: x-large;"><b><span style="font-size: small;">WHEN TO LISTEN: </span></b><span style="font-size: small;">When you want to make everyone at your house party go "Woah, who the hell is this?"</span><b><i> </i></b></span></div>
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<span style="font-size: x-large;"><span style="font-size: small;"><iframe allowtransparency="true" frameborder="0" height="380" src="https://embed.spotify.com/?uri=spotify:album:7z6ANlWEQZBqcmhr7go3CN" width="300"></iframe> </span><b><i><br /></i></b></span></div>
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<span style="font-size: x-large;"><b>13. Deerhunter - <i>Monomania</i></b></span></div>
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<a href="http://4.bp.blogspot.com/-9h_1QXm6bdU/UrJKQdWLAqI/AAAAAAAABFA/pxGDfhNCPxo/s1600/Deerhunter-Monomania1-300x300.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://4.bp.blogspot.com/-9h_1QXm6bdU/UrJKQdWLAqI/AAAAAAAABFA/pxGDfhNCPxo/s1600/Deerhunter-Monomania1-300x300.jpg" /></a></div>
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It’s been my belief for a long time
now that Bradford Cox is an absolute genius of a musician and songwriter.
Deerhunter has gone from a clusterfuck of creativity to cleaning up and honing
their sound through the years leading up to their widely celebrated <i style="mso-bidi-font-style: normal;">Halcyon Digest. </i>So when they dropped the
brash loud and distorted <i style="mso-bidi-font-style: normal;">Monomania </i>earlier
this year it took me by surprise. This is their loudest and most abrasive
record to date. I find it even more interesting since Bradford released a quiet
subdued Atlas Sound record last year. Cox & Co. are not one to rest on
their laurels and <i style="mso-bidi-font-style: normal;">Monomania </i>is
certainly evidence of that.</div>
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<b>WHEN TO LISTEN: </b>Chalk up a pool cue and throw this on the jukebox at your local hipster leather jacket hangout. </div>
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<iframe allowtransparency="true" frameborder="0" height="380" src="https://embed.spotify.com/?uri=spotify:album:68gYjtaIWlvCscoxuCqAiZ" width="300"></iframe> </div>
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<span style="font-size: large;"><b>14. Vampire Weekend - <i>Vampires of the Modern City</i></b></span></div>
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<a href="http://4.bp.blogspot.com/-SjuriS3nDjE/UrJLG7jm_NI/AAAAAAAABFI/-pNAfcG-U6Q/s1600/Vampire-Weekend-Modern-Vampires-Of-The-City.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="319" src="http://4.bp.blogspot.com/-SjuriS3nDjE/UrJLG7jm_NI/AAAAAAAABFI/-pNAfcG-U6Q/s320/Vampire-Weekend-Modern-Vampires-Of-The-City.jpg" width="320" /></a></div>
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<![endif]-->I have a confession to make. I’m
not the biggest Vampire Weekend fan in the world. I recognize they are very
talented and have written several tremendous songs however, they are not a band
that excites me. That being said <i style="mso-bidi-font-style: normal;">Vampires
of the Modern City </i>is undoubtedly the best record they have put together to
date. It’s hard to ignore the brilliance of a song like “Hannah Hunt” or “Diane
Young.” <i style="mso-bidi-font-style: normal;">Vampires of the Modern City </i>is
their least kitschy and most varied record of their careers. Granted, it still
very much has that Vampire Weekend sound, but something sounds a little more
grown-up about this record.</div>
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<b>WHEN TO LISTEN: </b>In your Oxford Sweater putzing around New York</div>
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<iframe allowtransparency="true" frameborder="0" height="380" src="https://embed.spotify.com/?uri=spotify:album:2Qi2SySN2ePZwMLDSv9Krn" width="300"></iframe><br /></div>
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<span style="font-size: x-large;"><b>15. Drake - <i>Nothing Was The Same</i></b></span></div>
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<a href="http://2.bp.blogspot.com/-C242wSQsHyA/UrJMJ7yNk2I/AAAAAAAABFU/QPGoDP1xeSk/s1600/drake-nothing-was-ever-the-same-deluxe-edition-album-cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://2.bp.blogspot.com/-C242wSQsHyA/UrJMJ7yNk2I/AAAAAAAABFU/QPGoDP1xeSk/s1600/drake-nothing-was-ever-the-same-deluxe-edition-album-cover.jpg" /></a><span style="font-size: x-large;"><b><i> </i></b></span><br />
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<![endif]-->Hip-Hop production has gotten so
good these days I’m starting to wonder if we should be celebrating the men who
produce these records rather than the artists they belong to? Because in all
honesty, Drake’s lyrics aren’t all that amazing, he’s often compared to
Kendrick Lamar which he isn’t because Kendrick has reached the upper echelon of
rappers. Drake thinks he’s there, and his music certainly would trick one into
thinking that, but he isn’t. Much of these songs spit about the same club life
that has been done by hundreds of rapper’s before him. To date, Drake is mostly
famous for coining the term “YOLO” which isn’t that great of an achievement.
But god dammit this album is fun to listen to. It’s huge and extravagant, and
is easily the best crafted hip-hop album of 2013. Drake for me is a guilty
pleasure, he’s someone I enjoy listening to on a run or at the gym because the
beats are huge and his lyrics are dripping with self-confidence. However, when
you start to examine him as an artist under a microscope there just isn’t much
there.</div>
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<b>WHEN TO LISTEN: </b>Throw this on your Ipod at the gym when you need that extra push.</div>
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<iframe allowtransparency="true" frameborder="0" height="380" src="https://embed.spotify.com/?uri=spotify:album:2gXTTQ713nCELgPOS0qWyt" width="300"></iframe> </div>
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<br /></div>
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<span style="font-size: x-large;"><b>16. Deafheaven - <i>Sunbather</i></b></span></div>
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<![endif]-->If it hasn’t been done already
someone needs to do an overview of the shift in metal over the years from harsh
shredding to intense scenic tapestries. I can think of no album that
exemplifies the beautification of metal than Deafheaven’s <i style="mso-bidi-font-style: normal;">Sunbather. </i>This record is like what would happened if the
relentless intense beauty of Godspeed You Black Emperor teamed up with Lamb of
God. <i style="mso-bidi-font-style: normal;">Sunbather </i>is the Rothko of
metal. The album’s artwork is inspired by the pink image the eyeball sees when
looking up at the sun with eyelids closed. <i style="mso-bidi-font-style: normal;">Sunbather
</i>plays around with quiet and loud moments with much success. At times it
literally feels like you are being submerged in a bath of guitar cymbals and
screaming and then re-emerging from the pool to find a tranquil world of
acoustic accompaniment. No other record of 2013 takes the listener on an
emotional journey quite like <i style="mso-bidi-font-style: normal;">Sunbather</i>,
the only question is, can you stomach thirteen minute songs of intense
screaming and guitar to allow yourself to take that journey?</div>
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<b>WHEN TO LISTEN: </b>Headphones. This album requires focus, but it's worth it.</div>
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<span style="font-size: x-large;"><b>17. Phosphorescent - Muchacho</b></span></div>
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When Matthew Houck was drawing a
blank on what was the next step for his Phosphorescent moniker, he decided to
retreat alone to a small rural fishing village off the Yucatan Peninsula in
Mexico. When he emerged from the beach he had a whole album worth of material
ready to be recorded. When he stepped out of the studio his Phosphorescent
project had a much warmer and fuller sound to it. This is one of the best
alt-country albums in recent memory. This record has nods to The Band all over
it with clanging pianos, warm horns and beautiful melodies.<span style="mso-spacerun: yes;"> </span>Houck used his vacation to its fullest
potential it seems. </div>
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<b>WHEN TO LISTEN: </b>Sipping on a Pacifico at a backyard barbeque with your best friends.</div>
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<span style="font-size: x-large;"><b>18. The Knife - <i>Shaking The Habitual</i></b></span></div>
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<![endif]-->The Knife are absolutely
terrifying. Seriously, listen to “A Cherry On Top” on a really good sound
system with the bass turned up, it will scare the ever-loving Jesus out of you.
One of the most obscure and provocative Swedish exports return with their
follow-up to the now classic <i style="mso-bidi-font-style: normal;">Silent Shout
</i>with <i style="mso-bidi-font-style: normal;">Shaking The Habitual. </i>While
the new album is not as danceable, it is denser and more artistically driven.
Clanging-scatterbrained tracks with Karin Dreijer Andersson shrieking mixed
with long periods of ambient music. “Full of Fire” is one of my favorite songs
of 2013, clocking at over nine minutes by the time it reaches its climax it
creates such an unnerving feeling in the listener. The Knife are really good at
making your skin crawl in the best way possible. </div>
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<b>WHEN TO LISTEN: </b>When you're engaging in satanic group sex involving blood and pentagrams, in Sweden of course. </div>
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<br /></div>
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<b><span style="font-size: x-large;">19. Death Grips - <i>Government Plates</i></span></b></div>
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<![endif]-->From one savage group to the next,
Death Grips are a group I have been fascinated with for a few years and are one
of the best live-acts I’ve seen this year. Keeping with their anarchist
approach to their art they released their new record <i style="mso-bidi-font-style: normal;">Government Plates </i>for free online. Maybe this was a way of making
it up to their fans for being no-shows at several shows this year? Or maybe it
is because this is the only way Death Grips can release music since they have
pissed off their label into dropping them after leaking their last album <i style="mso-bidi-font-style: normal;">No Love Deep Web </i>online months before it
was supposed to be in stores. <i style="mso-bidi-font-style: normal;">Government
Plates </i>is interesting because it’s the group’s most musical release to
date. This record is not dominated by Stefan Burnett’s guerilla vocals. Instead
he lets Zach Hill (who is the best drummer I have ever seen, no joke) let some
of the most brutal beats known to man do the talking. While I love “Two
Heavens” “This Is Violence Now” and "You may think he loves you for your
money but I know what he really loves you for it's your brand new leopard skin
pillbox hat" are great songs, “Birds” might be the worst song ever
recorded.
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<b>WHEN TO LISTEN: </b>When you're skateboarding around with your dumb punk friends looking for buildings to tag.</div>
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<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/Eld27iNfepY?feature=player_embedded' frameborder='0'></iframe></div>
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<br /></div>
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<span style="font-size: x-large;"><b>20. Savages - <i>Silence Yourself</i></b></span></div>
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<a href="http://4.bp.blogspot.com/-X6T2rYll2MY/UrI8tIpP3cI/AAAAAAAABCI/8qTbH3Zzxzs/s1600/Savages-Silence-Yourself.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="http://4.bp.blogspot.com/-X6T2rYll2MY/UrI8tIpP3cI/AAAAAAAABCI/8qTbH3Zzxzs/s320/Savages-Silence-Yourself.jpg" width="320" /></a></div>
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Woah. Woah hold the phone. You’re
telling me there’s a band made up of four unassuming white-chicks that can rock
incredibly hard and they’re called Savages!? That’s what nearly every critic
was saying for the first part of the year about this new group Savages. All the
while I couldn’t help but scratch my head and stare at my Sleater-Kinney
albums. Because the truth of the matter is Savages are nothing that every Riot
Gurrl act hasn’t already done. But they are talented and have put together a
fine debut album that does rock really hard. But let’s take it easy on the
hype, okay? </div>
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<b>WHEN TO LISTEN: </b>In a feminist slam-dance.</div>
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<iframe allowtransparency="true" frameborder="0" height="380" src="https://embed.spotify.com/?uri=spotify:album:0aMC5DDAF86GvYNPaivEKd" width="300"></iframe> </div>
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<span style="font-size: x-large;"><b>21. M.I.A - <i>Matangi</i></b></span></div>
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<a href="http://1.bp.blogspot.com/-CAgC-ytYgog/UrJQnNwSAkI/AAAAAAAABGM/eXrNrguwwrE/s1600/mia-matangi.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="http://1.bp.blogspot.com/-CAgC-ytYgog/UrJQnNwSAkI/AAAAAAAABGM/eXrNrguwwrE/s320/mia-matangi.jpg" width="320" /></a></div>
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<![endif]--></i></b></span><span style="font-size: small;">M.I.A could have released record of
bird calls for all I care and it would have been better than her last album,
that’s how terrible MAYA was. On Matangi, our girl is back in form with
huge beats with far-east influences. The production on this album is absolutely
insane. Some of these songs like “Y.A.L.A.” are just so huge it makes me want
to be covered in glow-sticks dancing my ass off to this at Coachella. Another
track that is a personal favorite of mine is “Double Bubble Trouble” which
manages to switch styles seamlessly between reggae and dubstep. While many
people thought the girl who wrote “Paper Planes” was going to be a one-album
wonder she has proven on this record that she’s here to stay. </span><span style="font-size: x-large;"><b><i>
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<span style="font-size: x-large;"><b><span style="font-size: small;">WHEN TO LISTEN: </span></b><span style="font-size: small;">One word. Coachella.</span></span></div>
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<![endif]-->It took a near
death experience to get Josh Homme to finally put out a new Queens of the Stone
Age record, and my god it was worth the wait. With QOTSA we’re used to being
buried with slick rock riffs, but on <i style="mso-bidi-font-style: normal;">…Like
Clockwork </i>Homme strips away a lot of the unnecessary noise and what we’re
left with are some good-ol-fashioned rock music. This is QOTSA’s most varied
record to date. This album even rivals Daft Punk with celebrity guests <i style="mso-bidi-font-style: normal;">…Like Clockwork </i>features Elton John on
piano and Dave Grohl on drums--I mean c’mon. </div>
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<b>WHEN TO LISTEN: </b>When avoiding highway patrol somewhere in Joshua Tree.</div>
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<br /></div>
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<span style="font-size: x-large;"><b>23. Danny Brown - <i>Old</i></b></span></div>
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Danny Brown had to tweet an angry
message to his own record label to get <i style="mso-bidi-font-style: normal;">Old
</i>released, and it’s a good thing they listened because this is one of the
most critically acclaimed records of the year. You know how certain albums
don’t really click until you play it really loud? I almost missed the boat on
this one. Then I blasted it in my car one night and I was hooked. This album is
an absolute roller coaster of dizzying samples and furious rhythm. This album
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<b>WHEN TO LISTEN: </b>When you're rolling out of your mind and lost at a music festival and you look around and see that everyone else is in the exact same boat you are.</div>
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<![endif]--><span style="font-size: large;"><b><span style="font-family: "Calibri","sans-serif"; line-height: 115%;">24. Neko Case - <i>The Worse Things Get, The Harder I Fight, The
Harder I Fight, The More I Love You</i></span></b></span><i><span style="font-size: large;"><b> </b></span></i></div>
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<span style="mso-bidi-font-style: italic; mso-bidi-font-weight: bold;">My favorite New Pornographer returns with her
long overdue follow up to the tremendous <i>Middle Cyclone. </i>This record is
on par with her best work she’s recorded. <i>The Worse Things Get… </i>is her
most intimate and personal album she’s released. “Midnight In Honolulu” sealed
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<span style="mso-bidi-font-style: italic; mso-bidi-font-weight: bold;"><span style="font-size: large;"><b>25. TIE! Nick Cave & The Bad Seeds - <i>Push The Sky Away</i></b></span></span></div>
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<span style="mso-bidi-font-style: italic; mso-bidi-font-weight: bold;"><span style="font-size: large;"><b>James Blake - <i>Overgrown </i></b></span></span></div>
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<span style="font-size: small;">There were so many albums released this year
that I thought were going to make my top twenty-five but ended up just missing.
2013 will go down as a truly special year in music history. So many soon to be
legendary bands had incredible years. With these two records I couldn’t just
pick one over the other so screw it! It’s a tie! After all it’s my list I can
do what I want! Nick Cave released his most subdued, moody and smoky album in
recent memory. We’re used to hearing Cave shout words of Cormac McCarthy-esque
violence over The Bad Seeds pounding instruments. But on <i>Push The Sky Away </i>Cave
marries his dark and mysterious lyrics to appropriate accompaniment. </span></div>
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<![endif]--><span style="font-size: small;"><span style="font-family: inherit;"><span style="line-height: 115%;">James
Blake returns with his sophomore release and steps out into a more bright
setting. Turns out, this man makes some sexy music. There’s nothing moodier
than a sultry voice dripping over the keys. Blake even teams up with Wu-Tang’s
RZA on one of the oddest collaborations of the year. Blake goes from his hazy
debut record and shows that he’s perfectly capable of making club music too.</span></span></span> </span></div>
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<span style="mso-bidi-font-style: italic; mso-bidi-font-weight: bold;"><b>WHEN TO LISTEN: </b>Nick Cave - At home on your leather sofa petting your pet panther contemplating the sins you've committed. James Blake -When you feel like dancing, but not too hard.</span></div>
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<span style="mso-bidi-font-style: italic; mso-bidi-font-weight: bold;"><span style="font-size: large;"><b>BEST REISSUE: Bob Dylan - <i>Another Self-Portrait</i></b></span></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="http://1.bp.blogspot.com/-jm3mCNmG6PA/UrJZfP0s5wI/AAAAAAAABHg/53bjqj0K_N8/s1600/dylan_asp_boot10_cov_1_1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="http://1.bp.blogspot.com/-jm3mCNmG6PA/UrJZfP0s5wI/AAAAAAAABHg/53bjqj0K_N8/s320/dylan_asp_boot10_cov_1_1.jpg" width="315" /></a></div>
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<span style="font-family: inherit;"><span style="font-size: small;"><span style="line-height: 115%;">Over
the past decade reissues have gotten so good that they might even soon usurp
new releases in popularity. Dylan’s always worthwhile Bootleg Series struck
gold again by taking aim at my personal favorite era of Dylan, the years
surrounding the recording of <i>New Morning, The Basement Tapes, </i>and the
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stripped away. My personal favorite is “This Evening So Soon” which is an
old-standard about a woman learning her husband was murdered that Dylan has turned
into a more light-hearted affair. However, the lyrics mixed with Dylan’s happy
strumming add to the song’s overall severity. It’s a track that will bring a
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<span style="font-family: inherit;"><span style="font-size: small;"><b><span style="line-height: 115%;">WHEN TO LISTEN: </span></b><span style="line-height: 115%;">It's Dylan. Do you really need a reason? </span></span></span></div>
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<span style="font-family: inherit;"><span style="font-size: 11pt; line-height: 115%;"><span style="font-size: large;"><b>ALMOST BUT NOT QUITE...</b></span></span></span></div>
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<br /></div>
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<span style="font-size: large;"><span style="font-size: small;"><span style="mso-bidi-font-style: italic; mso-bidi-font-weight: bold;">Here’s a few records that didn’t quite make
the list, but you should listen to anyways because they’re pretty damn great. </span></span></span></div>
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<span style="font-size: large;"><span style="font-size: small;"><span style="mso-bidi-font-style: italic; mso-bidi-font-weight: bold;">The Flaming Lips - <i>The Terror</i></span></span></span></div>
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c.kopphttp://www.blogger.com/profile/04963359987019802668noreply@blogger.com1tag:blogger.com,1999:blog-3321549655284411908.post-39381683725906138242013-07-01T20:54:00.000-07:002013-07-01T20:55:21.302-07:00Top Five Albums of 2013 (So Far)<div style="text-align: center;">
2013 has been an exceptional year for music, as well as an odd one. Normally, it seems a new artist comes to rise and releases an album that takes people by storm, and while indie music certainly has released a fair share of pleasing records; to me 2013 is the year the heavyweights prove to us why they carry the belt. Many established artists have released some of their best work this year. Daft Punk, The National, Sigur Ros, Queens of The Stone Age, Vampire Weekend, Justin Timberlake, Kanye West, Black Sabbath and Phoenix to name a few have all released records with much critical acclaim that are just as good if not better than their previous work. I cannot think of another year where longtime bands have been knocking it out of the park as much as this year. With that in mind I present to you a taste of the best music of 2013 according to me.</div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: x-large;">1. Daft Punk - <i>Random Access Memories</i></span></span></div>
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<a href="http://2.bp.blogspot.com/-dI7IU4XH4Nc/UdJERAx3jQI/AAAAAAAAAzQ/4c152Ih8SM0/s894/ram_fb.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="398" src="http://2.bp.blogspot.com/-dI7IU4XH4Nc/UdJERAx3jQI/AAAAAAAAAzQ/4c152Ih8SM0/s400/ram_fb.jpg" width="400" /></a></div>
<span id="docs-internal-guid-7f2cd81f-9d56-8473-a273-8d268f577a9e" style="background-color: transparent; color: black; font-family: Arial; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"><span style="font-size: x-large;"><i> </i></span></span>It has been eight years since the enigmatic Daft Punk have graced us with their presence and in that time dance music has changed a lot. Dubstep is everywhere, the EDM scene has exploded with major festivals everywhere and Vegas contracts for some DJs. The scene has come a long way since Daft Punk started in France playing small warehouse shows in the early 90s and they seem to be the only ones to see the writing on the wall. Daft Punk are regarded as the most important techno act around, they are trendsetters. Pretty much whatever they do within five years everyone else does. So what do they do this time around? Instead of looking forward they decide to take a trip back to the disco era and pay tribute to artists like Chic that inspired them. <i>Random Access Memories</i> is easily the most hyped album of the year with a unique marketing strategy and impressive list of collaborators. It's a huge risk for Daft Punk to take as this album has made some of their most loyal fans upset since it lacks any major techno elements. However this is exactly what the duo needed to do to stay vital in a scene that is quickly growing stale. <i>Random Access Memories</i> is a perfectly engineered triumph of an album that explores so many different styles of music. While there are plenty of songs that will get booties shaking ("Get Lucky,""Lose Yourself to Dance" "Giorgio by Morodor") The one song that really stands out to me is the centerpiece of the album "Touch." Written and sung by Paul Williams, “Touch” is an odyssey of a track reminiscent of The Beatles "A Day In The Life" in the massive scope of the track and the vast amount of landscapes it ventures into. This song is a perfect example of why Daft Punk are too good for the button pushing scene they helped create. They are true artists and they never want to do the expected, Daft Punk took a huge risk with <i>RAM </i>and it paid off in dividends.<br />
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<span style="font-size: x-large;"><span style="font-family: Arial,Helvetica,sans-serif;"><br /></span></span><span style="font-size: x-large;"><span style="font-family: Arial,Helvetica,sans-serif;">2. Justin Timberlake - <i>The 20/20 Experience</i></span></span><br />
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<a href="http://3.bp.blogspot.com/-hsaur4dOUZ8/UdJERTj571I/AAAAAAAAAzU/6mzlA4jDWp4/s600/JT_The_20_20_Experience_Album_Small.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="http://3.bp.blogspot.com/-hsaur4dOUZ8/UdJERTj571I/AAAAAAAAAzU/6mzlA4jDWp4/s400/JT_The_20_20_Experience_Album_Small.jpg" width="400" /><span id="docs-internal-guid-7f2cd81f-9d70-9fd5-b629-c7be15cf7579" style="background-color: transparent; color: black; font-family: Arial; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"> </span></a></div>
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It's strange to think that even though Justin Timberlake is arguably the most recognized male pop-star alive he only has three albums. It has been a long time since his now iconic <i>FutureSex/LoveSounds</i> and many people started to speculate whether Timberlake had another great album in him. The <i>20/20 Experience</i> is easily his most ambitious work to date. It is a statement that pop songs don't have to all be three minutes long with the same hooks over and over again. For instance the second single "Mirrors" is over nine minutes long. Even though the majority of this album’s tracks are over eight minutes long it never feels tired. Each song is compartmentalized, leading from one movement to the next seamlessly. This is something that is probably not even close to being in any other pop star’s vocabulary. This album is all killer and no filler, ten solid songs that will stick in your mind for a long time. A month or so after this was released it was announced that this album is only part one of a two part album that is to be released later this year. I can only hope that Timberlake continues to challenge the conventional pop song structure further with part two.</div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: x-large;">3. Kanye West - <i>Yeezus</i></span></span></div>
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Kanye West follows up his masterpiece<i> My Beautiful Twisted Dark Fantasy</i> with a stripped down explosive and jarring <i>Yeezus</i>. Many people are calling this a game changer, the album is a blend of jarring noise and Dubstep influence and a dash of old-school Kanye soul samples. People say this is one of the darkest and noisy rap albums, that's not true at all. Just pick up any Death Grips album and Yeezus will feel like a Simon & Garfunkel record. However Kanye is going to reach a lot more people than Death Grips, so <i>Yeezus </i>will ultimately receive a lot more credit. This album features some of West's harshest and politically charged lyrics to date. The first four tracks are the albums most intense, and the production is credited to Daft Punk. It's crazy to think that while they were making their crisp <i>Random Access Memories</i> they were also helping create the hellish beats for Kanye. Yeezy seems especially mad and charged up on this record, paired with the excellent production <i>Yeezus </i>is an immediately engaging record. While many critics are praising this album for its distorted sound, I commend executive producer Rick Rubin for keeping this album as simple as possible and only leaving in what is necessary. </div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: x-large;">4. Sigur Ros - <i>Kveikur</i></span></span></div>
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<a href="http://3.bp.blogspot.com/-FR760rQIQm8/UdJEQzT9rFI/AAAAAAAAAzE/O9ADzBVaId4/s658/kveikur.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="387" src="http://3.bp.blogspot.com/-FR760rQIQm8/UdJEQzT9rFI/AAAAAAAAAzE/O9ADzBVaId4/s400/kveikur.jpg" width="400" /><span id="docs-internal-guid-7f2cd81f-9d77-0717-dcea-59c3edd3a600" style="background-color: transparent; color: black; font-family: Arial; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"> </span></a></div>
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Iceland's Sigur Ros have been through a transitional year. Their past few albums have felt like they lacked direction, and with the loss of one of their founding members the now trio decided to go back to the drawing board and regroup. Quite simply <i>Kveikur </i>is their best work since <i>Takk</i>, and maybe even<i> ( )</i>. As a trio the band focused on two instruments that have never really played an important role until now, drums and bass. The drums are thunderous and the bass is huge on this record. <i>Kveikur </i>is their most aggressive album to date, and singer Jonsi has found a way to re-tap into that soul excavating emotionalism that captured so many fans with their early work. For anyone who thought that Sigur Ros' artistic relevance has come and gone is in for a wake-up call. The band is alive and roaring on <i>Kveikur</i>. </div>
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<span style="font-size: x-large;"><span style="font-family: Arial, Helvetica, sans-serif;">5. The National - <i>Trouble Will Find Me</i></span></span><i> </i></div>
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<a href="http://2.bp.blogspot.com/-mguP9Rjw6sg/UdJEQEz6ebI/AAAAAAAAAy0/RGJoT-JcJQI/s600/982e53bc.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="http://2.bp.blogspot.com/-mguP9Rjw6sg/UdJEQEz6ebI/AAAAAAAAAy0/RGJoT-JcJQI/s400/982e53bc.jpg" width="400" /></a></div>
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If you enjoyed The National's previous three albums then you're going to love <i>Trouble Will Find Me</i>. The National know who they are and what is in their wheelhouse and that's why they have become one of the more secure bands in indie music along with Beach House and Yo La Tengo. <i>Trouble Will Find Me</i> is certainly a more playful than the morose <i>Boxer </i>and less anthemic than <i>High Violet</i>. However, this album explores an array of different sounds from the quiet acoustic picking of “I Need My Girl” to the crescendos of “Sea of Love” all while still maintaining that National-sound we have all grown accustom to. Matt Beringer’s voice has never sounded better and his lyrics are razor sharp making you cry one moment and laugh the next. “Pink Rabbits” contains some of the best songwriting the band has done to date. <i>Trouble Will Find Me</i> is an album for all occasions that will stick with the listener making them ponder life, love, death and everything in-between.</div>
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<span style="font-size: small;">In honor of this post this month's Mischmash Playlist features a five-song sampler of each album. Please listen and subscribe</span><span style="background-color: transparent; color: black; font-family: Arial; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"><span style="font-family: inherit;"> <a href="http://open.spotify.com/user/ckopp11/playlist/26Y5raq9cSGBjvnAlqGBB5" target="_blank">HERE</a>. </span></span></div>
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<span style="background-color: transparent; color: black; font-family: Arial; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"><span style="font-family: inherit;"><iframe allowtransparency="true" frameborder="0" height="380" src="https://embed.spotify.com/?uri=spotify:user:ckopp11:playlist:26Y5raq9cSGBjvnAlqGBB5" width="300"></iframe> </span></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: x-large;"> </span><i> </i></span></div>
<span id="docs-internal-guid-7f2cd81f-9d56-8473-a273-8d268f577a9e" style="background-color: transparent; color: black; font-family: Arial; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: x-large;"><i> </i></span></span> </span>c.kopphttp://www.blogger.com/profile/04963359987019802668noreply@blogger.com0tag:blogger.com,1999:blog-3321549655284411908.post-670689147283345502013-05-12T10:58:00.001-07:002013-05-12T10:59:56.267-07:00Mischmash May <div class="separator" style="clear: both; text-align: center;">
<a href="http://www.billboard.com/files/styles/promo_650/public/media/daft-punk-pharrell-650-430.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="263" src="http://www.billboard.com/files/styles/promo_650/public/media/daft-punk-pharrell-650-430.jpg" width="400" /></a></div>
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In a better effort to integrate Spotify into ST&SP I present the new monthly series called <i>Mischmasch. Mischmasch </i>was the name of a periodical that Lewis Carroll once wrote where he introduced sketches and ideas that would later become <i>Through The Looking Glass. </i>It's
also German for a disorderly mix of things. I thought it was an
appropriate title because that is exactly what this playlist is going to
be. A once a month post of everything I've been listening to that
previous month. There won't be any rhyme or reason, but hopefully you'll
discover something new that you enjoy. Please <a href="http://open.spotify.com/user/ckopp11/playlist/26Y5raq9cSGBjvnAlqGBB5" target="_blank">SUBSCRIBE </a>to the playlist
on Spotify that way every month you'll be alerted that the playlist has
been updated.<br />
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<iframe allowtransparency="true" frameborder="0" height="380" src="https://embed.spotify.com/?uri=spotify:user:ckopp11:playlist:26Y5raq9cSGBjvnAlqGBB5" width="300"></iframe><br />
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Last month's Mischmash was a collection of introspective ambient and neo-classical music. For May, I decided to kick out the jams with some summer-time soul and funk music. <br />
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<i><span style="font-size: large;"><span style="font-size: large;">A <span style="font-size: large;">F</span></span>ew <span style="font-size: large;">T</span>racks of <span style="font-size: large;">N</span>ote. </span></i><br />
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<i>Marlena Shaw - "California Soul" </i>This is such an AM Radio treasure. The hand-clapping and cinematic strings paired with Shaw's voice bring "California Soul" to life. Perfect way to kick off the summer here in LA.<br />
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<i>Funkadelic - "Sexy Ways" </i>Hidden on the album <i>Standing On The Verge Of Getting It On</i> is "Sexy Ways" featuring a breezy unresolved guitar lick much like the one Niles Rodgers used on our next track...<br />
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<i>Daft Punk - "Get Lucky" </i>The one modern track I put in this playlist is the new Daft Punk. This is easily going to be the song of the summer. The techno giants have realized that the genre is in a stand-still of party-loving button pushers who just focus on builds and drops. Daft Punk want to make actual dance music that looks forward but also pays homage to the great dance music of the 70s and 80s that helped pave the way to today. Their album <i>Random Access Memories </i>is out in a few weeks and it could be a game changer.<br />
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<i>Bo Dollis & The Wild Magnolias - "Ho Na Nae" </i>A funk group from New Orleans that blends contemporary funk music with a tribal element to it. What results is infectious organic sounding soul.<br />
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<i>James Booker - "Papa Was a Rascal" - </i>Who says soul music means you have to dance or sing? James Booker shows us how it's done with the insane seven minutes of heavenly rick-rolling piano that is "Papa Was a Rascal"<br />
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<i>The Valparaiso Men's Chorus - "Hanging Johnny" </i>The Valparaiso Men's Chorus are a collective of scallywags that breathe new life into traditional music. To close out this month's playlist they perform the classic sea shanty "Hanging Johnny" Wait for that tuba. That god damned tuba. <br />
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<a href="http://open.spotify.com/user/ckopp11/playlist/26Y5raq9cSGBjvnAlqGBB5" target="_blank">CLICK HERE TO LISTEN TO SPOTIFY PLAYLIST. PLEASE SUBSCRIBE</a>c.kopphttp://www.blogger.com/profile/04963359987019802668noreply@blogger.com0tag:blogger.com,1999:blog-3321549655284411908.post-1496943031176303042013-04-15T20:10:00.002-07:002013-04-15T20:12:14.891-07:00Mischmasch April <div class="separator" style="clear: both; text-align: center;">
<a href="http://1.bp.blogspot.com/-9kzc9-3BDno/UWy5hv_KZCI/AAAAAAAAAxw/Zco0ggi7VLY/s1600/31451_1.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="308" src="http://1.bp.blogspot.com/-9kzc9-3BDno/UWy5hv_KZCI/AAAAAAAAAxw/Zco0ggi7VLY/s400/31451_1.JPG" width="400" /></a></div>
In a better effort to integrate Spotify into ST&SP I present the new monthly series called <i>Mischmasch. Mischmasch </i>was the name of a periodical that Lewis Carroll once wrote where he introduced sketches and ideas that would later become <i>Through The Looking Glass. </i>It's
also German for a disorderly mix of things. I thought it was an
appropriate title because that is exactly what this playlist is going to
be. A once a month post of everything I've been listening to that
previous month. There won't be any rhyme or reason, but hopefully you'll
discover something new that you enjoy. Please SUBSCRIBE to the playlist
on Spotify that way every month you'll be alerted that the playlist has
been updated.<br />
<br />
<a href="http://open.spotify.com/user/ckopp11/playlist/26Y5raq9cSGBjvnAlqGBB5" target="_blank">CLICK HERE TO SUBSCRIBE TO THE MISCHMASH ON SPOTIFY </a><br />
<iframe allowtransparency="true" frameborder="0" height="380" src="https://embed.spotify.com/?uri=spotify:user:ckopp11:playlist:26Y5raq9cSGBjvnAlqGBB5" width="300"></iframe><br />
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<i><span style="font-size: large;"><b>A Few Tracks of Note. </b></span></i><br />
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<span style="font-size: large;"><span style="font-size: small;"><i>Stars of </i><span style="font-size: small;"><i>the Lid - "Apreludes (in </i><span style="font-size: small;"><i>C </i><span style="font-size: small;"><i>Sharp Major)"</i><span style="font-size: small;"> - </span></span></span></span></span></span><i><span style="font-size: large;"><b></b></span></i>With much of April's playlist is centered around ambient music. It's a genre that is relatively small and hard to appreciate at times. It's also hard to tell good ambient music apart. I'll start with Stars of The Lid, the Austin TX group has been making ambient music for almost two decades now and could easily be seen as the most essential ambient group alive. Whereas most ambient artists tend to paint lush landscapes of sound Stars of the Lid play with silences and tones. Listening to their music I can't help but feel like I'm in an Arthur C. Clarke novel. It's futuristic and otherworldly.<br />
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<i>Tim Hecker - "In The Fog II" - </i>My discovery of Tim Hecker is what inspired me to seek out and research more ambient artists. You must let his music wash over you like a Monet scene scape. Here you will recognize familiar sounds, the ringing of a piano, the tones of synthesizers but Hecker presents them in such a unique way. It was because of him I was brought to Oneohtrix Point Never, Loscil, and Grouper.<br />
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<i>Max Richter - "Infra 8" - </i>I also have been wondering lately who is making the best neo-classical music right now? Up until now I had only heard of Kronos Quartet. I discovered the beautiful music of Max Richter and Johan Johannsson. Classical music isn't for the history books people, it's alive and people are still making it sound fresh and important.<br />
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<i>Dirty Three - "Some Summers They Drop Like Flies" </i>- I have been super into the gigantic larger than life post-rock of Godspeed! You Black Emperor as of late. I did some research and found the Dirty Three featuring violinist and longtime Nick Cave collaborator Warren Ellis. Their music is a mix of post-rock and the soft cry of a cowboy ballad. Ellis especially puts a ton of feeling into his music.<br />
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<i>Minnie Riperton - "Les Fleurs" </i>I didn't have the balls to make a playlist containing just ambient music so I scattered a few appropriate tracks that I have been digging as of late. "Les Fleus" by the late Minnie Riperton came to mind. This song is a fun summery swing of a song that reminds me of 60s French soul.<br />
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<br />c.kopphttp://www.blogger.com/profile/04963359987019802668noreply@blogger.com0tag:blogger.com,1999:blog-3321549655284411908.post-81569163345137362942013-02-17T13:54:00.001-08:002013-02-17T13:54:23.148-08:00Bootleg Series: Radiohead @ Bonnaroo 2006 <div class="separator" style="clear: both; text-align: center;">
<a href="http://24.media.tumblr.com/c9d9e904fa5b0da09b23cf6d34644d5d/tumblr_mft0gqhwwm1qai55bo1_500.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="223" src="http://24.media.tumblr.com/c9d9e904fa5b0da09b23cf6d34644d5d/tumblr_mft0gqhwwm1qai55bo1_500.jpg" width="400" /></a></div>
Sometime next week Bonnaroo will announce their 2013 lineup and I thought it was a perfect time to post another show in my ongoing bootleg series. If you recall in July I posted about <a href="http://shinytopssodapops.blogspot.com/2012/07/five-years-gone.html" target="_blank">the five year anniversary of The White Stripes at Madison Square Garden</a>. This time around I want to talk about a truly legendary Radiohead concert. Many Radiohead bootleg completists argue that this is the best show they have ever done. The year was 2006, their classic in the making <i>In Rainbows </i>hadn't been released yet, in fact this was the debut for most of their new material. They were so excited to play the <i>In Rainbows </i>songs that they brought out a few rarely played songs to round out their setlist, making it truly special. Radiohead were about to turn the music industry on its head with the unique pay-what-you-want system for <i>In Rainbows. </i>What makes this bootleg even more special is it's a soundboard recording that was leaked by Radiohead's own sound-engineer making for a tremendous quality of recording. This is a new essential for any Radiohead fan. Listen to a sample track and if you're craving more I have uploaded both parts of the concert below.<br />
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<iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F79679448" width="100%"></iframe><br />
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Download via Megaupload<br />
<a href="http://rapidshare.com/files/350855763/RB2006a.rar" target="_blank"><b><span style="font-size: large;">Radiohead live at Bonnaroo 2006 Part 1</span></b></a><br />
<a href="http://rapidshare.com/files/2894300459/RB2006b.rar" target="_blank"><b><span style="font-size: large;">R<span style="font-size: large;">adiohead <span style="font-size: large;">l<span style="font-size: large;">ive at Bonnaroo 2006 Part 2</span></span></span> </span></b></a>c.kopphttp://www.blogger.com/profile/04963359987019802668noreply@blogger.com0tag:blogger.com,1999:blog-3321549655284411908.post-76084984715569240132013-02-11T16:20:00.001-08:002013-02-11T16:20:12.954-08:00Magnetic Fields Selections <div class="separator" style="clear: both; text-align: center;">
<a href="http://www.cbc.ca/gfx/images/arts/photos/2010/01/28/arts-magnetic-fields-584.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="225" src="http://www.cbc.ca/gfx/images/arts/photos/2010/01/28/arts-magnetic-fields-584.jpg" width="400" /></a></div>
<br />Valentine's Day is right around the corner, spend some time with your beau or alone and enjoy this now expanded playlist of Magnetic Fields songs I have complied. If you were ever thinking about giving The Magnetic Fields a try I must say this is a pretty good place to start. Love is an endless subject for Stephin Merritt and there is no better songwriter on the subject at the moment. Hell, he wrote a triple album of<i> 69 Love Songs </i>for crying-out-loud! Happy Valentine's Day.<br />
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<a href="http://open.spotify.com/user/ckopp11/playlist/2iadAD0Q5hsuK2d4J76aBV" target="_blank">Click here</a> to open in Spotify or enjoy the embedded player. <br />
<iframe allowtransparency="true" frameborder="0" height="380" src="https://embed.spotify.com/?uri=spotify:user:ckopp11:playlist:2iadAD0Q5hsuK2d4J76aBV" width="300"></iframe><br />c.kopphttp://www.blogger.com/profile/04963359987019802668noreply@blogger.com0tag:blogger.com,1999:blog-3321549655284411908.post-55751711575054423122013-01-23T16:02:00.000-08:002013-01-23T16:05:17.710-08:00Mischmasch: January 2013<div class="separator" style="clear: both; text-align: center;">
<a href="http://4.bp.blogspot.com/-qvf-jKzj3aI/UQB4QM612-I/AAAAAAAAAxI/WKwN-ZV8xlU/s1600/Garcin_and_Halbron_1934Small_en.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://4.bp.blogspot.com/-qvf-jKzj3aI/UQB4QM612-I/AAAAAAAAAxI/WKwN-ZV8xlU/s1600/Garcin_and_Halbron_1934Small_en.jpg" /></a></div>
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<span style="font-size: xx-small;"><i>Drawing by Lewis Carroll</i></span></div>
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In a better effort to integrate Spotify into ST&SP I present the new monthly series called <i>Mischmasch. Mischmasch </i>was the name of a periodical that Lewis Carroll once wrote where he introduced sketches and ideas that would later become <i>Through The Looking Glass. </i>It's also German for a disorderly mix of things. I thought it was an appropriate title because that is exactly what this playlist is going to be. A once a month post of everything I've been listening to that previous month. There won't be any rhyme or reason, but hopefully you'll discover something new that you enjoy. Please SUBSCRIBE to the playlist on Spotify that way every month you'll be alerted that the playlist has been updated.<br />
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<i><iframe allowtransparency="true" frameborder="0" height="380" src="https://embed.spotify.com/?uri=spotify:user:ckopp11:playlist:26Y5raq9cSGBjvnAlqGBB5" width="300"></iframe></i></div>
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<span style="font-size: large;"><i><b>A Few Tracks of Note. </b> </i></span></div>
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<b>The Clash - </b><i>Overpowered by Funk</i></div>
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I made a promise to myself this year that I would finally get around to listening to some classic bands and albums that I never have given a listen to. The Clash were on top of my list. I'm still getting used to them but I really was taken by this song off of <i>Combat Rock. </i>I love it when punk meets new-wave. This song has a very Talking Heads 80s feel to it, a very infectious groove. </div>
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<b>The Smiths - </b><i>Shakespeare's Sister</i></div>
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For the longest time I hated Morrissey. I hadn't even listened to much of The Smiths but I just remembered growing up reading about his tantrums and always thinking he was an asshole. I have really been digging The Smiths discography, mainly for Johnny Marr. That guy can skate through a guitar riff like he's an Olympic skater. I still think Morrissey is a prick but at least I now know how well The Smiths could groove. </div>
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<b>Nick Cave & The Bad Seeds - </b><i>Up Jumped The Devil</i></div>
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Never really gave Nick Cave a listen though I have always respected the idea of him. He is one of the last sort of mythic figures in rock music. These days the only way to make it is to be constantly engaging your fanbase through social media or what not. Cave appears through the ether once and awhile and drops murder ballads and other sort of sinister acts. He's like Tom Waits meets the wild west. Some of his stuff can be schmaltzy but for the most part I think he's brilliant. Expect more Nick Cave posts as the year goes on. </div>
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<b>Yo La Tengo - </b><i>Ohm</i></div>
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The first great new record of the new year has to be Yo La Tengo's <i>Fade. </i>It's one of their shortest records but it's very well put together and sounds like a culmination of everything they have done for the past decade. Yo La Tengo has been the most surefooted band in indie rock for a long time now and here's hoping that will stay for a long time to come. </div>
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<b>The Sex Pistols - </b><i>Pretty Vacant</i></div>
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I always find that I listen to harsher sounding music during the winter season. This winter has been dominated by classic punk hence The Sex Pistols, Buzzcocks, Misfits and Iggy Pop. I have never listened to <i>Nevermind The Bullocks </i>before this and I can easily see why it's regarded as a classic. For the time I'm sure it seemed like such a punk anarchistic statement. </div>
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<b>Cheap Trick - </b><i>Dream Police </i></div>
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Why this was the first song I listened to in 2013 is beyond me. I feel bad for Cheap Trick I feel like they get lumped in with all the other bands who made their heyday in the 70s and are still trucking today. I always saw them as a punk-ELO. Most people know them for "I Want You To Want Me" or "Surrender" but I always felt like there was a lot more to Cheap Trick than what is generally perceived<i>. </i>I hope the general public rediscovers them one of these days. </div>
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<b>Donald Fagen - </b><i>Out of the Ghetto</i></div>
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One of my many overlooked records of 2012 was the new solo record from Steely Dan's own Donald Fagen. "Out of the Ghetto" is the album highlight for me. It shows Fagen still is making the same jazzy-funk that has made Steely Dan a success. </div>
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<b>Justin Timberlake & Jay-Z - </b><i>Suit & Tie</i></div>
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Yeah, I'm talking about the new Justin Timberlake. If you don't like it, eat a dick hipsters. There are a lot of pop stars out there but only a few pop titans. Timberlake is one of them. He takes his time with his music. He's only released two records and in 2013 he'll drop number three. I'm sure it'll be a great and it'll get a ton of radioplay and deservedly so. The man knows how to make catchy music. "Suit & Tie" has multiple sections and layers to it which I think shows his growth and maturity as an artist. Can't wait to hear the rest of the album. </div>
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Enjoy the <i>Mischmasch </i>and please <a href="http://open.spotify.com/user/ckopp11/playlist/26Y5raq9cSGBjvnAlqGBB5" target="_blank">subscribe</a>!</div>
c.kopphttp://www.blogger.com/profile/04963359987019802668noreply@blogger.com0tag:blogger.com,1999:blog-3321549655284411908.post-26228974107762465282012-12-20T14:49:00.002-08:002012-12-21T08:21:54.747-08:00ST&SP Best of 2012: Top 25+ Albums <div class="separator" style="clear: both; text-align: left;">
<a href="http://2.bp.blogspot.com/-7L-bb5SJvkk/UNIqkeuukOI/AAAAAAAAAoY/Nt-8dyoAuzU/s1600/2012.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><br /></a></div>
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<i>I have been making lists of things as long as I can remember. I used to write lists in my grade school yearbook of whatever I liked that particular year, and when I created this blog four years ago I continued that tradition. Partially I do it for myself so I can keep record of the music that I value but mainly I do it in hopes that a reader might discover a new artist they enjoy. This year there were some incredible records put out some that I believe will be remembered down the line as classics of their time. I created a Spotify Playlist for this list with songs from each of these artists. You can listen to it <a href="http://open.spotify.com/user/ckopp11/playlist/4UXIPgustnJXXM1nVAM0L1" target="_blank">here </a>or scroll to the bottom of this post for the embedded player. Ok. Here we go. </i><br />
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<b><span style="font-size: x-large;">1. Kendrick Lamar - <i>Good Kid<span style="font-size: x-large;">, m.A.A.d City</span></i></span></b><i></i><br />
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<a href="http://4.bp.blogspot.com/-cGmDeUjQvdk/UNIu2O89mwI/AAAAAAAAAow/cIGqCzNugpc/s1600/kendrick-lamar-good-kid-maad-city.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="http://4.bp.blogspot.com/-cGmDeUjQvdk/UNIu2O89mwI/AAAAAAAAAow/cIGqCzNugpc/s400/kendrick-lamar-good-kid-maad-city.jpg" width="400" /></a></div>
If you read the writing on the Polaroid cover of Kendrick Lamar's <i>Good Kid, m.A.A.d City </i>it says "A Short Film." That's because this record is a cinematic experience peering into Kendrick's life growing up in Compton. This album tells a story of a good kid who is tempted resists and ultimately succumbs to the terrors of gang life. This record has songs that both glorify the lifestyle ("m.A.A.d City," "Swimming Pools") " and songs that skewer the gangster's life ("Sing About Me, I'm Dying of Thirst," "Money Trees"). I have never been a fan of rap 'skits' but this album uses transitional dialogue better than any hip-hop record has ever done before. He uses these skits to forward the story of this troubled teen.<i> Good Kid, m.A.A.d City </i>is a highly personal album with a strong message that many rappers dream of creating.<br />
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<b><span style="font-size: x-large;">2. Fiona Apple - <i>The Idler Whee<span style="font-size: x-large;">l...</span></i></span></b><br />
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<i>The Idler Wheel Is Wiser Than the Driver of the Screw and Whipping Cords Will Serve You More Than Ropes Will Ever Do </i>or to those with shortness of breath <i>The Idler Wheel... </i>is the fourth studio album by the eccentric indie darling Fiona Apple. It took her seven years to write a new record mainly because she says she can't write songs when she's happy. After ending a relationship recently she returned to the studio and came out with a stripped album that's drenched in heartbreak and raw emotion. Fiona is the kind of artist who pours everything into her music. Her lyrics, singing and piano playing are drenched in feeling. She may take her time when it comes to music, but her process seems to work. <i>The Idler Wheel... </i>is an essential album for 2012 or any year. <br />
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<span style="font-size: x-large;"><b>3. Chromatics - <i>Kill For Love</i></b></span><br />
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The indie record label Italians Do It Better has been putting out some
of the best chill-pop around. They manage to mold some newer electronic
vibes with a very vintage Italian discopop feel to them. They may have
released their magnum-opus with Chromatics' sophomore LP <i>Kill For Love. </i>You might recognize this sound because frontman Johnny Jewel contributed to the <i>Drive </i>soundtrack. Some albums are great collections of songs, others take you on a sonic journey. <i>Kill For Love</i>
is of the latter category. This moody monster of a record moves at a
laid back pace through crafty pop songs and ambient noise. This might be
up there with Pink Floyd's <i>Dark Side of the Moon</i> in terms of <span style="font-size: small;">perfect </span>nighttime music. It's an incredibly confident record for a relatively young band.<br />
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<span style="font-size: x-large;"><b>4. Killer Mike - <i>R.A<span style="font-size: x-large;">.P. Musi<span style="font-size: x-large;">c</span> </span></i></b></span> <br />
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<![endif]--></span></span>One of OutKast's longtime
compatriots, Killer Mike finally steps into the limelight thanks to stellar
production by El-P. I have complained for the longest time that hip-hop has
unfortunately drifted away from making important political and social
observations and instead throwing focus on personal wealth and gain. Well,
today I can rest in peace that my favorite kind of hip-hop is still thriving. <i>R.A.P.
Music</i> tackles politics, religion, and social injustice with a poet's wit.
He takes aim at everyone: blacks, whites, cops, thug life, the uneducated and
spousal abuse to name a few. While every song is strong two really stick out in
my mind. "Reagan" is the bluntest anti-politics song I have heard in
years where Mike praises the death of Ronald Reagan and laments over the
current state of government and America's slave-like affair with big oil.
"Willie Burke Sherwood" is a song where he talks about being insecure
for being into literature and enjoying school. He does all this while twisting
the plot of <i>Lord of the Flies </i>to fit his own childhood. Yeah. That is
amazing.</span></span></span></span></span></span></div>
<span style="font-size: x-large;"><span style="font-size: small;"><span style="font-size: x-large;"><span style="font-size: small;"><span style="font-size: x-large;"><span style="font-size: small;">
</span></span></span></span> </span></span><br />
<span style="font-size: x-large;"><span style="font-size: small;"><span style="font-size: x-large;"><span style="font-size: small;"><span style="font-size: x-large;"><b>5. Beach House - <i>Bloom</i></b></span></span></span></span></span><br />
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<a href="http://1.bp.blogspot.com/-6_k975v33QA/UNI4eQeNOiI/AAAAAAAAAps/xE9EvKqFKBA/s1600/Beach-House-Bloom.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="http://1.bp.blogspot.com/-6_k975v33QA/UNI4eQeNOiI/AAAAAAAAAps/xE9EvKqFKBA/s400/Beach-House-Bloom.jpg" width="400" /></a></div>
<span style="font-size: x-large;"><span style="font-size: small;"><span style="font-size: x-large;"><span style="font-size: small;">If you loved Beach House's previous three records then you're going to adore <i>Bloom</i>.
If not, move along. Beach House are one of those bands that have
decided what they wanted to be a long time ago and have stuck to being
exactly that. They are one of the most solid groups in the indie world.
Their steadfastness has paid off, this record debuted really well on the
charts.<span style="font-size: small;"> They are now even a favorite among hi<span style="font-size: small;">p-hop artists when it comes to sampling</span></span>. What I love about this group is though their sound is pretty
much uniform, they are able to make each song unique and catchy.
"Lazuli" is the centerpiece to <i>Bloom </i>and is quite frankly the
best song the band has recorded to date. I took a drive along the PCH
here in Los Angeles the other day with the windows down and this record
playing. It was quite heavenly. </span></span></span></span><br />
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<span style="font-size: x-large;"><span style="font-size: small;"><span style="font-size: x-large;"><span style="font-size: small;"><b><span style="font-size: x-large;">6. A<span style="font-size: x-large;">ll The Shit Ty Segall Did This Year</span></span></b></span></span></span></span></div>
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<a href="http://2.bp.blogspot.com/-8LcTeltFvxc/UNI7YchGtxI/AAAAAAAAAqg/lPaTPA7_hY0/s1600/Untitled-2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="175" src="http://2.bp.blogspot.com/-8LcTeltFvxc/UNI7YchGtxI/AAAAAAAAAqg/lPaTPA7_hY0/s400/Untitled-2.jpg" width="400" /></a></div>
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<span style="font-size: small;">If you read my blog regularly you're aware that Ty Seg<span style="font-size: small;">all is my <a href="http://shinytopssodapops.blogspot.com/2012/12/st-2012-best-of-artist-of-year.html" target="_blank">2012 Artist of the Year</a></span></span>. He is the most exciting thing to happen to basement fuzz punk in years. He made a splash with 2010's <i>Melted </i>and this year he grew immensely as an artist with not one but three albums. <i>Hair </i>the collaboration between he and White Fence showed Ty that adding layers added to a song's overall power. <i>Slaughterhouse </i>is a straightforward punk deathmobile that allowed him to bring the energy of his live shows into the studio. <i>Twins </i>I feel is the result of bringing these two records together to create the next chapter of the Ty Segall story. It really has been exciting to follow this guy, I cannot wait for what he does next. </div>
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<span style="font-size: x-large;"><b>7. Dirty Projectors - <i>Swing Lo Magellan</i> </b></span></div>
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<a href="http://1.bp.blogspot.com/-H85aE8Lqp-E/UNI9M8Na77I/AAAAAAAAAqw/QpLrNHvUisY/s1600/dirty-projectors-swing-lo-magellan.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="http://1.bp.blogspot.com/-H85aE8Lqp-E/UNI9M8Na77I/AAAAAAAAAqw/QpLrNHvUisY/s400/dirty-projectors-swing-lo-magellan.jpg" width="400" /></a></div>
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<span style="font-size: small;">2009'<span style="font-size: small;">s <i>Bitte Orca</i> </span>was the album of the year for most peopl<span style="font-size: small;">e. It wa<span style="font-size: small;">s a<span style="font-size: small;">n a<span style="font-size: small;">bsolute headrush of a record. They reci<span style="font-size: small;">eved much praise</span> for slam<span style="font-size: small;">ming</span> <span style="font-size: small;">contra<span style="font-size: small;">dictory </span></span>beats</span></span></span></span></span> together that somehow magically worked. With this year's <i>Swing Lo Magellan </i>they have toned down their erratic behavior and instead focused on their songwriting. This resulted in one of the prettiest sounding psychedelic folk records in recent memory. This record features singer songwriter David Longstreth's best lyrics to date. I'm pretty sure "Impregnable Question" will be played at my wedding. It's a simple amorous record that would warm even the coldest of hearts. </div>
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<span style="font-size: x-large;"><b>8. Death Grips - <i>The Money Store</i></b></span></div>
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<a href="http://1.bp.blogspot.com/-pnDxCsD82_o/UNJA1MqmTLI/AAAAAAAAArA/kt2_iXAWCz4/s1600/death-grips-the-money-store.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="http://1.bp.blogspot.com/-pnDxCsD82_o/UNJA1MqmTLI/AAAAAAAAArA/kt2_iXAWCz4/s400/death-grips-the-money-store.jpg" width="400" /></a></div>
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<span style="font-size: x-large;"><b> </b></span><span style="font-size: x-large;"><span style="font-size: small;">Death Grips make terrifying music. That's
the best way to describe this guerrilla punk hip-hop group. They make
Odd Future look like The Everly Brothers in terms of being hardcore. I'm
not going to like this is a tough record to get into it's very harsh on
the ears for a casual listener and it has no club hits for typical
hip-hop fans. However, I cannot name another group that sounds anything
close to Death Grips. If this group is not the anthem that the
disgruntled skater youth are flying their freak flag to then I don't
know what to think anymore.</span></span></div>
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<span style="font-size: x-large;"><span style="font-size: small;"><span style="font-size: x-large;"><b>9. Frank Ocean - <i><span style="font-size: x-large;">c</span>hannel ORANGE<span style="font-size: x-large;"> </span></i></b></span></span></span></div>
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<a href="http://2.bp.blogspot.com/-UxJssxYDk3U/UNJBhXakB5I/AAAAAAAAArI/6Ew60ldVmns/s1600/Channel-Orange_album.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="http://2.bp.blogspot.com/-UxJssxYDk3U/UNJBhXakB5I/AAAAAAAAArI/6Ew60ldVmns/s400/Channel-Orange_album.jpg" width="400" /></a></div>
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<span style="font-size: x-large;"><span style="font-size: small;"><span style="font-size: x-large;"><b><span style="font-size: x-large;"> </span></b><span style="font-size: small;">When Frank Ocean<span style="font-size: small;"> breaks into falsetto <span style="font-size: small;">thirty<span style="font-size: small;">-<span style="font-size: small;">five seconds int<span style="font-size: small;">o the opening t<span style="font-size: small;">rack "Thinkin About You" you<span style="font-size: small;"> </span>k<span style="font-size: small;">now <i><span style="font-size: small;">channel O<span style="font-size: small;">RANGE </span></span></i><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;">is going to be a classic. I can only imagine how man<span style="font-size: small;">y high-s<span style="font-size: small;">choo<span style="font-size: small;">lers are going to be slowdancing <span style="font-size: small;">at prom to this. <span style="font-size: small;">Ocean has ce<span style="font-size: small;">mented himself as the best thing to happen to R&B since D'<span style="font-size: small;">Angelo with this record. <span style="font-size: small;">O<span style="font-size: small;">cean has a<span style="font-size: small;">n uncanny ability of taking R&B to new <span style="font-size: small;">territory while still paying homage to <span style="font-size: small;">those who came before him. <i>channel ORANG<span style="font-size: small;">E </span></i><span style="font-size: small;"><span style="font-size: small;">has <span style="font-size: small;">several instant classic tra<span style="font-size: small;">cks on it incl<span style="font-size: small;">uding my #1 <span style="font-size: small;">song of the year "Pyramids."</span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span> He is <span style="font-size: small;">the most deserving breakout artist of 2012. </span> </div>
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<span style="font-size: x-large;"><b>10. Animal Collective - <i>Centipede <span style="font-size: x-large;">H<span style="font-size: x-large;">z</span></span></i></b></span></div>
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<a href="http://4.bp.blogspot.com/-_cYaSeT-eco/UNJEGW-huvI/AAAAAAAAArc/ZVrma3pnpeM/s1600/f738b519.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="http://4.bp.blogspot.com/-_cYaSeT-eco/UNJEGW-huvI/AAAAAAAAArc/ZVrma3pnpeM/s400/f738b519.jpg" width="400" /></a></div>
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<i>Centipede<span style="font-size: small;"> Hz </span></i><span style="font-size: small;">is a great record with terrible album artwork. T<span style="font-size: small;">he followup to their gigantic <i>Merriweather Post <span style="font-size: small;">Pavilion </span></i><span style="font-size: small;">that<span style="font-size: small;"> brought the<span style="font-size: small;">m a whole new <span style="font-size: small;">fanbase has created mu<span style="font-size: small;">ch controver<span style="font-size: small;">sy because, well, it <span style="font-size: small;">sounds like an A<span style="font-size: small;">nimal Collective record. Whereas <i>Merriweather</i></span></span></span></span></span></span></span></span><i> </i></span></span>was accessible <i>Centipede </i>is a dense challenging record that is more similar to 2007's <i>Strawberry Jam. </i>This record works on many levels for me. One, it's a return to having drums being what drives their songs rather than synths. This is the first Animal Collective record in a long time where it feels like they are actually a band playing together rather than putting bits and pieces together with Pro-Tools. It's still a dizzying record and I will admit that and it can be hard to grasp what makes this record important to the untrained ear. However, I applaud Animal Collective for shedding their skin of <i>Merriweather Post Pavillion </i>and continue to make challenging psych-pop. It's what made me a fan to begin with. </div>
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<span style="font-size: x-large;"><b>11. Tame Impala - <i>Lonerism</i></b></span></div>
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<a href="http://4.bp.blogspot.com/-XJxzdjPcA2M/UNJ2bmbn9nI/AAAAAAAAArs/TmJTM9hzi-g/s1600/lonerism.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="http://4.bp.blogspot.com/-XJxzdjPcA2M/UNJ2bmbn9nI/AAAAAAAAArs/TmJTM9hzi-g/s320/lonerism.jpg" width="320" /></a></div>
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<span style="font-size: x-large;"><b><i> </i></b><span style="font-size: small;">Australia's Tame Impala return with another collection of <span style="font-size: small;">Beatles meets Pink Floyd <span style="font-size: small;">psychedelic<span style="font-size: small;"> rock. While keeping the hazy dreamlike state of their breakout LP <i>Innerspeaker, </i>Tame Impala <span style="font-size: small;">aren't afraid to turn <span style="font-size: small;">up the rock <span style="font-size: small;">riffs on <i><span style="font-size: small;">Lonerism<span style="font-size: small;">. "</span></span></i><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;">Elephant"<span style="font-size: small;"> is a fitting title for the <span style="font-size: small;">pounding <span style="font-size: small;">guitar<span style="font-size: small;"> riffs<span style="font-size: small;"> while "Feels Like We Only Go Backwards" rem<span style="font-size: small;">ains h<span style="font-size: small;">igh up in the clouds. Tame Impala are t<span style="font-size: small;">he p<span style="font-size: small;">erfe<span style="font-size: small;">ct band for someone who wants to find a new band <span style="font-size: small;">while staying <span style="font-size: small;">true to their classic rock roots. </span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></div>
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<span style="font-size: x-large;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><b><span style="font-size: x-large;">12. Ja<span style="font-size: x-large;">pandroids - <i><span style="font-size: x-large;">Celebration Rock</span></i></span></span></b></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></div>
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<span style="font-size: x-large;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><b><span style="font-size: x-large;"><span style="font-size: x-large;"><i><span style="font-size: x-large;"> </span></i></span></span></b><span style="font-size: x-large;"><span style="font-size: x-large;"><span style="font-size: x-large;"><span style="font-size: small;">A<span style="font-size: small;">nthemic straight-forward rock and ro<span style="font-size: small;">ll. You don<span style="font-size: small;">'t have to<span style="font-size: small;"> reinvent the wheel as <span style="font-size: small;">long as you pour your hear<span style="font-size: small;">t and soul into your music and that's what Japandroids did with <span style="font-size: small;"><i>Celebration Rock<span style="font-size: small;">. </span></i><span style="font-size: small;"><span style="font-size: small;">This record is <span style="font-size: small;">the perfect soundtrack to that moment<span style="font-size: small;"> where you turn your back on everything you've ever k<span style="font-size: small;">nown and head into a new frontier. That excitement, that fear is all <span style="font-size: small;">wrapped into "The House T<span style="font-size: small;">hat Heaven Built<span style="font-size: small;">." </span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></div>
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<span style="font-size: x-large;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: x-large;"><span style="font-size: x-large;"><span style="font-size: x-large;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: x-large;"><b>1<span style="font-size: x-large;">3. Godspeed! You Blac<span style="font-size: x-large;">k Emperor - <i>Allelujah!<span style="font-size: x-large;"> </span>Don't Be<span style="font-size: x-large;">nd! Ascend!</span></i></span></span></b></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></div>
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<span style="font-size: x-large;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: x-large;"><span style="font-size: x-large;"><span style="font-size: x-large;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;">The indie world<span style="font-size: small;"> was overjoyed in 2011 when G<span style="font-size: small;">odspeed! Y<span style="font-size: small;">ou Black Emperor emerged from<span style="font-size: small;"><i> </i><span style="font-size: small;">their ten year <span style="font-size: small;">hibern<span style="font-size: small;">ation<span style="font-size: small;">. The elusive Canadian post-rock group pl<span style="font-size: small;">ayed <span style="font-size: small;">Coa<span style="font-size: small;">chella and a number of ot<span style="font-size: small;">her shows around th<span style="font-size: small;">e globe reminding us all of why <span style="font-size: small;">they are the most formidable instrumental post-<span style="font-size: small;">rock band <span style="font-size: small;">alive. These guys take the genre and gi<span style="font-size: small;">ve it a c<span style="font-size: small;">inematic fo<span style="font-size: small;">rce. With very little <span style="font-size: small;">war<span style="font-size: small;">ning they released <i>Allelujah! Don't Bend<span style="font-size: small;">! Ascend! </span></i><span style="font-size: small;"><span style="font-size: small;">a record <span style="font-size: small;">that i<span style="font-size: small;">s at times as minimal a<span style="font-size: small;">s it can get ("The Helicopters Sing") and other m<span style="font-size: small;">oments roar with a <span style="font-size: small;">force of nature <span style="font-size: small;">("Mladic") I'm so happy these g<span style="font-size: small;">uys are back and continue to make exemplary music. Hopefull<span style="font-size: small;">y they stick arou<span style="font-size: small;">n<span style="font-size: small;">d a lot <span style="font-size: small;">longer this time. </span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></div>
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<span style="font-size: x-large;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: x-large;"><span style="font-size: x-large;"><span style="font-size: x-large;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: x-large;"><b>14. Jack White - <i>Blunderbuss</i></b></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></div>
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<span style="font-size: x-large;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: x-large;"><span style="font-size: x-large;"><span style="font-size: x-large;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: x-large;"><b><i> </i></b></span> My Lord and <span style="font-size: small;">Savior <span style="font-size: small;">Jack White steps out for the first time in his already lege<span style="font-size: small;">ndary <span style="font-size: small;">career as a solo artist. While at first it seemed like <i>Blunderbuss </i>lacked <span style="font-size: small;">direction, over the year it really grew on me. I've discovered this about Jack, whenever he <span style="font-size: small;">starts a band it seems like the first album he puts out is a template for him to feel out what he wants the project's <span style="font-size: small;">sound to ultimately be. With T<span style="font-size: small;">he Raconteurs he <span style="font-size: small;"><span style="font-size: small;">ultimately</span> settled on being a bunch of goo<span style="font-size: small;">d ol' boys from Ten<span style="font-size: small;">nessee<span style="font-size: small;"> whereas The Dead Weather are a much <span style="font-size: small;">darke<span style="font-size: small;">r heavier band. With <i><span style="font-size: small;">Blunderbuss </span></i><span style="font-size: small;"><span style="font-size: small;">we are subjected to literally every <span style="font-size: small;">style of music he's ever done. Whe<span style="font-size: small;">ther it be the simplistic approach of The White Stripes on "Love Interruption" to his love of <span style="font-size: small;">Wan<span style="font-size: small;">da Jackson style <span style="font-size: small;">rockabill<span style="font-size: small;"><span style="font-size: small;">y </span>on "I<span style="font-size: small;">'m Shakin" <i>Blunderbuss </i><span style="font-size: small;">has something for everyone. <span style="font-size: small;">As always I can't <span style="font-size: small;">wait to see where he goes next with this. </span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></div>
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<span style="font-size: x-large;"><b>15. Divine Fits - <i>A Thing Called Divine Fits</i></b></span></div>
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What do you get when you cross Spoon with Wolf Parade and Handsome Furs? One funky-ass new wave band. Comprised of members of those bands Divine Fits are a bona fide indie supergroup that have made one crisp sounding party record. I would have never thought that Britt Daniel and Dave Boeckner would have worked well together but I was totally wrong. I hope this doesn't end up being a one time thing because this is one of the few instances where a supergroup actually works.<br />
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<span style="font-size: x-large;"><b>16. Cat Power - <i>Sun </i></b></span><br />
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<span style="font-size: x-large;"><b><i> </i></b><span style="font-size: small;">The ever erratic Chan Ma<span style="font-size: small;">rshall aka Cat Power return<span style="font-size: small;">s with <span style="font-size: small;">one of her most <span style="font-size: small;">consistent</span> rec<span style="font-size: small;">ords to date. This record has a tremendous beginning<span style="font-size: small;"> and while it suffers a little bit in the middle the second half more than makes up for it. <span style="font-size: small;">"Manhattan" is a perfect song<span style="font-size: small;"> for nighttime on an empty street and "Nothin But Time" features an exemplary performance by Iggy Pop. She's still depressed as ever but at least some of these songs you can dance to. </span></span></span></span></span></span></span></span></span></div>
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<span style="font-size: x-large;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: x-large;"><b>17. Dr. Dog - <i>Be The<span style="font-size: x-large;"> Void</span></i></b></span></span></span></span></span></span></span></span></span></span></div>
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<i>Be The Void </i>came out in early 2012 and while many critics seem to have forgotten it as the year went by I still find myself going back to it. Dr. Dog have already proven themselves to be great McCartney-esque songsmiths. <i>Be The Void </i>is slightly more varied and harder rocking than their previous record the masterpiece <i>Shame, Shame. </i>Some songs like "Big Girl" and "Warrior Man" are straight up T.Rex fuzz rockers.<br />
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<span style="font-size: x-large;"><b>18. The Walkmen - <i>Heaven</i></b></span><br />
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<span style="font-size: x-large;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: x-large;"><b><span style="font-size: x-large;"> </span></b><span style="font-size: x-large;"><span style="font-size: small;">Many bands try to hide their age<span style="font-size: small;"> and escape the fac<span style="font-size: small;">t that they're getting older. The Walkmen embrace <span style="font-size: small;">being dedicated family men and have created their most mature sounding record yet.<span style="font-size: small;"> Many of these themes are featured in the songs on <span style="font-size: small;"><i>Heaven</i><span style="font-size: small;">. </span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></div>
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<span style="font-size: x-large;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: x-large;"><span style="font-size: x-large;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: x-large;"><b>19. T<span style="font-size: x-large;">hee Oh Sees - <i>Putrifiers II</i></span></b></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></div>
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<span style="font-size: small;">Slime rockers Thee Oh Sees record their most accessible and consist<span style="font-size: small;">ant record to date. "<span style="font-size: small;">Flood<span style="font-size: small;">'s New Light" is the <span style="font-size: small;">stand<span style="font-size: small;">out track <span style="font-size: small;">that seems like a psych song <span style="font-size: small;">straight from the 70s<span style="font-size: small;">. If you enjoy Ty Segall but want something with a little more variety and harmony I high<span style="font-size: small;">ly <span style="font-size: small;">recommend Thee Oh Sees. </span></span></span></span></span></span></span></span></span></span></span></div>
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<span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: x-large;"><b>20. T<span style="font-size: x-large;">itus Andronicus - <i>Local Business</i></span></b></span></span></span></span></span></span></span></span></span></span></span></span></div>
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<a href="http://1.bp.blogspot.com/-KJR5Upysp-g/UNN3wVTxPjI/AAAAAAAAAuI/F2-ifIGCLmA/s1600/Titus-Andronicus-Local-Business-_Album-cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="http://1.bp.blogspot.com/-KJR5Upysp-g/UNN3wVTxPjI/AAAAAAAAAuI/F2-ifIGCLmA/s320/Titus-Andronicus-Local-Business-_Album-cover.jpg" width="320" /></a></div>
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<span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: x-large;"><b><span style="font-size: x-large;"><i> </i></span></b><span style="font-size: x-large;"><span style="font-size: small;">Titus Andronicus go full <span style="font-size: small;">punk Spr<span style="font-size: small;">ingsteen with <i>Local B<span style="font-size: small;">usiness<span style="font-size: small;">. </span></span></i><span style="font-size: small;"><span style="font-size: small;">While this record isn't so much of a grandiose statement as <span style="font-size: small;">t<span style="font-size: small;">heir previous record<span style="font-size: small;"><i> The Monitor </i><span style="font-size: small;">was, <i>Lo<span style="font-size: small;">cal Business </span></i><span style="font-size: small;">still is crisp <span style="font-size: small;">collection of the kind of Jersey<span style="font-size: small;">-punk that only Titus Andronicus<span style="font-size: small;"> can pull off. Stand<span style="font-size: small;">out tracks include "My Eat<span style="font-size: small;">ing Disorder" and "In A Big City<span style="font-size: small;">."</span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></div>
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<span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: x-large;"><span style="font-size: x-large;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: x-large;"><b>21. Cloud Nothings - <i>Attack on Memory</i></b></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></div>
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<i>Attack on Memory </i>is one ambitious record for the young punk artist Dylan Baldi. It features a pounding eight minute jam called "Wasted Days" as their lead single. The other track that really impressed me is the straight up sinister sounding slow build of "No Future/No Past." This album carries a certain weight that makes it very appealing.<br />
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<span style="font-size: x-large;"><b>22. The Magnetic Fields - <i>Love At The Bottom <span style="font-size: x-large;">Of The Sea</span></i></b></span><br />
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<a href="http://3.bp.blogspot.com/-hVVdY2fJGT4/UNN6CAUQGKI/AAAAAAAAAuw/MTQn33i_B8s/s1600/The_Magnetic_Fields-Love_at_the_Bottom_of_the_Sea.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="http://3.bp.blogspot.com/-hVVdY2fJGT4/UNN6CAUQGKI/AAAAAAAAAuw/MTQn33i_B8s/s320/The_Magnetic_Fields-Love_at_the_Bottom_of_the_Sea.jpg" width="320" /></a></div>
Stephin Merritt of The Magnetic Fields challenged himself to record three albums that featured absolutely no synths. With that trilogy now complete The Magnetic Fields go crazy with synths on <i>Love At The Bottom Of The Sea. </i>This record seems to be a collection of songs that Merritt had in mind that didn't work with the no-synth trilogy. While this isn't their best record by a mile, even The Magnetic Fields' most mediocre is better than most other artists best. No one writes songs like Merritt does. He's a national treasure.<br />
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<b><span style="font-size: x-large;">23. Neil Young & Crazy Horse - <i>Psych<span style="font-size: x-large;">edelic P<span style="font-size: x-large;">ill</span></span></i></span></b><br />
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Neil Young does whatever the fuck he wants. That's what makes him so god damn amazing. This year he and Crazy Horse released an album that features American classics including "She'll Be Coming Round The Mountain," he released a stellar autobiography, and another Crazy Horse record that has an opening track that clocks in over a half hour long. While some of the tracks on <i>Psychedelic Pill </i>are easy to skip over, a few of the jams are some of the best he has done in a decade. The gargantuan "Walk Like a Giant" and "Ramada Inn" anchor this beast of a record. Long live Crazy Horse.<br />
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<span style="font-size: x-large;"><b>24. Daniel Rossen - <i>Silent Hour/Golden Mile </i>EP<i><br /></i></b></span><br />
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When Daniel Rossen's stellar five song EP came out a few months before his main outfit Grizzly Bear released their record <i>Shields </i>I thought this would be a taste of what was to come. Nope. While many people adore the new Grizzly Bear I felt it didn't even come close to being as original as <i>Veckatimist </i>or <i>Yellow House </i>was. This EP on the other hand is a beautiful lush pastoral album that leaves the listener begging for more.<br />
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<span style="font-size: x-large;"><b>25. Reggie Watts - <i>A Live <span style="font-size: x-large;">at</span> <span style="font-size: x-large;">Central Park</span></i></b></span><br />
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I've said it time and time again, Reggie Watts is the most creative artist alive today. The comedian/singer/poet/beatboxer released a live album recorded in New York's Central Park. What amazes me the most about Watts is it's all improvised. You will never hear him do this material again. He makes beats and pieces together better pop hooks than most people and it's all off the top of his head. If you ever have the opportunity to see him, do it. You will never see another show like it.<br />
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<i><span style="font-size: large;">Next are five albums that didn't quite make <span style="font-size: large;">Top 25 but still good enough to mention. The runner-ups. </span></span></i><br />
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<span style="font-size: large;"><span style="font-size: large;"><span style="font-size: x-large;"><b>26. The xx - <i>Coexist</i></b></span></span></span><i><span style="font-size: large;"><span style="font-size: large;"> </span></span></i><br />
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<span style="font-size: small;">The <span style="font-size: small;">xx ret<span style="font-size: small;">urn with a ho<span style="font-size: small;">tly anticipate<span style="font-size: small;">d so<span style="font-size: small;">phomore LP<span style="font-size: small;">. If you enjoyed their quite mi<span style="font-size: small;">nimalist<span style="font-size: small;">ic love songs before you<span style="font-size: small;">'re going to love this one <span style="font-size: small;">as well. More of the same and there isn't anything wrong with that. </span></span></span></span></span></span></span></span></span></span></span><br />
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<span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: x-large;"><b>27. Father John Misty - <i>Fear Fun</i></b></span></span></span></span></span></span></span></span></span></span></span></span><br />
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<a href="http://4.bp.blogspot.com/-PQwk7BWJWPE/UNOEVshgFLI/AAAAAAAAAwQ/fFS1TPNF5T8/s1600/FJM_FEAR_FUN_COVER1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="200" src="http://4.bp.blogspot.com/-PQwk7BWJWPE/UNOEVshgFLI/AAAAAAAAAwQ/fFS1TPNF5T8/s200/FJM_FEAR_FUN_COVER1.jpg" width="200" /></a> </div>
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<span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"> </span> </span></span></span></span></span></span></span></span></span></span>Ex-Fleet Fox J. Tillman has released many solo albums before this. All filled with songs of sorrow. However last year he had an epiphany: he's not a sad guy. He released a record under the name Father John Misty filled with fun-loving characters and has now become a much more acclaimed artist. Sometimes to be yourself is to be happy. <i>Fear Fun </i>is a classic California folk-rock album in the making. </div>
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<b><span style="font-size: x-large;">28. Nick Waterhouse - <i>Time's All Gone</i></span></b></div>
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<span style="font-size: small;">Nick Waterhouse is a n<span style="font-size: small;">ewcomer to the new-soul movement, al<span style="font-size: small;">though he has been a Echo Pa<span style="font-size: small;">rk staple in Los Angeles for years. This is the kind of <span style="font-size: small;">old-school soul music your parents listened to back when vinyl parties were a thing. <i><span style="font-size: small;">Time's All Gone </span></i><span style="font-size: small;"><span style="font-size: small;">can really groove.</span></span></span></span></span></span></span></div>
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<span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: x-large;"><b>29. Liars - <i>WIXIW</i></b></span></span></span></span></span></span></span></span></div>
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<span style="font-size: small;">Liars have pulled a Radiohead <span style="font-size: small;">by completely changed their sound for the electronic<span style="font-size: small;"> <i>W<span style="font-size: small;">IXIW<span style="font-size: small;">. </span></span></i><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;">While it fea<span style="font-size: small;">tures literally no guitar it's still a <span style="font-size: small;">fascinating</span> record that <span style="font-size: small;">gets better with each listen. If I had stumbled upon this earlier in the year it would have probably been high<span style="font-size: small;">er on this list. </span></span></span></span></span></span></span></span></span></div>
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<span style="font-size: x-large;"><b>30. BEST REISSUE: Donn<span style="font-size: x-large;">ie & Joe Emerson -<span style="font-size: x-large;"> <span style="font-size: x-large;"><i>Dreamin' Wild</i></span></span></span></b></span></div>
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<a href="http://4.bp.blogspot.com/-csLSRtnW3R8/UNOEYABbi5I/AAAAAAAAAwo/5fDhPePSmns/s1600/homepage_large.54fb8838.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="200" src="http://4.bp.blogspot.com/-csLSRtnW3R8/UNOEYABbi5I/AAAAAAAAAwo/5fDhPePSmns/s200/homepage_large.54fb8838.jpg" width="200" /></a></div>
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<span style="font-size: x-large;"><b><span style="font-size: x-large;"><span style="font-size: x-large;"><span style="font-size: x-large;"><i> </i></span></span></span></b></span><span style="font-size: small;">One of my favorite record labels Li<span style="font-size: small;">ght In The Attic reissued 1979's <i>Dreamin<span style="font-size: small;">' Wild </span></i><span style="font-size: small;">a yacht rock album filled with sexy slowjams by <span style="font-size: small;">farmboys Donnie & Joe Emerson. This is<span style="font-size: small;"> the <span style="font-size: small;">epitome of a lost record<span style="font-size: small;">. The <span style="font-size: small;">album's highlight "Baby" has been flo<span style="font-size: small;">ating around the indie mixtape ether for years. Even Ariel Pink covered it for his new album. If you like <span style="font-size: small;">lost <span style="font-size: small;">relics add this to your Christmas list. </span></span></span></span></span></span></span></span></span></span></span></div>
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<span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;">Well there you have it! I c<span style="font-size: small;">an't wait to see what 201<span style="font-size: small;">3 has in stor<span style="font-size: small;">e. Feel free to comment and sh<span style="font-size: small;">are with friends as well as subscri<span style="font-size: small;">be to me on Spotify. </span></span>We'll see you in the new year. </span></span></span></span></span></span></span></span></span></span></span></span></span></span></div>
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<span style="font-size: x-large;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: x-large;"><span style="font-size: x-large;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"> </span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span> </div>
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c.kopphttp://www.blogger.com/profile/04963359987019802668noreply@blogger.com0tag:blogger.com,1999:blog-3321549655284411908.post-46867333972213801322012-12-13T15:41:00.003-08:002012-12-13T16:06:55.424-08:00ST&SP Best of 2012: Top Songs of the Year <span style="font-size: x-large;"><b>1.<i> Frank Ocean</i></b><i><b> - Pyramids</b></i></span><br />
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Frank Ocean made waves with last year's <i>Nostalgia, Ultra</i> but 2012 he really stepped out into the limelight with one of the most formidable records of the year. It's safe to say that <i>channel ORANGE </i>is an instant classic and Ocean a confident ambitious artist. There are many bright moments in this album but the one song that towered above them all was the epic "Pyramids." Clocking in at nine minutes and fifty-three seconds this song is massive. I am going to make the audacious claim that this is the best long playing R&B song since The Temptations' "Papa Was A Rolling Stone." This song is a perfect example to show how far soul music has come since the early days. "Pyramids" is broken up into a few different parts. It starts off with allegorical mystical lyrics about Cleopatra during the times of the pharaohs. But then with a key change it is revealed that Cleopatra is a stripper and the pyramid is the club. The song lyrically switches from ancient to modern times seamlessly. It's a song that is too slow to be a club banger but too fast to be a slow jam. With "Pyramids" Frank Ocean put himself in a league of his own.<br />
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<b><span style="font-size: x-large;">2. <i>Fiona A<span style="font-size: x-large;">pple - W<span style="font-size: x-large;">erewolf</span></span></i></span></b><br />
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Fiona Apple had been away for seven years, but she returned with a bare-bones and brutally beautiful record with the impossible to remember title: <i>The Idler Wheel Is Wiser Than the Driver of the Screw and Whipping Cords Will Serve You More Than Ropes Will Ever Do. </i>While every<i> </i>track on this album filled with perfectly crafted stories of love and love lost the album seems to be centered around "Werewolf" and it's thesis, "Nothing wrong when a song ends in a minor key." Fiona really opens up her heart on this song which makes it immediately accessible. The song culminates with the sounds of children playing at recess in the background. Apple has said in interviews that she struggled to find a powerful background noise to add to this song until she heard these kids playing outside her apartment in New York.<br />
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<span style="font-size: x-large;"><b>3. <i>The Magnetic Fields - Andrew In Drag</i></b></span><br />
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"Andrew In Drag" The lead single off of <i>Love at The Bottom of the Sea </i>reminds us all of singer songwriter Stephin Merritt's impeccable wit. This song is scandalous on so many levels. It's the tale of a man who realizes he's gay when his friend Andrew does a drag show as a joke at a party. This story is told in the most tongue-in-cheek way imaginable. "Andrew In Drag" is reminiscent of "Lola" by The Kinks. It's a shame songs with this much jest seem to be a dime a dozen. <br />
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<span style="font-size: x-large;"><b>4. </b></span><i><b><span style="font-size: x-large;">Hot Chip - Flu<span style="font-size: x-large;">tes</span></span></b></i><br />
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With LCD Soundsystem hanging it up, Hot Chip has assumed the role of most important dance band on Earth. They returned with a good but not great record called <i>In Our Heads. </i>While I thought overall this record was a step down from their previous release <i>One Life Stand, </i>this record did yield one tremendous song called "Flutes." This track is a nod to the 80s house music style Balearic Beat. A laid back but extremely infectious groove, "Flutes" allows Hot Chip to show off their confidence as a band and really sink their teeth into the song. Hot Chip are certain this one will get your body moving. Hell the chorus itself is dance instructions! A great song to let loose to and one of my new go-to tracks for party playlists.<br />
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<span style="font-size: x-large;"><b>5. <i>Kendrick Lamar - Swimming Pools (Drank)</i></b></span><br />
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While I don't want to get too much into Kendrick Lamar's album <i>Good Kid, m.A.A.d City </i>(we'll save that for next week) What amazes me is that months before the album came out Kendrick released Swimming Pools as a single and it gained a bunch of attention and radioplay. When the album came out he reworked the song and added another verse. This shows me how much of a perfectionist Kendrick Lamar is. He's not afraid to take something that is already recognized as being great and rework it until it's perfect in his eye. What I love about this song is that while the chorus is obviously a party anthem that celebrates drinking <i>"Nigga why you babysittin' only 2 or 3 shots? I'ma show you how to turn it up a notch First you get a swimming pool full of liquor, then you dive in it." </i>The song's verses are actually a sobering look at the pressure and consequences of that lifestyle. <i>"Some people like the way it feels, Some people wanna kill their sorrows, Some people wanna fit in with the popular, That was my problem." </i>Kendrick is not afraid to show both sides of the coin which is what makes the album but in particular this song tremendous.<br />
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<span style="font-size: x-large;"><b>6. <i>Beach House - <span style="font-size: x-large;">Lazuli</span></i></b></span><br />
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<span style="font-size: x-large;"><span style="font-size: x-large;"><span style="font-size: small;"> </span></span><span style="font-size: small;">Beach House follow<span style="font-size: small;"> up <i>Teen Dream </i><span style="font-size: small;"><span style="font-size: small;">with <i>Bloom </i></span>by <span style="font-size: small;">sticking to their formula of painting lu<span style="font-size: small;">sh</span> beautiful</span></span></span></span></span> landscapes and it certainly paid off. "Lazuli" is what the rest of the record was built around, it is the heart of <i>Bloom. </i>There's just no other way to put it, it's just a beautiful piece of music.<br />
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<b><span style="font-size: x-large;">7. <i>Killer Mike - Reagan </i></span></b><br />
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Killer Mike delivers what I have wanted for years, especially from Hip-Hop; timely and in-your-face protest music. Mike uses the deceased President to show the political injustice that is happening in our communities as well stating how Presidents are puppets in the hands of corporate interest. I haven't heard such frank political-protest since Rage Against The Machine. Of course this song will be on pretty much nobody's radar since at the peak of the track the beat bottoms out and Mike belts "I'm glad Reagan's dead." It's a shame that many musicians shy away from politics in their music since it's alienating but, people are hurting out there and Killer Mike isn't afraid to take a controversial stand that some people can rally behind.<br />
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<b><span style="font-size: x-large;">8. <i>Here We Go Magic - How <span style="font-size: x-large;">Do I Know</span></i></span></b><br />
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Here's another overall disappointing record that had a few gems in it. Here We Go Magic are a band that have released several great tracks on several decent albums. It seems like the band can never decide on what they want to be, and thus constantly release inconsistent LPs. However when they do get it together they can make some truly magical music. Case in point the blissful strumming of "How Do I Know" a joyful song perfect for long car rides with the windows down. Also check out the <a href="http://www.youtube.com/watch?v=MqaMEMIBPIw" target="_blank">music video </a>to this, one of the best of the year.<br />
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<span style="font-size: x-large;"><b>9. <span style="font-size: x-large;"><i>Neil Young & Crazy Horse - Walk Like a Giant</i></span></b></span><br />
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The first time I heard Walk Like a Giant was when Neil played it live at The Hollywood Bowl. The record hadn't even been out yet but I knew that this song was one of the better jam songs he had ever written. It was the highlight of the concert and the highlight of the album. This song stomps along with gigantic guitar solo breaks in between Young's lyrics of trekking across a desert. It's a song that only Neil Young could ever get away with.<br />
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<span style="font-size: large;"><i><b>10. Animal Collective - New Town Burnout / Monkey Riches</b></i></span><br />
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If someone were to ask me what Animal Collective sounds like I would direct them to the songs "New Town Burnout" and "Monkey Riches", which I treat as one piece since they seamlessly transition from one to the other and they even play these songs live as one mega track as well. If you didn't know already Animal Collective has two singers that each have their own unique approaches to music. On "New Town Burnout" we have Panda Bear at the helm. Panda Bear's songs tend to be very melodic with a strong emphasis on his powerful Brian Wilson-like voice.While Avey Tare tends to be the more animalistic and yelpy of the two. His song "Monkey Riches" focuses on the cacophony of sounds and the beat of the drums. These two songs serve as some of the best material these two individual artists can do. How these two very different sounds come together and blend is what is at the core of what makes Animal Collective so great.<br />
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<span style="font-size: small;"><i><span style="font-size: small;">Make sure<span style="font-size: small;"> to st</span></span>op by next week as I reveal my top 25 albums of 2012!</i> </span><br />
<br />c.kopphttp://www.blogger.com/profile/04963359987019802668noreply@blogger.com0tag:blogger.com,1999:blog-3321549655284411908.post-61593404368386768732012-12-04T17:12:00.002-08:002012-12-19T12:49:47.032-08:00ST&SP Best of 2012: Artist of The Year <div class="separator" style="clear: both; text-align: center;">
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<span style="font-size: x-large;"><i><b>Ty Segall</b></i></span><br />
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<span style="font-size: x-large;"><i><b> </b></i><span style="font-size: small;">2012 <span style="font-size: small;">really was the year for Ty Segall. Sure <span style="font-size: small;">YouT<span style="font-size: small;">ube was all ablaze over G<span style="font-size: small;">angnam Style but <span style="font-size: small;">if you were to look beyond<span style="font-size: small;"> the constantly passing fa<span style="font-size: small;">ds of pop culture you would find that this San Franci<span style="font-size: small;">scan</span> cult<span style="font-size: small;"> punk/garage </span></span></span></span></span></span></span></span></span></span>hero to<span style="font-size: small;">ok advantage of his youth and fervent<span style="font-size: small;"> creativity b<span style="font-size: small;">y churning out not one but <i>three </i>albums<span style="font-size: small;"> in 2012. <span style="font-size: small;">First in April we ha<span style="font-size: small;">d <i><span style="font-size: small;">Hair </span></i><span style="font-size: small;">which was a collaboration betwee<span style="font-size: small;">n Segall and lo-fi <span style="font-size: small;">psychedelic songsmith White Fence. The<span style="font-size: small;"> two pair<span style="font-size: small;">ed together like the fin<span style="font-size: small;">e red wine and choice <span style="font-size: small;">cut steak<span style="font-size: small;"> releas<span style="font-size: small;">ing what has to be the most creative <span style="font-size: small;"><span style="font-size: small;">psychedelic</span> <span style="font-size: small;">rock album in <span style="font-size: small;">y<span style="font-size: small;">ears.<span style="font-size: small;"> White Fence <span style="font-size: small;">kept the usually erratic Segall on a leash<span style="font-size: small;"> for most of the album letting him cut loose into a frenzy only when it was earned. <i><span style="font-size: small;">Hair </span></i><span style="font-size: small;">goes by quick but it is well worth it. </span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></div>
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<span style="font-size: x-large;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;">In June we saw the release of the first ever Ty Segall Band record <span style="font-size: small;">aptly </span>titled <i>Slaughterhouse. </i><span style="font-size: small;">Segall <span style="font-size: small;">recorded this album with his touring band in the s<span style="font-size: small;">tudio as <span style="font-size: small;">opposed recording the entire thing by himself which he usually does hence the additional '<span style="font-size: small;">Band' moniker.<span style="font-size: small;"> <span style="font-size: small;">His idea behind this record was to put out an a<span style="font-size: small;">lbum that carried the tenacity of his liv<span style="font-size: small;">e <span style="font-size: small;">shows.<span style="font-size: small;"> When performing live Segall tends to play his so<span style="font-size: small;">ngs at <span style="font-size: small;">warp speed with the intensity of a Tasmanian Devil to allow for optimal moshing. <i>Slaughterhouse </i>sounds exactly as the album looks<span style="font-size: small;"> like<span style="font-size: small;">;</span> an e<span style="font-size: small;">scaped<span style="font-size: small;"> banshee from <span style="font-size: small;">hell. There are no subtl<span style="font-size: small;">e tracks or touching moments<span style="font-size: small;"> only brutal punk that will <span style="font-size: small;">assault</span> your eardrums in the best way po<span style="font-size: small;">ssible. <span style="font-size: small;">I mean, the record<span style="font-size: small;"> even ends with a<span style="font-size: small;"> ten minute<span style="font-size: small;"> track that is nothing but screeching guitar feedback. If you have a t<span style="font-size: small;">aste for the fast and heavy, this bud's for you. </span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></div>
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<span style="font-size: x-large;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"> <span style="font-size: small;"> </span>Finally, in October Segall was back to being a solo artist by offering up <i>Twins </i>his last record of 2012. What's crazy about this one <span style="font-size: small;">is when <i>Hair </i><span style="font-size: small;">came out in April he <span style="font-size: small;">hadn't even b<span style="font-size: small;">egun to piece <i>Twins </i>together. Com<span style="font-size: small;">pared to previous Ty Segall albums this one is slower but heavier. Whereas in the past he would <span style="font-size: small;">put a few ideas into a song and churn out short <span style="font-size: small;">but swee<span style="font-size: small;">t tracks however with <i>Twi<span style="font-size: small;">ns </span></i><span style="font-size: small;">he seems to be <span style="font-size: small;">taking himself as a musician more seriously than ever<span style="font-size: small;"> and <span style="font-size: small;">squeezes out all the juice these songs <span style="font-size: small;">have to offer. If you were to tell me a <span style="font-size: small;">years ago</span> that Ty Segall would slow things down a b<span style="font-size: small;">it I w<span style="font-size: small;">ould have been pissed but to be quite honest<span style="font-size: small;"> I like the direction he is going in with <i><span style="font-size: small;">Twins<span style="font-size: small;">.</span></span></i><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"> I thin<span style="font-size: small;">k if this year is any implication of the <span style="font-size: small;">for<span style="font-size: small;"><span style="font-size: small;">ese</span>eable future</span></span> for th<span style="font-size: small;">is young punk the best i<span style="font-size: small;">s still yet to come. </span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></div>
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c.kopphttp://www.blogger.com/profile/04963359987019802668noreply@blogger.com0tag:blogger.com,1999:blog-3321549655284411908.post-28663211698824844842012-11-12T09:43:00.000-08:002012-11-12T09:43:12.259-08:00Neil Young: Beneath The Rust <br />
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A few weeks ago I saw Neil Young & Crazy Horse at The Hollywood Bowl. I consider myself a fan of Young however much to my chagrin I was only familiar with his greatest hits. It was no surprise to me that he only played only a few of his mainstream hits, "Cinnamon Girl," "The Needle & The Damage Done," and "Hey Hey, My My (Into The Black)." However, the rest of his set was comprised of songs from his newest Crazy Horse record <i>Psychedelic Pill </i>and a bunch of songs from his enormous back catalogue. With thirty eight studio records it seems like a daunting task but I decided to listen to every single record, and every single song the entire way through. Here's what I've found. Neil Young is unlike any other artist I've ever listened to. He has some game-changing records, some pretty good ones and some records that should be rounded up and destroyed. Neil is a man who made initial success as a solo artist with some folk and rock songs that help defined a generation and has been trying to shed commercial success ever since. He is a man who does whatever he wants. After a streak of highly successful albums he made his music more challenging and went experimental. In the 80s he toyed around with being a rockabilly singer, a jazz man, and even tried his hand at proto-synth rock. Eventually he settled on being the Neil you see today; a dirty old man in flannel who practically paved the way for Grunge. Regardless on every Neil Young record there are a few tracks that have gone undeservedly unnoticed (except for <i>Landing On Water, </i>that record isn't on Spotify for the benefit of everyone). So enjoy this three hour Neil Young deep cut mix below and check out the ten songs I have highlighted. After I post this I'm probably going to give Neil a rest for awhile, thirty-eight records takes a long time to go through. <br />
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This song has such a funky vibe tonight to it that I always felt it would be a great opening number for a Crazy Horse show. The title track of this album, "Tonight's The Night" sounds like Neil's beckoning call to a mischievous evening. This album and the even greater <i>On The Beach </i>are the best examples of great Neil Young records that unfortunately buried in the mix.<br />
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<i>On The Beach </i>is a record that Neil himself isn't a fan of for some reason, so naturally it's my favorite Young album. In fact this record wasn't even released on CD until 2003, it has maintained a cult favorite among fans. My personal favorite on this album has to be "For The Turnstiles" I have a theory that if you give a Neil Young a banjo he's going to give you back a great song. This simple folk track is the most backwoods thing he has ever done and it's a shame Neil hasn't explored this vein any more because this kind of music pairs quite nicely with his voice.<br />
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Yes, even on the legendary <i>Harvest </i>there's a song that needs more recognition. The album's closer "Words" is like a summary of all the themes that were explored musically throughout the entire record. Driven by piano it paints a lush landscape that reaches it's pinnacle with an impressive guitar part.<br />
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I feel that many people skip this brash romper of a song on <i>Zuma </i>mainly due to the fact that the succeeding track is "Cortez The Killer" which is arguably the best thing Neil has ever recorded.<br />
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1982's <i>Trans </i>features many synth-laden tracks that probably sounded dated five minutes after they were released. It's low point in Neil's discography however Neil happened to retool the track "Transformer Man" for his Unplugged album and revealed to us a breezy and quite lovely track. It's just a shame that the original version of this song was ruined by studio production.<br />
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<i>Broken Arrow, </i>Neil's twenty-fourth record and his seventh with Crazy Horse opens with a trio of jam songs. Most notably the album's opener "Big Time." It hardly has any redeeming lyrical qualities or any sort of hooks but Neil's guitar work on this song is some of his strongest. The rest of what follows this song is hardly memorable however.<br />
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<i>Ragged Glory </i>was a rallying cry for Neil's relevance entering the 1990s. It captures the spirit of grunge music about as well as any Nirvana record. It's a balls to the wall in your face rock record, each song has a driving force of purpose behind it that makes it such an enjoyable listen. "Fuckin' Up" is not a song that will be played on the radio any time in the future, but Neil still loves playing it during shows and the crowd absolutely eats this one up.<br />
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While the song "Harvest Moon" may feature some of the prettiest vocals he's ever recorded, I will also have to argue that "War of Man" is a lush beautiful song that deserves more attention that it has received in the past.<br />
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So many of Neil Young's songs are either about history, nature or the two together. Such is the case with "Down By The River" or "Cortez The Killer." On 1979's <i>Rust Never Sleeps </i>the swift simple acoustics of "Pocahontas" tell a tale of being alive during her time and what a joy it must have been. It's a vividly imaginative folk song that is great to sing along to.<br />
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Finally, I would like to touch upon his newest release, this year's <i>Psychedelic Pill</i>. I wasn't so sure about this record when it first came out however after doing this research, I feel that this album is a bright spot for him when compared to some of his biggest blunders. <i>Pill </i>features some of his longest songs, including "Drifting Back" a rambling stoner jam that clocks in just shy of a half hour. The best song on the album is the monster closer "Walk Like A Giant" which is as gargantuan as its' title. This may be one of the best straight up rock songs released this year. <br />
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Happy Birthday Neil and long live Crazy Horse!<br />
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<a href="http://open.spotify.com/user/ckopp11/playlist/0QNvOI1hPBhxvZ8kGXc7pD" target="_blank"><span style="font-size: large;"><i><b>Click Here For <span style="font-size: large;">A Three Hour Neil Young Spotify Playlist</span></b></i></span></a>c.kopphttp://www.blogger.com/profile/04963359987019802668noreply@blogger.com0tag:blogger.com,1999:blog-3321549655284411908.post-87882882331599960432012-10-31T11:15:00.000-07:002012-10-31T11:15:51.117-07:00Happy Halloween<div class="separator" style="clear: both; text-align: center;">
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Boo. Here's a Halloween Spotify Playlist that I created especially for tonight. Happy ghouling.<br />
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<a href="http://open.spotify.com/user/ckopp11/playlist/4JmDjzu75VQdeWx7xRWOCl" target="_blank">LINK</a>c.kopphttp://www.blogger.com/profile/04963359987019802668noreply@blogger.com0tag:blogger.com,1999:blog-3321549655284411908.post-76395592438976516932012-10-15T18:10:00.000-07:002012-10-15T18:10:40.214-07:00ST&SP The Formative Years Pt. 3: College & Beyond<div style="text-align: left;">
<i>Awhile ago I made the announcement that this site would no longer be a
weekly update on current musical trends and instead turn to more
introspective periodicals. This week I continue to deliver that promise
with a three part introspective about the music that shaped
my life through key stages of growing up starting with "Elementary
School-Middle School" through "High School" and ending with "College and
Beyond." Today we conclude with Part Three: College & Beyond. </i></div>
<div class="separator" style="clear: both; text-align: center;">
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<i><span style="font-size: x-small;"> Loyola Marymount University</span></i><br />
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<span style="font-size: x-small;"><span style="font-size: small;">I think part of the reason why I never really got into <span style="font-size: small;">techno was that I already <span style="font-size: small;">had LCD Soundsystem in my life, and they made my feet mo<span style="font-size: small;">ve <span style="font-size: small;">more </span>than <span style="font-size: small;">any du<span style="font-size: small;">bstep artist e<span style="font-size: small;">ver</span> could</span></span></span></span></span></span></span>. T<span style="font-size: small;">o me they are the ultimate da<span style="font-size: small;">nce band, ever. I started listenin</span></span><i>g </i>to them in high school, I remember listening to <i>LCD Soundsystem </i>with my dad as we were driving through a blizzard in Montana. For some reason the mix of James Murphy's infectious grooves and the fact that we couldn't see ten feet in front of us created such a vivid and exhilarating experience in my head. However, it was not until recently when I look back and see how much they dominated my college years. I saw them three times during college, more than I saw any other artist during those years. I saw them upstage Arcade Fire at The Hollywood Bowl, I saw them get the vast Empire Polo Fields to shake ass during Coachella and I saw them lastly at The Hollywood Palladium where they absolutely burnt the motherfucker to the ground. LCD are a band that humbly takes all the influence from their predecessors and channel it into something brand new and exciting. By the time LCD Soundsystem broke up they were immensely popular, even headlining Madison Square Garden for their now historic four hour long farewell. It was such a joy to follow them from their humble beginnings to where they ended up. Mark my words, LCD Soundsystem will be seen as one of the most influential bands that were active during the '00s.<br />
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Is this really a surprise to anyone? Arguably the most important rock band for more than a decade, I hold a high esteem for Radiohead. They are able to shed their skin and present a varied sound with each LP all while maintaining a familiar aesthetic. If you were to look at my Last.fm charts you would notice that I listen to Radiohead a few hundred plays less than The White Stripes. I listened to them during High School as well but not with the same frequency as I did during college. I remember buying <i>In Rainbows</i> for a cent off of their website thinking how wonderful it was and how big of a "fuck you" it was to record labels.<br />
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I saw Modest Mouse open for R.E.M at The Hollywood Bowl a few years ago and I thought they sucked. Sure seeing Johnny Marr was fun but they lacked any sort of stage presence or fire about their performance. I hadn't listened to much of them before than other than their hits like "Float On" and "Dashboard." However, something happened I decided to give them another shot and gave their discography another try. I still have <i>Lonesome Crowded West </i>in my car and can say with confidence it's one of my top ten favorite records. Something about Modest Mouse clicked for me in college that hadn't in previous attempts. I couldn't get enough of their raw erratic take on rock. Issac Brock's voice is like a rat under duress and I wouldn't want it any other way. Since then I haven't been able to go a few weeks without listening to <i>Good News For People Who Love Bad News, The Moon & Antartica, Lonesome Crowded West, </i>or <i>We Were Dead Before The Ship Even Sank. </i><br />
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Wilco is a group that my younger self would have slapped me for liking. Their mid-tempo "dad" rock is definitely for a more mature audience. However, that's what I love about Wilco. They have been through a lot as a band, through breakups and even death yet they still manage to record some of the most beautiful folk-rock around. Tweedy is an extremely gifted songwriter and he pairs quite well with guitar virtuoso Nels Cline. They also put on quite a solid show and I was fortunate to see them a few times during college. They know how to kick out the jams occasionally, check out "Art of Almost" and "Spiders (Kidsmoke)" for examples of that. However, I appreciate Wilco for the mix of different kinds of songs they manage to put together. Any Wilco record will do, but I highly recommend <i>Being There</i> as a prime example of their range.<br />
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My Morning Jacket is another band that I couldn't get into during high school yet has grown into being one of my current favorite bands during college. People who get to witness Jim James' voice in person tend to have an out of body experience. His voice is a chameleon, it can be the sweetest falsetto that quickly becomes a banshee's scream. I have enjoyed all of their releases although <i>At Dawn </i>is easily my favorite, especially the title track.<br />
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Dr. Dog are a group that slowly grew on me and now <i>Shame Shame </i>is one of my most heavily rotated records. They just know how to create a really good hook, they remind me of The Beatles in that regard. They harmonize very well and can craft a memorable song. All of their records are immediately accessible and are great for singing. That is one element I don't feel enough critics give enough credence to, the ability to make a song that makes someone else want to sing along to is an incredibly hard yet rewarding thing to accomplish, and Dr. Dog make it look easy.<br />
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The Magnetic Fields helped me get through a really rough breakup. I feel like we all tend to lean on music during rough times, and Stephin Merritt was my buddy during that time. I recommend <i>69 Love Songs </i>for anyone. It's really a huge achievement for a songwriter to write an a triple album about one topic. Yet Merritt did and showed the vast and wide varieties of love. The highs, the lows, the little insignificant things "Papa Was A Rodeo" and even big picture ideas like "Grand Canyon." I can't thank The Magnetic Fields enough and next time they're in town I will be front and center.<br />
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Sufjan Stevens was the soundtrack to my summers during my college years. During roadtrips home <i>Illinois </i>would be playing with the windows down through the California desert. I regrettably haven't listened to any of his other stuff that often because that one record is so important to me. There was a study done once that showed people who listened to Sufjan Stevens were the smartest music listeners. It's no surprise to me, his orchestral chamber-pop is so complicated and takes the listener down so many different paths that it really takes a dedicated listener to really enjoy him. That being said "John Wayne Gacy, Jr." is the most hauntingly beautiful song I have ever heard.<br />
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It seems as I look back that there has always been one stand out hip-hop artist that defined certain periods of my life. Elementary school it was Eminem, high school the Beastie Boys and college it was without a doubt Hova. Jay-Z is the Elvis of our generation like it or not. What I love most about him is his confidence as a performer. He knows he's the best and doesn't have to do a goddamn thing except keep on being himself. He was the most electrifying performer when I was at Coachella. However the one memory I will never forget is going for an early morning jog in New York City listening to Jay-Z, it just felt so right. <br />
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I unfortunately just missed Sleater-Kinney when I first began to listen to them. I have a vivid moment of hearing "The Fox" on the radio for the first time and stopping in my tracks. These three ladies from Portland created some of the feistiest rock I have ever heard. They are in my mind the best of the feminist Riot Grrrl scene that started in the 90s and has continued today most notably with Pussy Riot in Russia. I also have a mad crush on Carrie Brownstein. She is in my mind the perfect woman. She's not only one of the best guitarists alive (go see a Wild Flag concert and prove me wrong) but she's also one of the funniest, as a main cast member of Portlandia. In fact it wasn't until Sleater-Kinney went on their indefinite hiatus for Brownstein to come out of her shell as a well known individual artist. So on one hand I'm sad they're not around, but if they hadn't broken up I probably would have never found my one true love.<br />
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Fugazi are a 90s D.C. punk band that I completely missed until my college years. They are now my favorite punk band. Their music isn't necessarily the fastest of their brethren but in my mind they are the most intense and formidable band of that era. They just did it right. They would rather play in high school gymnasiums or in some basement and charge their fans $8 rather than some big concert hall that costs an arm and a leg. Fugazi hasn't done anything for about a decade but they still say they are together. Here's hoping they come roaring back to life soon.<br />
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There's a bar on the outskirts of Culver City in Los Angeles called the Cinema Bar that I used to go to during college. It was a completely unpretentious place, a diamond in the rough of all the douche bars in Los Angeles. It's a total dive filled with nightly regulars that pile in to drink and listen to some of the best live music around. At that time I was already a bluegrass fan, but hadn't yet given Country-Western a try. This bar is what won me over to the genre. Country is like every genre, the shit artists float on the top while the really good stuff seems to be at the bottom of the barrel. There are some great country and southern rock artists out there today, you just have to dig a little deeper. The one band that has been pointing the light in the right direction for quite some time now is Drive-by Truckers. These guys have been steadily on the road since the early 90s. They are the ultimate bar band, and some even say they are the saviors of the entire southern rock genre. I have never been to the south, though I desperately want to so Drive-by Truckers are sort of like a window for me to see into that world.<br />
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I say "College & <i>B</i>eyond" because I'm still actively seeking out new music even after college. Case in point, Ty Segall. If you haven't heard of Ty Segall this year you've been living under a rock. He is the poster boy of the San Francisco slime-garage rock scene. This year he's released three albums and has done two world tours. The guy is a machine that churns out some of the most exciting rock I have heard in a long time. I'm seeing him in December and cannot wait.<br />
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Finally, we come to Reggie Watts. Whenever someone asks me for new music recommendations he is at the top of my list. I respect him on so many levels, as a musician, as a comedian and as an improviser. He improvises all of his songs! He loops his own beatboxing as percussion and uses occasional keyboards for added effect. The man is able to improvise on a whim better pop hooks than most pop bands can make. In my mind he is the most creative, innovative and inspiring artist currently working today and it's baffling why he isn't a household name. Listening to him doesn't do the man justice. You have to see to believe.<br />
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So this concludes this trip down memory lane. It's always fun to look back and see how far you've come as a person and I believe music is a good way of staying connected to one's past. Still, the main question I have is, <b>what was the music of the day that <i>you </i>listened to when you were in College?</b><br />
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Below is a Spotify playlist where you can listen to all of these songs uninterrupted.<br />
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<b><a href="http://open.spotify.com/user/ckopp11/playlist/53Xe7JbtMIgBP5RZrLAz5m" target="_blank"><span style="font-size: large;"><u>CLICK HERE FOR SPOTIFY PLAYLIST</u></span></a></b>c.kopphttp://www.blogger.com/profile/04963359987019802668noreply@blogger.com0tag:blogger.com,1999:blog-3321549655284411908.post-83975400134664380272012-10-08T15:09:00.001-07:002012-10-08T15:10:47.467-07:00ST&SP The Formative Years Pt. 2: High School <div style="text-align: left;">
<i>Awhile ago I made the announcement that this site would no longer be a
weekly update on current musical trends and instead turn to more
introspective periodicals. This week I continue to deliver that promise
with a three part introspective about the music that shaped
my life through key stages of growing up starting with "Elementary
School-Middle School" through "High School" and ending with "College and
Beyond." Today we continue with Part Two: High School.</i></div>
<div class="separator" style="clear: both; text-align: center;">
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<span style="font-size: x-small;"><b><i> Arcadia High School (The Circle) Phoenix, AZ.</i></b></span><br />
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The one band that dominated my high school years and still continue to do so today is The White Stripes. I can remember seeing the video for "Fell In Love With A Girl" for the first time on MTV and just being blown away. For Christmas that year I asked for all of their CDs so I tore through <i>White Blood Cells, De Stijl </i>and <i>The White Stripes. </i>I immediately connected to their raw power and inventive nature. Back then they were still a buzzworthy band and had not risen to the titanic-sized household names that they would eventually become. I remember a lot of people predicting them to be a one-hit-wonder but I could sense that Jack White was here to stay. They are without a doubt my favorite band. Hell, this blog is named after one of their lyrics. I have sort of calmed down from my fanatic tendencies towards this band but there was a time where I ate slept and breathed everything White Stripes. I could write a novel of nothing but praise towards this band and how much they mean to me but I'll save that for another day.<br />
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The 2002 MTV VMAs were big for me. That particular awards show displayed some of the best rock bands around at the time. It was also the big day out for the onslaught of the 'The' bands. The Strokes, The Hives, The Vines, The White Stripes and to a lesser extent at the time The Black Keys. The Hives caught my attention due to their matching suits and hyper personalities. Fans of The Strokes always liked to quarrel with fans of The White Stripes as to who was the more exciting band. I always thought it was a stupid argument because a) the two bands couldn't be more different from each other, and b) it's easily The White Stripes hands down. The White Stripes were able to completely deconstruct rock and roll to it's fundamentals and then slowly build upon it with each of their albums. The Strokes released two tremendous records that sound exactly the same, and then have suffered trying to branch out ever since. The Vines are a band that I feel will have a renaissance in a few years time. They had a whole lot more potential than their two hits "Ride" and "Get Free" it's just a shame singer Craig Nicholls's mental health is always so erratic they were never really able to hit their stride.<br />
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<i>I Get Wet </i>turned ten this year. It's one of those reminders of how quickly time passes.When Andrew WK busted into the limelight with <i>I Get Wet</i> it was an immediately divisive record that instantly made him a cult artist. Pitchfork named it one of the worst records in recent memory (they love it now). However, I think WK is a genius because that record has aged like a fine wine. Andrew WK is about one thing and one thing only: partying. So he set out to make an album that is essentially a party. What resulted is one of the most effortlessly fun and passionate rock albums in years. There are no slow songs. Every single song rocks hard and is a sheer riot. What's also crazy is not a lot of people know that Andrew WK is an accomplished concert pianist but you would never guess that from this record. Sometimes you've gotta say "fuck art, let's dance" and Andrew WK lives that mantra every day of his life.<br />
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Yes, the Beasties have been around before I was alive but it wasn't until high-school when I really <i>got </i>them. If there are an infinite amount of universes out there with an infinite amount of possibilities I'm glad I live in the one where three Jews from Brooklyn were the first to have a number one hip-hop record and subsequently brought the genre into the mainstream. MCA's death this year hit me harder than I thought it would. The Beastie Boys deserve every single accolade and praise that they have coming to them. I remember getting in line at Sam Goody waiting for <i>To The Five Boroughs </i>to come out. The world was a better place when the Beastie Boys were making music.<br />
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I'm not the biggest techno fan. It is the one genre I still haven't really explored. I'm the kind of person who is like "Skrillex who?" However I love Daft Punk, and I know a lot of people like me who listen to Daft Punk and no other EDM artist. Daft Punk have transcended being just another techno artist and have reached a echelon that I don't think any other artist are in except for maybe a few. They are mysterious robotic titans. Very little is known about them as people and hardly is known about their process. When they release records they are clamored over like gifts from the gods. They rarely ever tour and when they did it was a spectacle that is still being talked about in some circles today. I am still absolutely fascinated with how this duo works. Their records are insanely danceable yet are quite simple allowing other artists to sample their tracks. <i>Discovery </i>and <i>Homework </i>are two of the most essential dance records I can think of, although what I've been hearing through the rumor mill about their new album makes me extremely elated.<br />
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I wish I had a more hipster way of how I was introduced to Devendra Banhart but quite simply I heard "At The Hop" on a commercial for <a href="http://www.youtube.com/watch?v=h84Fue5S9wM" target="_blank">Fat Tire beer </a>and I thought the song was lovely. I would have to say Devendra was the first hipster artist I ever got into. He had just released <i>Nino Rojo </i>and was still very much an underground artist, only a couple of my friends had a clue who he was. Folk music wasn't that popular in Phoenix Arizona. It wasn't until I moved out to California I realized that he had a very dedicated following and sold out large venues everywhere, just not in Phoenix. <br />
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I started listening to Arcade Fire because I liked the sound of their name. It's one of the few cases where I judged a book by its cover and got it totally right. I even made a music video for their song "Une Annee Sans Lumiere" I knew they would eventually be huge and by the time their third record came out they won Best Album at the Grammys. Arcade Fire just might be one of those bands that symbolizes my high-school and college generation. They got from the bottom to the top through sheer hard work and determination.<br />
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Clap Your Hands Say Yeah came out around the same time as Arcade Fire and were on track to being a huge deal but they didn't and that's a damn shame. They are a very talented band even if Alec Ounsworth's voice is a little challenging. They were the first indie band to achieve a great deal of notoriety for being successful without having to sign with a label. That's how it works for them and they still continue to do it this way. After a long hiatus these guys are back making music and I couldn't be happier about it.<br />
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There was another period where I listened to Animal Collective <i>a lot</i>. I got hooked to them when <i>Sung Tongs </i>came out. Their music is so unbelievably challenging yet catchy at the same time. They are like an erratic pack of coyotes wailing on drums, synths and vocals. Their two main members Avey Tare and Panda Bear are polar opposites yet compliment each other quite nicely. Tare being the most animalistic with his screeches while Panda Bear offers a more harmonious Beach Boys vibe to the group. They are one of the groups that I never let me parents listen to because I just knew they wouldn't understand what I saw in them. Quite simply they are the most unchained experimental pop group around. Sure they have some terrible songs, but when they get it right they really hit the nail on the head.<br />
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The other extremely experimental group I listened to back in the day were The Flaming Lips. Of course <i>Yoshimi </i>is what introduced me to them, however it's <i>The Soft Bulletin, </i><i>At War With The Mystics</i>, and <i>Clouds Taste Metallic </i>that turned me into a superfan. Their music goes hand in hand with their live show. Seeing a Flaming Lips show isn't so much a concert as it is an experience. Their shows are a participatory confetti-soaked celebration of life. I will never forget celebrating New Year's Eve with my dad and best friend at a Lips show and watching Wayne Coyne in a inflatable hamster ball descend from a giant UFO and walk on top of the crowd. <br />
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I am convinced that Mother Nature herself forged together the elements and created Sigur Ros. They sound so earthly yet so otherworldly at the same time. They are the band that exposed me to Iceland. I have been longing to go there since I was a junior in High School. The natural beauty and landscape of Iceland is something that I have been dying to see with my own eyes. I even set up a savings account with the sole purpose of using some of the money to go there. Someday.<br />
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I remember in the 8th grade a few mentions of a new band called The Format and by the time sophomore year hit they were everywhere. They are the hometown heroes for people my age living in Phoenix. I can't say I was the biggest Format fan, and I certainly could care less about Nate Ruess's other band Fun. However, a bunch of my friends have a ton of memories of high-school associated with The Format and so by association I must admit that The Format impacted my High-School years too. Looking back, I don't understand why I didn't like them more. <i>Interventions and Lullabies </i>is filled with catchy pop-hooks that harken back to the old AM-Radio days, and <i>Dog Problems </i>is straight up <i>Sgt. Pepper</i>-esque. They still are the best band to come out of Phoenix in a long time. I can only hope that fans of the mega-popular Fun. will branch out and give Ruess's first band a shot.<br />
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That's a pretty good sampling of what I listened to during my high-school years check back next week for the dramatic conclusion of The Formative Years with what was going through my computer speakers during College. Still, the main question I have is, <b>what was the music of the day that <i>you </i>listened to when you were in High-School?</b><br />
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Below is a Spotify Playlist where you can listen to all of the songs I have mentioned in one sitting.<br />
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<a href="http://open.spotify.com/user/ckopp11/playlist/68M2x4LnTuK9jXd1KgArwn" target="_blank"><u><b><span style="font-size: large;">CLICK HERE FOR PLAYLIST</span></b></u> </a>c.kopphttp://www.blogger.com/profile/04963359987019802668noreply@blogger.com0tag:blogger.com,1999:blog-3321549655284411908.post-122224639908499222012-10-01T17:48:00.000-07:002012-10-07T19:21:01.754-07:00ST&SP The Formative Years Pt. 1: Elementary-Middle School<i>A while ago I made the announcement that this site would no longer be a weekly update on current musical trends and instead turn to more introspective periodicals. This week I continue to deliver that promise with the first of a three part introspective about the music that shaped my life through key stages of growing up starting with "Elementary School-Middle School" through "High School" and ending with "College and Beyond."</i><br />
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<span style="font-size: xx-small;"><i> Inside Christ Lutheran School where I went.</i></span><br />
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There are so many bands and artists that I could have mentioned. The Beatles, The Kinks and especially Led Zeppelin have dominated my CD player throughout the years but my goal with this series is to show how much of a product of my generation I am and how much the music that was being made then shaped me into the person that I am today. Music is something that defines us and helps us relate to others. I also believe that people's taste shifts throughout time and to me it's a great way to wax nostalgic and see how much one has changed. Some of these artists I am ashamed to admit I liked others I still proudly listen to and will defend their importance till the day I die. <br />
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The first CDs I ever owned were the McDonald's Celebrates Disney CD series that came with Happy Meal toys circa 1997. I remember vividly going to McDonalds with my mom day after day until I had the entire collection of Buddy, Hero and Rascal Songs. My dad had a CD collection and now I had my own little three CD stash. I was literally amazed with how this little disc could be put in my Dad's stereo and play sounds, and on top of it all these CDs were <i>mine. </i><br />
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The first CD that I ever had my mother buy me was Smash Mouth's <i>Astro Lounge </i>at a Target in Phoenix. It's crazy. I don't remember most of my classmates from elementary school but I remember buying this album like it was yesterday. I must have heard Smash Mouth's smash hit "All Star" in some Disney Channel program but then again when that song came out it was <i>everywhere</i>. It's interesting how this was the first album for many of my friends who are around my age as well. I can see why, it's a fun shiny album and is safe for kids to listen to. Looking back on it I see Smash Mouth as a band for people who think They Might Be Giants are a little too extreme but at the time I thought this was the bee's knees. <br />
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The second album I ever owned was Fatboy Slim's <i>You've Come A Long Way Baby</i>. I remember with my mom at the mall buying pants at a JC Penney's and on the TV the music video for "The Rockafeller Skank" came on and so I asked my mom if we could go to the mall's Sam Goody and get the CD because I liked that song. This was also the first record I ever owned with a parental advisory sticker on it. On the ride home I put the CD in the car stereo and on the third track "In Heaven" the lyrics of the track are "Fatboy Slim is fucking in Heaven" are repeated over and over for three minutes. So my mom freaked out, turned the car around and returned the CD to Sam Goody. That was the first and only album I have ever returned. I still don't own it. I should buy it on vinyl. Great record. <br />
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Since 1983 Weird Al has dominated the school yard. Back in the 3rd grade I remember listening and memorizing Weird Al lyrics with my friends at recess. He has a ton of albums but I would argue that <i>Bad Hair Day</i> is still his most essential. Weird Al was actually my first concert. I saw him perform at Hershey Park in Pennsylvania for free with my mom, he was on his <i>Running With Scissors </i>Tour. I was absolutely floored being able to sing "Eat It" and "Amish Paradise" with my mom and tons of kids my age. Weird is still pumping out hilarious accordion parodies of pop music to this day with the same band, he still rocks and I'm sure kids are still quoting him on the playground to this day.<br />
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My dad has always had a...unique taste in music. He used to collect the ESPN CD series <i>Jock Jams</i> so by association I listened to <i>Jock Jams</i>. Some of the songs were really good "Flagpole Sitta" is still a great 90s rock song. However, most of the mix was made up of the most senseless pop hits of the day like Chumbawumba. I am sure that <i>Jock Jams</i> was only intended to be used for cheerleading competitions, but my dad loved them.<br />
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Okay, now here we go. The Offspring fucking rule. They were my first truly favorite band. My dad loved them and they were our go-to artist to play in the car to get me pumped up on the way to hockey practice. Granted The Offspring have sort of faded out of relevance even though they're still touring and making music but <i>Smash, Ixnay on the Hombre, </i>and <i>Americana </i>are in my mind three of the most essential mainstream punk albums of the 90s. I will defend the importance of The Offspring till the day I die. I've been listening to them since I was a little kid and I still have <i>Americana </i>in my car. They were the first concert I ever saw with my dad too. I have great memories tied to this band.<br />
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Much like the NSYNC vs. Backstreet Boys camp there was a Blink-182 vs. Green Day camp. Even though it's a ridiculous argument cause both bands have released really amazing and really awful records. I was team Blink 182 all the way. Primarily because at the time I watched a lot of MTV and Blink made way better music videos than Green Day did. I also connected better with Blink's personality. They seemed like a bunch of goofballs who liked to run around and make fart and dick jokes which is exactly who I was at the time. I also was a huge fan of their live album <i>The Mark Tom & Travis Show</i>, I learned a lot of new swear words and references to the human anatomy from that album alone. The first half of it is a solid hit-packed live album and the second half is filled with hilariously inappropriate live banter. It's borderline stand-up comedy. I still listen to <i>Enema of The State</i> and <i>Take Off Your Pants and Jacket</i> occasionally.<br />
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There were no music blogs back then and Napster was just getting started so I just assumed that whatever they played on the radio or on MTV was all that was out there. That was until I discovered my favorite local radio station the now defunct Arizona rock station Edge 103.9 had a weekly late night SkaPunk show. Here I was exposed to a plethora of current 90s punk and ska bands that I didn't know existed until then. NOFX, The Dead Milkmen, Less Than Jake, and Operation Ivy among others. It was so raw and exciting. I knew that even as a 6th grader this would be a genre worth remembering. I would write down the artists names that I enjoyed when they were announced by the DJ after a block of songs and the next day I would go to the Phoenix Public Library or on Napster and try to find them. <br />
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Sigh. Nu Metal. A dark age in the history of rock and roll. Nu Metal was different than the more traditional thrash metal of Metallica that I was currently listening to. These songs were more about their "feelings" and were much more slowed down and I would have to say even vaguely influenced by hip-hop. Linkin Park, Limp Bizkit, Korn, Staind all dominated the airways and as an impressionable youth I bought into it. I try to forget this period but at the time I fucking loved it. I even went to a Korn concert and you know what? It kicked ass. It was loud and in your face and I loved any minute of it. So fuck it, I'll wear it like a badge. There was I time I was super into Korn.<br />
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Eminem was the only artist my parents forbid me to listen to. So naturally, when they weren't watching I downloaded everything he released. <i>The Eminem Show</i> was the first record I purchased with my own money that I had from my allowance because I had to purchase it behind my mom's back. Eminem was one of the most divisive artists I can think of. Everyone at the schoolyard either hated him or loved him. I wanted to hate him so much but I couldn't. He was so angry and passionate that I was drawn to his music. I never agreed when he talked about domestic abuse but Eminem was the first hip-hop artist I ever truly got behind. I re-listened to <i>Marshall Matthers LP </i>when I was researching for this post, it's a game-changer of an album. Dr. Dre is a great producer as well. It's interesting how he's gone from being the most controversial artist alive and having his CD's being destroyed by kids parents to becoming what is essentially the soundtrack to National Guard commercials everywhere.<br />
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If you asked me to I could recite the entire <i>Tenacious D</i> record from heart, and I have been able to do that since the eighth grade. I have a similar relationship to Tenacious D as I did with Weird Al. I love Jack Black as a comedic actor but I would bet the first Tenacious D record is what many people my age appreciate him for. It was a record that brought people together and forged friendships over dirty, filthy and hilarious songs. Long live The D. <br />
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A lot of people and critics would say that Nirvana's <i>Nevermind </i>is the quintessential 90s rock record. While that record is certainly monumental and I listened to Nirvana a lot. I would argue that Weezer's debut record <i>Weezer (The Blue Album) </i>is the quintessential 90s record. Their first two records <i>Blue </i>and <i>Pinkerton </i>are some of the best rock music made during the 90s. Every Weezer fan loves and hates Weezer very passionately, talking about how great they were and how far they have fallen from grace since those first two records (I still think <i>Maladroit </i>is under-appreciated). I can state for a fact that Weezer was many of my closest friends favorite band growing up. Every single song on those first two records are solid.<br />
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I am sure there are other bands and songs that were a big part of my early years but those are the main ones I can think of, I will be back soon with Pt. 2 High School soon. However the main question I have is, <b>what was the music of the day that <i>you </i>listened to when you were in Elementary-Middle School?</b><br />
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Below is a Spotify Playlist where you can listen to all of the songs I have mentioned in one sitting.<br />
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<a href="http://open.spotify.com/user/ckopp11/playlist/2yUIEnz30XblB0QU4cuOlr" target="_blank"><b><u><span style="font-size: large;">CLICK HERE FOR PLAYLIST</span></u></b></a><br />
<br />c.kopphttp://www.blogger.com/profile/04963359987019802668noreply@blogger.com1tag:blogger.com,1999:blog-3321549655284411908.post-61528813256992516322012-09-07T23:53:00.000-07:002012-09-07T23:53:08.522-07:00The Rundown<div class="separator" style="clear: both; text-align: center;">
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Well friends it's been quite some time since I've updated you on my musical adventures. Summer is almost gone and the most I have barely posted anything. So I'm going to try something new. Instead of dedicating a single post to an entire artist, I am going to exhibit the notion of less talk more rock and list a sample of what I've been listening to lately and letting you <a href="http://spotify.com/">Spotify </a>users listen to it. See you kids soon.<br />
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<span style="font-size: large;"><b>Dirty Projectors - Swing Lo Magellan</b></span><br />
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The new Dirty Projectors record came out this summer. I listened to it once and quickly forgot about it, then I went on a road trip and decided to throw <i>Swing Lo Magellan</i> on my iPod, and now it's one of my favorite records of the year so far. It's way more stripped down and not as adventurous as <i>Bitte Orca</i> but damn these songs manage to just be so beautiful. This album is a perfect blend of simple songwriting with intricate musical arrangements. <br />
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<span style="font-size: large;"><b>Animal Collective - Centipede Hz</b></span><br />
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Animal Collective might shed some fans they gained from the far more accessible <i>Merriweather Post Pavilion</i>. Even some critics are having a tough time agreeing with it. Look, Animal Collective have always been a tough cookie to swallow. Their bizarre yelping over dense landscapes of nonsensical sounds tends to be off putting for a lot of people. I think this record is really interesting however, one of the lead vocalists, Avey Tare recently went through a divorce and whereas <i>Merriweather </i>was a much more jubilant record about family unity, <i>Centipede Hz</i> is a much darker record that covers themes about trying to find one's place in the world after tragedy. Considering how between eight of the eleven tracks are helmed by Tare it seems he had something to get off his chest. Bottom line is this Animal Collective fans: if you preferred <i>Strawberry Jam</i> to "My Girls" you're going to enjoy this.<br />
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<span style="font-size: large;"><b>Cat Power - Sun</b></span><br />
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Chan Marshall otherwise known as Cat Power returns from a long hiatus of new material with her most upbeat album in years. If you enjoyed Fiona Apple's new record I'd give this one a shot too. It's not as daring but the last half of this record can easily be called some of her best material.<br />
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<b><span style="font-size: large;">The Orwells - Remember When</span></b><br />
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Group of seventeen year-old garage rockers from Chicago made a pretty damn fine debut album. It doesn't re-invent the wheel but then again good rock doesn't have to. <br />
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<b><span style="font-size: large;">Divine Fits - A Thing Called Divine Fits</span></b><br />
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So Handsome Furs broke up this year and with Wolf Parade on indefinite hiatus David Boeckner needed something to do, so he called up his friend Britt Daniel lead singer of Spoon and formed a new-wave band and made one of the most fun records of the year. This record is a sexy party.<br />
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<b><span style="font-size: large;">Everything Ty Segall Has Ever Done Ever</span></b><br />
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<span style="font-size: large;"><span style="font-size: small;">I have been listening to an unhealthy amount of Ty Segall. I am a sucker for a killer guitar riff, Jack White used to pump them out like water when he was with The White Stripes and I think that once he becomes a household name, Ty Segall will capture that throne. He is about to release his third record of 2012 and I can't wait. This man is on a creative high and is unstoppable. Pay attention to this career. </span></span><br />
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<b><span style="font-size: large;">Jessie Ware - Devotion </span></b><br />
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<span style="font-size: large;"><span style="font-size: small;"> </span></span>Diva in the making. Mark my words.<br />
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<b><span style="font-size: large;">Crazy Horse</span></b><br />
<span style="font-size: large;"><span style="font-size: small;"><iframe allowtransparency="true" frameborder="0" height="380" src="https://embed.spotify.com/?uri=spotify:track:41tnOiB1CVHdoCeG6gLnRp" width="300"></iframe></span> </span><br />
I'm just posting this because I'm seeing Neil Young & Crazy Horse at The Hollywood Bowl soon and I couldn't be more pumped. Did you know Crazy Horse has some songs without Neil? And they're pretty good, check it out above.<br />
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That's all for now. I've also been listening to a ton of hip-hop but that's for another time.c.kopphttp://www.blogger.com/profile/04963359987019802668noreply@blogger.com2tag:blogger.com,1999:blog-3321549655284411908.post-32715136035309215702012-07-24T18:31:00.002-07:002012-07-24T18:37:56.034-07:00Five Years Gone<div class="separator" style="clear: both; text-align: center;">
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<i>"But I Was There..." </i>A phrase once sung by James Murphy of LCD Soundsystem applies to the age we live in now where people all over are given immediate and intimate access to any musical generation in recording history. However the one thing that the kids can never truly gain is the experience of actually being there, being in the room and seeing history being created right before their eyes. Sure there's YouTube, but you can't truly grasp the immensity of a live event on a computer screen.<br />
I was there. Five years ago on this day I was witness to the most memorable concert experience of my life. I've seen Daft Punk cross the ocean to America, I've seen The Flaming Lips on New Years Eve, I've been to a lot of noteworthy shows on my short time in this planet, but nothing tops seeing The White Stripes at Madison Square Garden on July 24th 2007.<br />
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The crowd arrived early to see openers country legend Porter Wagoner (who passed away not too long after) and the enigmatic Nick Cave and his noise grunge project Grinderman. The two acts received a warm response but the crowd was seething for The White Stripes. Not many duos have ever sold out Madison Square Garden and the audience was eager to see how Jack would take advantage of this opportunity.<br />
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The stage was very much in the Stripes' style: stripped down and of course color coordinated. Everything from the backdrop to the instruments were bathed in red. Having seen The White Stripes on several tours before this one, I have to say that this stage setup was by far their best. The lights were angled in a way to cast huge shadows of Jack and Meg on the backdrop, it was like a natural Jumbotron but way more creative. It is still to this day the most effective lighting design I have ever seen. There was also a second level for Jack to walk up to allowing him to have a few Angus Young moments. <br />
Jack and Meg tore through hit after hit after hit from their entire catalogue, they were at a point in their careers where they had too many good songs to play, but due to the immensity of the venue Jack was smart to stick to the heavy riffs like "Blue Orchid" and fan favorites like "Hotel Yorba." After what seemed like an already memorable show Jack and Meg came out for an unprecedented nine song encore just to make sure they left their mark on the place.<br />
After the show, many of us were in left in complete awe of how one man had eighteen thousand people in the palm of his hand. We talked about how The White Stripes were at a perfect point in their careers where they were able to achieve commercial success without having to compromise any of their creative vision. It seemed like they couldn't be stopped. Then a few weeks later in Mississippi of all places, The White Stripes abruptly cancelled the remaining leg of their tour and eventually ended things all together. Only nine American cities got to witness the spectacle that I had been fortunate enough to see. If they had kept it together for the remainder of the tour there is no question in my mind that the Icky Thump tour would be considered The White Stripes best of their career.<br />
Five years later, I still don't know how I feel about The White Stripes breakup. On one hand I miss knowing that someday soon their traveling roadshow would stop in my town, I miss marking on my calendar when a new White Stripes record might come out, but then again their sudden and still mysterious ending adds to the overall fascination of The White Stripes. Unlike most other bands they never released a disappointing album, and they ended things at a creative high. Though I am still blue about not having my favorite band around any more I can take comfort like so many other White Stripes aficionados in knowing that I was there.<br />
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<span style="font-size: large;"><b>The White Stripes - Catch Hell Blues 7/24/07</b></span> </div>
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<span style="font-size: large;"><b><a href="http://www.mediafire.com/download.php?rjie5z6zu7i2316"> Download Seven Nation Army live at Madison Square Garden</a></b></span><br />
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<a href="http://www.mediafire.com/download.php?a992gkcjp1kyhud"><span style="font-size: large;"><b>Download The Entire Show</b></span></a>c.kopphttp://www.blogger.com/profile/04963359987019802668noreply@blogger.com1tag:blogger.com,1999:blog-3321549655284411908.post-39422043918080573972012-06-30T15:56:00.000-07:002012-06-30T15:56:07.629-07:002012 So Far...Why hello there, longtime no see, yes this blog has unfortunately slowed down. I've realized that paying bills is more important than my little blog posts. However, I haven't stopped searching out new music, and 2012 has been an absolutely incredible year for music so far. Some of these records I believe will strongly influence artists of the future, and the year is only halfway over! Also one small change of pace. I am no longer going to be offering free downloads of material. I had my Mediafire shut down by the feds and I don't want to go through all that again. Besides if you don't have Spotify already, you're really missing out. Anyways let's do it to it!<br />
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<b><span style="font-size: x-large;">1. Chromatics - <i>Kill For Love</i></span></b><br />
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The indie record label Italians Do It Better has been putting out some of the best chill-pop around. They manage to mold some newer electronic vibes with a very vintage Italian discopop feel to them. They may have released their magnum-opus with Chromatics' sophomore LP <i>Kill For Love. </i>You might recognize this sound because frontman Johnny Jewel contributed to the <i>Drive </i>soundtrack. Some albums are great collections of songs, others take you on a sonic journey. <i>Kill For Love</i> is of the latter category. This moody monster of a record moves at a laid back pace through crafty pop songs and ambient noise. This might be up there with Pink Floyd's <i>Dark Side of the Moon</i> in terms of nighttime music. It's an incredibly confident record for such a relatively young band. </div>
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<b><span style="font-size: x-large;">2. Death Grips - <i>The Money Store</i></span></b><br />
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<span style="font-size: x-large;"><span style="font-size: small;">Death Grips make terrifying music. That's the best way to describe this guerrilla punk hip-hop group. They make Odd Future look like The Everly Brothers in terms of being hardcore. I'm not going to like this is a tough record to get into it's very harsh on the ears for a casual listener and it has no club hits for typical hip-hop fans. However, I cannot name another group that sounds anything close to Death Grips. If this group is not the anthem that the disgruntled skater youth are flying their freak flag to then I don't know what to think anymore.</span></span><br />
<span style="font-size: x-large;"><span style="font-size: small;"><iframe allowtransparency="true" frameborder="0" height="380" src="https://embed.spotify.com/?uri=spotify:track:5ZtF5IAVOaAQfVjbZav0K2" width="300"></iframe></span></span><br />
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<span style="font-size: x-large;"><span style="font-size: small;"><span style="font-size: x-large;"><b>3. Fiona Apple - </b></span></span><i><b>The Idler Wheel Is Wiser Than the Driver of the Screw and Whipping Cords Will Serve You More Than Ropes Will Ever Do</b></i></span><span style="font-size: x-large;"><span style="font-size: small;">.</span></span><br />
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<span style="font-size: x-large;"><span style="font-size: small;">Fiona Apple has returned to the spotlight with her first record since 2005, <i>The Idler Wheel... </i>I am not a Fiona Apple scholar by any means but I do understand drama, and this is one of the most heart-wrenching albums I have heard in a long time. Since her last record <i>Extraordinary Machine </i>there have been countless of these Starbucks friendly singer-songwriter chicks who all sing about falling in and out of love. Not one of them holds a fucking candle to Fiona. This beautiful lady has been through a lot and she lets it all out through her voice, lyrics and piano. That's one thing I love about this album is it's so stripped down, there is only piano, light drums and the occasional acoustic bass. Her stories are so passionate and vivid that you really don't need anything additional than just her. She is the definition of a prolific artist.</span></span><br />
<span style="font-size: x-large;"><span style="font-size: small;"><i> </i><iframe allowtransparency="true" frameborder="0" height="380" src="https://embed.spotify.com/?uri=spotify:track:4zNgZaFsNmFXlFU4wvgi0U" width="300"></iframe></span></span><br />
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<span style="font-size: x-large;"><span style="font-size: small;"><b><span style="font-size: x-large;">4. Killer Mike - <i>R.A.P. Music</i></span></b></span></span><br />
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<span style="font-size: x-large;"><span style="font-size: small;"><span style="font-size: x-large;"><span style="font-size: small;">One of OutKast's longtime compatriots, Killer Mike finally steps into the limelight thanks to stellar production by El-P. I have complained for the longest time that hip-hop has unfortunately drifted away from making important political and social observations and instead throwing focus on personal wealth and gain. Well, today I can rest in peace that my favorite kind of hip-hop is still thriving. <i>R.A.P. Music</i> tackles politics, religion, and social injustice with a poet's wit. He takes aim at everyone: blacks, whites, cops, thug life, the uneducated and spousal abuse to name a few. While every song is strong two really stick out in my mind. "Reagan" is the most blunt anti-politics song I have heard in years where Mike praises the death of Ronald Reagan and laments over the current state of government and America's slave-like affair with big oil. "Willie Burke Sherwood" is a song where he talks about being insecure for being into literature and enjoying school. He does all this while twisting the plot of <i>Lord of the Flies </i>to fit his own childhood. Yeah. That is amazing. </span></span></span></span><br />
<span style="font-size: x-large;"><span style="font-size: small;"><iframe allowtransparency="true" frameborder="0" height="380" src="https://embed.spotify.com/?uri=spotify:track:2HRYa6iG1M5DRefO8pK2I3" width="300"></iframe></span></span><br />
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<span style="font-size: x-large;"><span style="font-size: small;"><span style="font-size: x-large;"><b>5. Beach House - <i>Bloom</i></b></span></span></span><br />
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<span style="font-size: x-large;"><span style="font-size: small;"><span style="font-size: x-large;"><span style="font-size: small;">If you loved Beach House's previous three records then you're going to adore <i>Bloom</i>. If not, move along. Beach House are one of those bands that have decided what they wanted to be a long time ago and have stuck to being exactly that. They are one of the most solid groups in the indie world. Their steadfastness has paid off, this record debuted really well on the charts. What I love about this group is though their sound is pretty much uniform, they are able to make each song unique and catchy. "Lazuli" is the centerpiece to <i>Bloom </i>and is quite frankly the best song the band has recorded to date. I took a drive along the PCH here in Los Angeles the other day with the windows down and this record playing. It was quite heavenly. </span></span></span></span><br />
<span style="font-size: x-large;"><span style="font-size: small;"><span style="font-size: x-large;"><span style="font-size: small;"> <iframe allowtransparency="true" frameborder="0" height="380" src="https://embed.spotify.com/?uri=spotify:track:0Fc8hmAuH0rHYq2Ur9t07Y" width="300"></iframe></span><b><i> </i></b></span></span></span><br />
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One of my favorite slowjams ever Donnie & Joe Emmerson's "Baby" is about to be reissued on one of my favorite record labels, <a href="http://lightintheattic.net/">Light In The Attic</a>. Also Ariel Pink has recorded a cover of this song is making it his lead single on the new Ariel Pink's Haunted Grafitti album. Talk about sudden resurrection! Listen to it below.<br />
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<br />c.kopphttp://www.blogger.com/profile/04963359987019802668noreply@blogger.com0tag:blogger.com,1999:blog-3321549655284411908.post-92065346947385680812012-04-27T10:53:00.001-07:002012-04-27T10:53:34.245-07:00Death Grips<div class="separator" style="clear: both; text-align: center;">
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In recent years there have been a plethora of genre-bending hip-hop acts taking rap to new and weird places. Das Racist, Shabazz Palaces, Odd Future Wolf Gang Kill Them All, Lil B, and Action Bronson to name a few. However 2012 marks the rise of a hip-hop group that might take the cake; Death Grips. While Tyler The Creator might be seen as a foul-mouthed prankster keen on inciting riots, Death Grips are the real deal. Death Grips make terrifying music. Their music is a messy fusion of rap/punk/electro and straight up avant-garde. They tread the line of genius and thoroughly unlistenable throughout their sophomore mixtape <i>The Money Store.</i> If the rancorous skater crowd isn't listening to this then I don't know what they are anymore. <br />
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Download via Mediafire:<br />
<a href="http://www.mediafire.com/download.php?h1neo6ea167ow4b">Hacker </a>c.kopphttp://www.blogger.com/profile/04963359987019802668noreply@blogger.com0tag:blogger.com,1999:blog-3321549655284411908.post-62560488393254608202012-04-16T12:05:00.000-07:002012-04-16T12:05:08.007-07:00Late Discoveries: The Magnetic Fields - 69 Love Songs<div class="separator" style="clear: both; text-align: center;"><a href="http://1.bp.blogspot.com/_p23288Bcvx0/TT2t7NT905I/AAAAAAAAGJs/4QH7xDeIt6E/s1600/R-627532-1140546089.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="http://1.bp.blogspot.com/_p23288Bcvx0/TT2t7NT905I/AAAAAAAAGJs/4QH7xDeIt6E/s400/R-627532-1140546089.jpeg" width="400" /> </a></div><div class="separator" style="clear: both; text-align: center;"><i>Late Discoveries is a new periodical for ST&SP. It has been created because we're only human and can't be up on every band on the planet. Sometimes we arrive late to a great album.</i></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: left;">For myself 2012 is the year I discovered The Magnetic Fields. Their hit "Andrew In Drag" from <i>Love At The Bottom Of The Sea </i>is easily my favorite song of the year thus far, I decided to delve into their catalogue and<i> </i>it wasn't long until I found myself tearing through <i>69 Love Songs</i> their epic triple album comprised of, you guessed it, sixty-nine songs about love. Yet, saying this album is just a collection of love songs is putting it too simply. What Stephin Merritt has done is composed a musical version of a doctoral study on love. Each song is told from a different character's point of view and deals with love in different frames of light using many different subjects of love. The way he writes love songs reminds me of early tracks by The Beatles. So simple, so catchy and concise yet such a hard accomplishment to achieve. Merritt isn't just a singer and lyricist, his lyrics are poetry. Here are just a few of my personal favorite lines from this record:</div><div class="separator" style="clear: both; text-align: left;"><br />
</div><div class="separator" style="clear: both; text-align: left;"><i>"You need me like the wind needs the trees to blow in Like the moon needs poetry"</i></div><div class="separator" style="clear: both; text-align: left;"><i>"Pack bags, call cabs and hurry home to me"</i></div><div class="separator" style="clear: both; text-align: left;"><i>"Let this be the epitaph for my heart Cupid put too much poison in the dart"</i></div><div class="separator" style="clear: both; text-align: left;"><i>"The book of love has music in it In fact that's where music comes from Some of it is just transcendental Some of it is just really dumb" </i></div><div class="separator" style="clear: both; text-align: left;"><br />
</div><div class="separator" style="clear: both; text-align: left;">Since this album covers an array of topics concerning love, it's no surprise that at least one song has a "oh man, I've been there" moment for every listener. In fact this album has sort of evolved into the hipster wedding/breakup record by containing ample tracks about both subjects. All in all <i>69 Love Songs</i> is already seen as a classic and a monumental achievement in creative writing. It's no wonder Stephin Merritt is referred to as the Cole Porter of this generation.</div><div class="separator" style="clear: both; text-align: left;"><i> </i></div><div class="separator" style="clear: both; text-align: left;">Check out this Spotify Playlist I made featuring my favorite tracks from <i>69 Love Songs</i></div><div class="separator" style="clear: both; text-align: left;"><a href="http://open.spotify.com/user/ckopp11/playlist/2iadAD0Q5hsuK2d4J76aBV">CLICK HERE</a></div><div class="separator" style="clear: both; text-align: left;"> </div><div class="separator" style="clear: both; text-align: left;"> </div><div class="separator" style="clear: both; text-align: left;"><br />
</div>c.kopphttp://www.blogger.com/profile/04963359987019802668noreply@blogger.com1tag:blogger.com,1999:blog-3321549655284411908.post-31151684753591992592012-04-13T19:54:00.000-07:002012-04-13T19:54:40.825-07:00Lotus Plaza<div class="separator" style="clear: both; text-align: center;"><a href="http://cdn3.pitchfork.com/news/45347/0de11169.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="http://cdn3.pitchfork.com/news/45347/0de11169.jpg" width="400" /></a></div>While Bradford Cox may be the frontman for Deerhunter, the group would be nowhere without the finesse of guitarist Lockett Pundt. While Cox's solo-work dons the Atlas Sound moniker, Pundt releases music as Lotus Plaza. It's fun to dissect these groups to see how these two halves make up the whole of Deerhunter. Bradford seems to bring the experimental elements to the table, while Pundt likes to provide a lush landscape of sound. Lotus Plaza has just released <i>Spooky Action At A Distance. </i>It's a very fine album that blends together quite nicely. Some critics are citing it as one of the best albums of the year so far, while I disagree I still find it to be a highly enjoyable record. Though these songs mesh together and some are easily forgotten, I've found "Eveningness" to be the stand-out, it makes me feel like I'm up in the clouds. Perfect for a spring-evening in Los Angeles.<br />
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Download via Mediafire:<br />
<a href="http://www.mediafire.com/?cle1jwcsnw78oe3">Eveningness</a>c.kopphttp://www.blogger.com/profile/04963359987019802668noreply@blogger.com0